V.S. Naipaul

In Half a Life we are introduced to the compelling figure of Willie Chandran. Springing from the unhappy union of a low-caste mother and a father constantly at odds with life, Willie is naively eager to find something that will place him both in and apart from the world. Drawn to England, and to the immigrant and bohemian communities of post-war London, it is only in his first experience of love that he finally senses the possibility of fulfilment. In its humorous and sensitive vision of the half-lives quietly lived out at the centre of our world, V. S. Naipaul’s graceful novel brings its own unique illumination to essential aspects of our shared history. ‘Parts are as sly and funny as anything Naipaul has written. Nobody who enjoys seeing English beautifully controlled should miss this novel’ – John Carey, Sunday Times

Taking its title from the strangely frozen picture by the surrealist painter Giorgio de Chirico, The Enigma of Arrival tells the story of a young Indian from the Caribbean arriving in post-imperial England and consciously, over many years, finding himself as a writer. It is the story of a journey, from one place to another, from the British colony of Trinidad to the ancient countryside of England, and from one state of mind to another, and is perhaps V. S. Naipaul’s most autobiographical work. Yet alongside this he weaves a rich and complex web of invention and observation. Finding depth and pathos in the smallest moments – the death of a cottager, the firing of an estate’s gardener – Naipaul also comprehends the bigger picture – watching as the old world is lost to the gradual but permanent changes wrought on the English landscape by the march of ‘progress’. ‘Written with the expected beauty of style . . . Instead of diminishing life, Naipaul ennobles it’ Anthony Burgess, Observer

A Way in the World is a vastly innovative novel exploring colonial inheritance through a series of narratives that span continents, swing back and forth between past and present and delve into both autobiography and fiction. V. S. Naipaul offers a personal choice of examples of Spanish and British imperial history in the Caribbean, including an imagined vision of Raleigh’s last expedition and an introduction to Francisco de Miranda, a would-be liberator and precursor to Bolívar, which are placed within a context of echoing modernity and framed by two more personal, heavily autobiographical sections sketching the narrator – an eloquent yet humble man of Indian descent who grew up in Trinidad but spent much of his adult life in England and Africa. Meditative and dramatic, these historical reconstructions, imbued with Naipaul’s acute perception, drawn with his deft and sensitive touch, and told in his beautifully wrought prose, are transmuted into an astonishing novel exploring the profound and mysterious effect of history on the individual.

Set in an unnamed African country, V. S. Naipaul's A Bend in the River is narrated by Salim, a young man from an Indian family of traders long resident on the coast. He believes The world is what it is; men who are nothing, who allow themselves to become nothing, have no place in it. So he has taken the initiative; left the coast; acquired his own shop in a small, growing city in the continent’s remote interior and is selling sundries – little more than this and that, really – to the natives. This spot, this ‘bend in the river’, is a microcosm of post-colonial Africa at the time of Independence: a scene of chaos, violent change, warring tribes, ignorance, isolation and poverty. And from this rich landscape emerges one of the author’s most potent works – a truly moving story of historical upheaval and social breakdown.

Among the Believers is V. S. Naipaul’s classic account of his journeys through Iran, Pakistan, Malaysia, and Indonesia; ‘the believers’ are the Muslims he met on those journeys, young men and women battling to regain the original purity of their faith in the hope of restoring order to a chaotic world. It is a uniquely valuable insight into modern Islam and the comforting simplifications of religious fanaticism.‘This book investigates the Islamic revolution and tries to understand the fundamentalist zeal that has gripped the young in Iran and other Muslim countries . . . He is a modern master.’ - Sunday Times‘His level of perception is of the highest, and his prose has become the perfect instrument for realizing those perceptions on the page. His travel writing is perhaps the most important body of work of its kind in the second half of the century.’ - Martin Amis, author of Time's Arrow.

The second book in V. S. Naipaul's acclaimed Indian trilogy. In 1964 V. S. Naipaul published An Area of Darkness, his semi-autobiographical account of a year in India. Two visits later, prompted by the Emergency of 1975, he came to write India: A Wounded Civilization. In this work he casts a more analytical eye than before over Indian attitudes, while recapitulating and further probing the feelings aroused in him by this vast, mysterious, and agonized country. What he saw and heard – evoked so superbly and vividly in these pages – reinforced in him a conviction that India, wounded by a thousand years of foreign rule, has not yet found an ideology of regeneration. A work of fierce candour and precision, it is also a generous description of one man’s complicated relationship with the country of his ancestors. ‘A devastating work, but proof that a novelist of Naipaul’s stature can often define problems quicker and more effectively than a team of economists and other experts’ The Times

Bogart the bigamist, B. Wordsworth the poet, and Morgan the pyrotechnist are among the poor inhabitants of Miguel Street seen through the eyes of a fatherless boy growing up in Port of Spain, Trinidad, during World War II. Reprint. 12,500 first printing.

In the comic masterpiece which established him one of the greatest writers in the English language, Naipaul follows the fortunes of Mr Biswas, the outsider who refuses to conform to the customs of his grander in-laws whose house he lives in. Finally finding a house of his own, he triumphs over the smaller minds who would repress him.

CELEBRATING 50 YEARS OF PICADOR BOOKS One of BBC's 100 Novels That Shaped Our World. Heart-rending and darkly comic, V. S. Naipaul's A House for Mr Biswas has been hailed as one of the twentieth century's finest novels, a classic that evokes a man's quest for autonomy against the backdrop of post-colonial Trinidad. Mr Biswas has been told since the day of his birth that misfortune will follow him - and so it has. Meaning only to avoid punishment, he causes the death of his father and the dissolution of his family. Wanting simply to flirt with a beautiful woman, he ends up marrying her. But in spite of endless setbacks, Mr Biswas is determined to achieve independence, and so he begins the gruelling struggle to buy a home of his own. Part of the Picador Collection, a new series showcasing the best of modern literature.

Nobelpristagaren V S Naipauls främsta romaner i vacker samlingsvolymRomanen Ett hus åt Mr Biswas [1961] blev V. S. Naipauls stora internationella genombrott. Det är berättelsen om Mohun Biswas, en hinduisk man på Trinidad som vill komma upp sig i världen men mestadels misslyckas. Han gifter in sig i den inflytelserika familjen Tulsi, men får inte del av familjens status, utan blir snarast mer hunsad. Hans mål i livet blir till sist att äga sitt eget hus. I Vid flodens krök [1979] fortsätter Naipaul sin illusionslösa skildring av den postkoloniala världen: Salim kommer från en gammal indisk köpmanssläkt. Han slår sig ner i ett icke namngivet afrikanskt land, i en icke namngiven stad vid flodens krök. Där får han på nära hålla uppleva vad som blir kvar när det forna kolonialväldet rämnar. Efter kolonialväldet samlar dessa två romaner vilka räknas till Naipauls allra främsta i en volym. I svensk översättning av Carl Sundell respektive Else Lundgren, med ett nyskrivet förord av författaren och litteraturvetaren Stefan Helgesson. V.S. NAIPAUL [1932-2018] var en brittisk författare, född på Trinidad och Tobago. Han tilldelades Nobelpriset i litteratur år 2001 »för att ha förenat lyhört berättande och omutlig iakttagelse i verk som dömer oss att se den bortträngda historiens närvaro«.»Knappast någon annan samtida författare kan tävla med V. S. Naipaul.« | New York Times Book Review

With an introduction by publisher and acclaimed author Robert McCrum.Winner of the Booker Prize 1971 and nominated for the Golden Man Booker Prize in 2018. A young Indian servant in Washington. An Asian West Indian in London. Both are far from home and both are desperately trying to build a new life in a deeply unfamiliar world. In between them lies the landscape of an unnamed country, a brutal place reminiscent of Idi Amin’s Uganda. This central story is about those who once thought of Africa as liberating, but now find themselves in an increasingly harsher reality.Winner of the Booker Prize in 1971, In a Free State is one of Nobel Laureate V. S. Naipaul’s many towering literary achievements. It is a story of the desperation and heartbreak we find in those who are displaced and who try, often in vain, to make a home in their new surroundings. Frightening, disquieting and merciless, this is one of Naipaul’s greatest novels: fraught but full of pity.

A beautiful hardcover edition of the Nobel Prize-winning author's haunting masterpiece of postcolonial literature - "Brilliant." --The New York Times Widely hailed as V. S. Naipaul's greatest work, this novel takes us into the life of a young Indian man who moves to an isolated town at the bend of a great river in a newly independent African nation. Salim is doubly an outsider in his new home--an unnamed country that resembles the Congo--by virtue of his origins in a community of Indian merchants on the coast of East Africa. Uncertain of his future, he has come to take possession of a local trading post he has naively purchased sight unseen. But what Salim discovers on his arrival is a ghost town, reduced to ruins in the wake of the recently departed European colonizers and in the process of being reclaimed by the surrounding forest. Salim struggles to build his business against a backdrop of growing chaos, conflict, ignorance, and poverty. His is a journey into the heart of Africa, into the same territory explored by Joseph Conrad's Heart of Darkness nearly eighty years earlier--but witnessed this time from the other side of the tragedy of colonization. Salim discovers that the nation's violent legacy persists, through the rise of a dictator who calls himself the people's savior but whose regime is built on fear and lies. In A Bend in the River, short-listed for the Booker Prize in 1979, in Naipaul gives us a convincing and disturbing vision of a place caught between the dangerously alluring modern world and its own tenacious past. Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Contemporary Classics include an introduction, a select bibliography, and a chronology of the author's life and times.

Post-colonial Africa is dissected with pitiless lucidity in this disturbing novel about an outsider, the young Indian trader, Salim, who has moved from the coastal settlement where he grew up to an unnamed country in the African interior (largely based on the Democratic Republic of Congo), settling on that very bend in the river where Conrad had set his Heart of Darkness some seventy years before. Salim enters a ghost town, once a flourishing European outpost, which is fast returning to the bush. A new dictator 'the Big Man' is about to impose his regime with the assistance of Raymond, 'The Big Man's White Man', whose humanitarian concerns have won him international acclaim, but whose plans for the country's future are arrogant and delusional. Salim becomes obsessed by Raymond's wife, Yvette, and begins and affair with her. Personal and political tragedy follow, civil war returns, and Salim, contemplating the disastrous course of his life since leaving home, speaks for the powerlessness of ordinary people everywhere in the face of historical upheaval: 'I couldn't protect anyone [and] no one could protect me... we could only in various ways hide from the truth... One tide of history has brought us here ... Another tide of history was coming to wash us away.'.

V. S. Naipaul's legendary command of broad comedy and acute social observation is on abundant display in these classic works of fiction-two novels and a collection of stories-that capture the rhythms of life in the Caribbean and England with impressive subtlety and humor.The Suffrage of Elvira is Naipaul's hilarious take on an electoral campaign in the back country of Trinidad, where the candidates' tactics include blatant vote-buying and supernatural sabotage. The eponymous protagonist of Mr. Stone and the Knights Companion is an aging Englishman of ponderously regular habits whose life is thrown into upheaval by a sudden marriage and unanticipated professional advancement. And the stories in A Flag on the Island take us from a Chinese bakery in Trinidad-whose black proprietor faces bankruptcy until he takes a Chinese name-to a rooming house in London-where the genteel landlady plays a nasty Darwinian game with her budgerigars.Unfailingly stylish, filled with intelligence and feeling, here is the work of a writer who can do just about anything that can be done with language.

On an unnamed Caribbean Island, political tensions provoked by race and poverty are high. Jimmy Ahmed, a young mixed-race man, has been hailed as a revolutionary leader of the people. Roche, imprisoned for activities against South Africa's apartheid regime, and Jane, a feckless English rich girl wanting to feel a part of something bigger, get sucked into the turmoil and world of Ahmed. But does anyone achieve anything by causing unrest? Do any of them really want freedom in a new society or just the old society with themselves at the helm of power? Written in the politically turbulent 1970s, Guerrillas takes aim at the sacred cows and myths of revolutionaries-how so many of them huff and puff, knowing that the house will never blow down. From the safest places come the bravest words.Naipaul's bleak tale also takes aim at flaws in Marxist and revolutionary ideology-at the idea that one can predict or manipulate how the revolution will turn out. His characters are lost souls trying to navigate a postcolonial world where racism, classism, and conflicting ideals create a festering unrest that no one knows how to fix.