Thomas Middleton

“The next good mood I find my father in, I’ll get him quite discarded”With these chillingly offhand words, Beatrice-Joanna, the spoilt daughter of a powerful nobleman, plots to get rid of the family servant who has crossed her once too often. The Changeling’s vivid tale of sexual appetite, repulsion, betrayal and lunacy remains one of the most compelling tragedies of the 17th century. Exposing the vexed relationship between servants and masters, setting notions of `change’ against the revelation of psychological ‘secrets’ as ways of explaining human behaviour, and exploring the idea of love as a `tame madness’, the play reveals the terrifying consequences of ungoverned sexual appetite and betrayal. Featuring the full and modernized play text, this revised edition includes incisive commentary notes which explain the nuances of the play’s vibrant, colloquial language and demonstrate its sly delight in the characters’ conscious and unconscious wordplay. Michael Neill’s illuminating introduction provides a firm grounding in the play’s socio-political context, demonstrates how careful close-reading can expand your enjoyment of the play, explains the play’s violent linkage of comic and tragic plots and gives theatrical life to the text via a discussion of its stage history, with a particular emphasis on the most interesting recent productions. The New Mermaids plays offer: · Modernized versions of the play text edited to the highest textual standards · Fully annotated student editions with obscure words explained and critical, contextual and staging insight provided on each page · Full Introductions analyzing context, themes, author background and stage history

The Old Law, or A New Way to Please You is a seventeenth-century tragicomedy written by Thomas Middleton, William Rowley, and Philip Massinger. It was first published in 1656, but is generally thought to have been written about four decades earlier.

Anything for a Quiet Life is a Jacobean stage play, a city comedy written by Thomas Middleton and John Webster. Topical allusions suggest the play was written most likely in 1621.

The Nice Valour, or The Passionate Madman is a Jacobean stage play of problematic date and authorship. Based on its inclusion in the two Beaumont and Fletcher folios of 1647 and 1679 and two citations in 17th-century sources, the play has long held a place in the canon of John Fletcher and his collaborators. Modern scholarship, however, has accumulated much internal evidence for the authorship of Thomas Middleton.

Blurt, Master Constable is a late Elizabethan comedy, interesting for the authorship problem it presents. The play is subtitled "The Spaniards' Night Walk," and an allusion to the Spanish in Ireland in the play's final scene - there was a Spanish raid on Ireland in September 1601 - helps to fix the date of the play to 1601-2. Blurt was entered into the Stationers' Register on 7 June 1602, and published later in that year in quarto, printed by Edward Allde for the bookseller Henry Rocket (the single edition in the 17th century). The title page of the quarto states that the play was acted by the Children of Paul's, one of the troupes of boy actors performing at the time.

"The next good mood I find my father in, I'll get him quite discarded" With these chillingly offhand words, Beatrice-Joanna, the spoilt daughter of a powerful nobleman, plots to get rid of the family servant who has crossed her once too often. The Changeling remains one of the most compelling tragedies from the 17th century. Exposing the vexed relationship between servants and masters, setting notions of 'change' against the revelation of psychological 'secrets' as ways of explaining human behaviour, and exploring the idea of love as a 'tame madness', the play reveals the terrifying consequences of ungoverned sexual appetite and betrayal. Despite its seemingly domestic focus, The Changeling has much to reveal about the gathering social and political tensions that were to plunge England into a destructive civil war within twenty years of its first performance. This new student edition contains a lengthy new Introduction with background on the authors, date and sources, theme, critical interpretation and stage history. The New Mermaids plays offer: - Modernized versions of the play text edited to the highest textual standards - Fully annotated student editions with obscure words explained and critical, contextual and staging insight provided on each page - Full Introductions analyzing context, themes, author background and stage history

Originally published in 1929, this book presents a critical edition of A Game at Chesse, by the Jacobean dramatist Thomas Middleton. A detailed introduction, editorial notes and appendices are included, in addition to the complete text of the play. Illustrative figures are also incorporated throughout. This book will be of value to anyone with an interest in Jacobean theatre and literary criticism.

A hilarious city comedy by the authors of A Mad World, My Masters and The Shoemaker's Holiday. Sebastian has a problem. He's in love with a girl but his father won't agree to their marriage. In desperation he turns to the one person who can help him, the fearless and feisty 'roaring girl' Moll Cutpurse. In a London fuelled by greed and desire, the charismatic, cross-dressing heroine Moll has the world wrapped around her little finger, and she has a plan. Cutting a joyously independent path through the underhand scheming and petty vendettas of the London underworld, Moll proves more than a match for any man. This Prompt Book edition of The Roaring Girl was published alongside the Royal Shakespeare Company's revival of the play in 2014, and features the text edited for the RSC production, and introductions by key members of its creative team.

Thomas Middleton’s outrageous ‘city comedy’: a brilliantly plotted, farcical satire of lies and lust, translated from Jacobean London to the Soho of the 1950s.A dashingly impecunious bachelor, Dick Follywit, in need of quick cash and a good time has to live on his wits so turns con-man to fool his rich uncle. He variously becomes a Lord, a high-class call girl and a poor actor. Meanwhile, Truly Kidman, a high-class call girl – poor but quick-witted – needs to fool and then marry a rich young man…Sean Foley and Phil Porter’s edited version of Middleton’s play is faithful to the original text but adapts it to fit the seedy world of 1950s Soho, updating character names and including songs of the time to enhance the biting satire of lust and deception in the life of Bohemian London.

Thomas Middleton's A Mad World, My Masters was first performed in 1605 by the Children of Paul's, a company of actors in London. A humorous portrayal of the city's classic social types, the play reflects on appearances, disguises, and theatre, in light-hearted, joyful language.

Middleton, who co-authored Timon of Athens with Shakespeare, gives us here a vitriolic satire, with skilfully tangled webs of intrigue and biting humour.

This New Mermaids anthology brings together the four most popular and widely studied of Thomas Middleton's plays - Women Beware Women; The Changeling; The Roaring Girl and A Chaste Maid in Cheapside - with a new introduction by William Carroll, examining the plays in the context of early modern theatre, culture and politics, as well as their language, characters and themes. On-page commentary notes guide students to a better understanding and combine to make this an indispensable student edition ideal for study and classroom use from A Level upwards.