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Tom Toles

Kirjat ja teokset yhdessä paikassa: 3 kirjaa, julkaisuja vuosilta 2005-2018, suosituimpien joukossa The Madhouse Effect. Vertaile teosten hintoja ja tarkista saatavuus suomalaisista kirjakaupoista.

3 kirjaa

Kirjojen julkaisuhaarukka 2005-2018.

The Madhouse Effect

The Madhouse Effect

Michael Mann; Tom Toles

Columbia University Press
2018
pokkari
The award-winning climate scientist Michael E. Mann and the Pulitzer Prize–winning political cartoonist Tom Toles have been on the front lines of the fight against climate denialism for most of their careers. They have witnessed the manipulation of the media by business and political interests and the unconscionable play to partisanship on issues that affect the well-being of billions. The lessons they have learned have been invaluable, inspiring this brilliant, colorful escape hatch from the madhouse of the climate wars. The Madhouse Effect portrays the intellectual pretzels into which denialists must twist logic to explain away the clear evidence that human activity has changed Earth's climate. Toles's cartoons collapse counter-scientific strategies into their biased components, helping readers see how to best strike at these fallacies. Mann's expert skills at science communication aim to restore sanity to a debate that continues to rage against widely acknowledged scientific consensus. The synergy of these two climate science crusaders enlivens the gloom and doom of so many climate-themed books—and may even convert die-hard doubters to the side of sound science.
The Madhouse Effect

The Madhouse Effect

Michael Mann; Tom Toles

Columbia University Press
2016
sidottu
The award-winning climate scientist Michael E. Mann and the Pulitzer Prize-winning political cartoonist Tom Toles have been on the front lines of the fight against climate denialism for most of their careers. They have witnessed the manipulation of the media by business and political interests and the unconscionable play to partisanship on issues that affect the well-being of billions. The lessons they have learned have been invaluable, inspiring this brilliant, colorful escape hatch from the madhouse of the climate wars. The Madhouse Effect portrays the intellectual pretzels into which denialists must twist logic to explain away the clear evidence that human activity has changed Earth's climate. Toles's cartoons collapse counter-scientific strategies into their biased components, helping readers see how to best strike at these fallacies. Mann's expert skills at science communication aim to restore sanity to a debate that continues to rage against widely acknowledged scientific consensus. The synergy of these two climate science crusaders enlivens the gloom and doom of so many climate-themed books-and may even convert die-hard doubters to the side of sound science.
Now Who Do We Blame?

Now Who Do We Blame?

Tom Toles

Andrews McMeel Publishing, LLC
2005
nidottu
""My cartoons are my best appraisal of a situation presented in the funniest or most compelling way I can. Read my cartoons. What I have to say is in them.""-Tom Toles It's been a decade since political cartoonist Tom Toles collected his panels in book form. He's had a busy decade and plenty of time to further sharpen both his wit, commentary, and pen. NOW Who Do We Blame? presents an editorial master at the top of his game, in all of his whimsical, sometimes scathing, and always insightful glory. Toles, editorial cartoonist for the Washington Post, includes his favorite frames from the past. His subjects include the 9/11 Commission, the 2004 presidential election, terrorism, the Middle East conflict, Yasser Arafat, Afghanistan, Iraq, and of course George W. Bush. The collection title, in fact, comes from a panel showing Bush at his desk, covered with miniatures of the GOP White House, GOP Senate, GOP House, and GOP Supreme Court. ""Now who do we blame?"" asks the puzzled Commander in Chief. Such is the humor, satire, and intelligence of one of the most accomplished and widely read political cartoonists working today. Toles, who draws himself as the artist working in the lower right corner of his panels, takes on every issue and every powerbroker that crosses the national screen.