Vaclav Havel

Than Shwe is one of the world's most brutal dictators, presiding over a military regime that persists in repressing and brutalizing its own people. Until now, his story has not been told. Than Shwe: Unmasking Burma's Tyrant provides the first-ever account of Than Shwe's journey from postal clerk to dictator, analyzing his rise through the ranks of the army, his training in psychological warfare, his belief in astrology, his elimination of rivals, and his ruthless suppression of dissent. Drawing on the insights of Burma Army defectors, international diplomats, and others, Benedict Rogers provides a compelling account of the reclusive and xenophobic character of Than Shwe, and life in Burma under his rule.

Books of great political insight and novelty always outlive their time of birth and this reissued work, initially published in 1985, is no exception. Written shortly after the formation of Charter 7, the essays in this collection are among the most original and compelling pieces of political writing to have emerged from central and Eastern Europe during the whole of the post-war period.

Books of great political insight and novelty always outlive their time of birth and this reissued work, initially published in 1985, is no exception. Written shortly after the formation of Charter 77, the essays in this collection are among the most original and compelling pieces of political writing to have emerged from central and Eastern Europe during the whole of the post-war period. Václav Havel’s essay provides the title for the book. It was read by all the contributors who in turn responded to the many questions which Havel raises about the potential power of the powerless.The essays explain the anti-democratic features and limits of Soviet-type totalitarian systems of power. They discuss such concepts as ideology, democracy, civil liberty, law and the state from a perspective which is radically different from that of people living in liberal western democracies. The authors also discuss the prospects for democratic change under totalitarian conditions. Steven Lukes’ introduction provides an invaluable political and historical context for these writings.The authors represent a very broad spectrum of democratic opinion, including liberal, conservative and socialist.

In an illuminating memoir, the former president of the Czech Republic details his odyssey from dissident playwright to politician, his battle against communism, and his thoughts on the future of the European Union, the role of national identity in today's world, the war in Iraq, his battle with lung cancer, the United States, and other topics. Reprint. 10,000 first printing.

Candles in the Dark is an international compendium of essays that share a sense of the importance of introducing ethical and spiritual concepts and values into the public discourse on progress and globalization issues. They offer a new approach to international relations and public policy that esteems the human spirit and dignity as central values in decision making, seeks links between self interest and the common good, and introduces, in a practical way, philosophical, spiritual, and cultural perspectives in the political discourse on global political and socioeconomic problems.

The Czech President Vaclav Havel, a force on behalf of international human rights and his country's most celebrated dissident, first gained prominence as a playwright. During the period when Havel was blacklisted by the Czechoslovakian government for his political activism, productions of his work in and around Prague were regarded as subversive acts. The Beggar's Opera is a free-wheeling, highly politicized adaptation of John Gay's well-known eighteenth-century work of the same name. The play, reminiscent of Havel's earlier Garden Party and The Memorandum, is up to his best satirical standard. Like the Brecht/Weill Threepenny Opera, Havel's play uses an underworld milieu to explore the intermingled themes of love, loyalty, and treachery. Paul Wilson's new English translation of The Beggar's Opera is lively, idiomatic, and sensitive to underlying linguistic and political issues. The Cornell edition contains an Introduction by Peter Steiner that details the November 1, 1976, premiere of the play in the Prague suburb of Horní Pocernice, the reaction of the Czech secret police, and the measures the government took to punish and discredit those involved in the production. Eleven photographs—of the playwright, the actors, the theatre, and the actual performance—enhance the texture of the book.

When Professor Leopold Nettles writes a book that contains passages unacceptable to the government he faces pressures from the state

In a book written while he was president of Czechoslovakia, Vaclav Havel combines the same powerful eloquence, moral passion, and abiding wisdom that informed his writing as a dissident and playwright, with a candor unprecedented from one with the broad perspective and infinite responsibility of governing a country.Havel, now president of the Czech Republic, addresses the legacy of Communism as the euphoria of the Velvet Revolution gives way to a more problematic reality. Yet even as he grapples with the challenges of political change, he affirms his belief in a politics motivated by moral responsibility; in an economy tempered by compassion; and in the central roles of art and culture in the transformation of society. Summer Meditations is not only a timely and necessary testament of events in Eastern Europe but a profound reflection upon the nature and practice of politics and a stirring call for morality, civility, and openness in public life throughout the world.

Spanning twenty-five years, this historic collection of writings shows Vaclav Havel's evolution from a modestly known playwright who had the courage to advise and criticize Czechoslovakia's leaders to a newly elected president whose first address to his fellow citizens begins, I assume you did not propose me for this office so that I, too, would lie to you. Some of the pieces in Open Letters, such as Dear Dr. Husak and the essay The Power of the Powerless, are by now almost legendary for their influence on a generation of Eastern European dissidents; others, such as some of Havel's prison correspondence and his private letter to Alexander Dubcek, appear in English for the first time. All of them bear the unmistakable imprint of Havel's intellectual rigor, moral conviction, and unassuming eloquence, while standing as important additions to the world's literature of conscience.

Forming part of the Vanek Plays trilogy, Audience is a cleverly-constructed satire on power and those who wield it. Vanek is summoned to a meeting with the Head Maltster and offered promotion, but only if he informs on himself!2 men

Private View has the same irony and touch of comic absurdity as its two companion pieces in the Vanek trilogy. Invited by his ridiculous friends Michael and Vera, the mild-mannered writer, Vanek, endeavours to enthuse over their newly, pretentiously refurbished flat. But as the couple happily express the perfection of their marriage their tone gradually develops into a personal attack on Vanek.1 woman, 2 men

An intimate history of Czechoslovakia under communism; a meditation on the social and political role of art, and a triumphant statement of the values underlying all the recent revolutions in Central and Eastern Europe.

On the eve of his fiftieth birthday, Vaclav Havel looks back on his life in the theatre, the literary politics of his early years and the stagnation that followed the 1968 Soviet invasion of Czechoslovakia. Havel also discusses his part in his country's struggle to restore morality and civic responsibility to public life and the price he has paid for this. Havel spent several years in prison, faced constant harassment by the police, and had his plays banned. Despite this, the account is lacking in bitterness. Czechoslovakia's leading playwright emerges as a man of profound moral conviction and clarity, a master of "absurd theatre" who, paradoxically, was in 1989 elected president of his country.