Tom Flynn

To unravel a puzzle that imperils civilization, the Galaxy's only self-aware computer and its enigmatic human handler must be enticed to abandon their prison planet. Only Computer (yes, that's its name) can solve the puzzle: Why did all humans in the Galaxy, in one searing moment, get back all their missing socks?Speaking of prisons, on the hell-world Bohrkk a mysterious energy spike destroys a sprawling punitorium. The only survivors: Mormon trideevangelist Alrue Latier, his plural wives, and a reluctant documentarian. To survive, they must con the native tribespeople they encounter on a breathtaking scale. (Latier doesn't mind.)The missing-socks mystery opens the path toward unimaginably larger mysteries, touching even the domain of lint theory. As this tour de farce concludes, will the reclusive Computer and Alrue Latier, now a self-made dictator, recognize that they need each other ... before a mushrooming cult inspired by twentieth-century priest-philosopher Teilhard de Chardin overwhelms their gimcrack scheme to save the Galaxy?

This book offers a new account of modern European constitutionalism. It uses the Irish constitutional order to demonstrate that, right across the European Union, the national constitution can no longer be understood on its own, in isolation from the EU legal order or from the European Convention on Human Rights. The constitution is instead triangular, with these three legal orders forming the points of a triangle, and the relationship and interactions between them forming the triangle’s sides. It takes as its starting point the theory of constitutional pluralism, which suggests that overlapping constitutional orders are not necessarily arranged ‘on top of’ each other, but that they may be arranged heterarchically or flatly, without a hierarchy of superior and subordinate constitutions. However, it departs from conventional accounts of this theory by emphasising that we must still pay close attention to jurisdictional specificity in order to understand the norms that regulate pluralist constitutions. It shows, through application of the theory to case studies, that any attempt to extract universal principles from the jurisdictionally contingent interactions between specific legal orders is fraught with difficulty. The book is an important contribution to constitutional theory in general, and constitutional pluralism in particular, and will be of great interest to scholars in the field.

This book offers a new account of modern European constitutionalism. It uses the Irish constitutional order to demonstrate that, right across the European Union, the national constitution can no longer be understood on its own, in isolation from the EU legal order or from the European Convention on Human Rights. The constitution is instead triangular, with these three legal orders forming the points of a triangle, and the relationship and interactions between them forming the triangle’s sides. It takes as its starting point the theory of constitutional pluralism, which suggests that overlapping constitutional orders are not necessarily arranged ‘on top of’ each other, but that they may be arranged heterarchically or flatly, without a hierarchy of superior and subordinate constitutions. However, it departs from conventional accounts of this theory by emphasising that we must still pay close attention to jurisdictional specificity in order to understand the norms that regulate pluralist constitutions. It shows, through application of the theory to case studies, that any attempt to extract universal principles from the jurisdictionally contingent interactions between specific legal orders is fraught with difficulty. The book is an important contribution to constitutional theory in general, and constitutional pluralism in particular, and will be of great interest to scholars in the field.

"A comprehensive, wide-ranging and historically well-informed account." - Charles Saumarez Smith, Royal Academy of ArtsIt is estimated that there are over 300,000 companies involved in the world's art market, employing around 2.8 million people. But the art world carries a veneer of mystery and secrecy that many people find daunting, and the language used by market insiders can be alienating and confusing to those new to the art market. The A-Z of the International Art Market not only clarifies useful terms and definitions, but also represents a significant contribution to the fast-developing processes of transparency and democratisation in the global art business. Comprising art market terms and core concepts – both historical and contemporary – this book is a long-awaited reference source that offers a unique introduction to a dynamic business sector.The A-Z of the International Art Market provides an accessible and thorough insight into critical areas of market practice and custom that anyone involved in the art market will find useful and enlightening.

Spring in Maryland means one thing: lacrosse. As much a part of the state as crab cakes and the Chesapeake Bay, lacrosse is king at every level, from youth rec and club to high school, college and the pros. Since the state first fielded teams in the 1870s, Marylanders have played with a unique combination of finesse, speed and passion. The "Maryland style" of play built a long line of national powerhouses at all levels. With extensive research and dozens of photographs, journalist Tom Flynn traces the long history of the sport in Maryland from its Native American roots to its first arrival in the state and on to the modern highlights. Fans will rediscover their many past champions and gain a glimpse of teams that promise to elevate the sport's status as the pride of the Old Line State.

Spring in Maryland means one thing to its many residents: lacrosse.As much a part of the state as crab cakes and the Chesapeake Bay, lacrosse is king at every level, from youth rec and club to high school, college and the pros. Since the state first fielded teams in the 1870s, Marylanders have played with a unique combination of finesse, speed and passion. The Maryland style of play built a long line of national powerhouses at all levels. With extensive research and dozens of photographs, journalist Tom Flynn traces the long history of the sport in Maryland from its Native American roots to its first arrival in the state and on to the modern highlights. Fans will rediscover their many past champions and gain a glimpse of teams that promise to elevate the sport's status as the pride of the Old Line State.

From the Foreword by Bob Schieffer:"This is a real 'how to' book by two people who really know how. But it is more than just a fine manual on broadcast journalism, journalists and non-journalists alike will find it good read, a treasure chest of anecdotes, stories and a tall tale or two from the most exciting profession of all—reporting the news."Reardon’s On Camera: How to Report, Anchor & Interview teaches you how to become professional and effective on camera. You’ll learn how to appear and feel at ease whether doing an interview, reporting in the field, reading from a prompter, or giving a video presentation. It’ll give you the nuts and bolts of how to do the job at the network level or as a backpack journalist, so you feel confident that when you’re standing in front of the camera you will know what you’re doing. Whether new to television or experienced in front of a camera, you will improve on your current skills through career-focused tips and tried-and-true principles—all oriented to skills development—in this book.

From the Foreword by Bob Schieffer:"This is a real 'how to' book by two people who really know how. But it is more than just a fine manual on broadcast journalism, journalists and non-journalists alike will find it good read, a treasure chest of anecdotes, stories and a tall tale or two from the most exciting profession of all—reporting the news."Reardon’s On Camera: How to Report, Anchor & Interview teaches you how to become professional and effective on camera. You’ll learn how to appear and feel at ease whether doing an interview, reporting in the field, reading from a prompter, or giving a video presentation. It’ll give you the nuts and bolts of how to do the job at the network level or as a backpack journalist, so you feel confident that when you’re standing in front of the camera you will know what you’re doing. Whether new to television or experienced in front of a camera, you will improve on your current skills through career-focused tips and tried-and-true principles—all oriented to skills development—in this book.