Virginia Nicholson

From the popular historian and author of Among the Bohemians and How Was It For You? comes a new offering, unbuttoning the multi-layered, hundred-year-history of women's lives through fashion and beauty from 1860 to 1960

A panoramic social history that chronicles the quest for beauty in all its contradictions--and how it affects the female body. "Women have been fat or slim, hyperthyroid or splenetic, sallow or pink-cheeked, slouched or erect, according to the prevalent notions of beauty." --Cecil Beaton, The Glass of Fashion Who decides what is fashionable? What clothes we wear, what hairstyles we create, what color lipstick we adore, what body shape is "all the rage". The story of female adornment from 1860-1960 is intriguingly unbuttoned in this glorious social history. Virginia Nicholson has long been fascinated by the way we women present ourselves--or are encouraged to present ourselves--to the world. In this book, we learn about rational dress, suffragettes' hats, the Marcel wave, the Gibson Girls, corsets, and the banana skirt. At the centre of this story is the female body, in all its diversity--fat, thin, short, tall, brown, white, black, pink, smooth, hairy, wrinkly, youthful, crooked, or symmetrical; and--relevant as ever in this context--the vexed issues of body image and bodily autonomy. We may even find ourselves wondering, whose body is it? In the hundred years this book charts, the Western world saw the rapid introduction of new technologies like photography, film, and eventually television, which (for better and worse) thrust women--and female imagery--out of the private and into the public gaze.

From the popular historian and author of Among the Bohemians and How Was It For You? comes a new offering, unbuttoning the multi-layered, hundred-year-history of women's lives through fashion and beauty from 1860 to 1960

A feeling that we could do whatever we liked swept through us in the 60s... The sexual revolution liberated a generation. But men most of all. We tend to think of the 60s as a decade sprinkled with stardust: a time of space travel and utopian dreams, but above all of sexual abandonment. When the pill was introduced on the NHS in 1961 it seemed, for the first time, that women - like men - could try without buying. It was paradise for men... all these willing girls... But this book - by 'one of the great social historians of our time' - describes a turbulent power struggle. Here are the voices from the battleground. Meet dollybird Mavis, debutante Kristina, Beryl who sang with the Beatles, bunny girl Patsy, Christian student Anthea, industrial campaigner Mary and countercultural Caroline. From Carnaby Street to Merseyside, from mods to rockers, from white gloves to Black is Beautiful, their stories throw an unsparing spotlight on morals, four-letter words, faith, drugs, race, bomb culture and sex. This is a moving, shocking book about tearing up the world and starting again. It's about peace, love, psychedelia and strange pleasures, but it is also about misogyny, violation and discrimination - half a century before feminism rebranded. For out of the swamp of gropers and groupies, a movement was emerging, and discovering a new cause: equality. The 1960s: this was where it all began. Women would never be the same again.

Det är absolut perfekt ... , skrev konstnären Vanessa Bell när hon flyttade till Charleston 1916. I femtio år levde, älskade och arbetade Vanessa och hennes livskamrat, målaren Duncan Grant i Charleston Farmhouse, denna isolerade bondgård i södra Sussex. Tillsammans gjorde de hela Charleston, såväl bostaden som trädgården, till ett extraordinärt konstverk och skapade en lantlig utpost för Bloomsburygruppen. Vanessas son Quentin Bell berättar här tillsammans med sin dotter Virginia Nicholson historien om detta unika hem, där så många kulturpersonligheter kom att vistas: Vanessas syster författaren Virginia Woolf, ekonomen och filosofen Maynard Keynes, författaren Lytton Strachey och konstkritikern Roger Fry alla ingick i den legendariska Bloomsburygruppen, som verkade under första halvan av 1900-talet.

The newly revised and updated Charleston: A Bloomsbury House & Garden is the definitive publication on the Bloomsbury Group's rural outpost in the heart of the Sussex Downs. “It’s absolutely perfect…”, wrote the artist Vanessa Bell when she moved to Charleston in 1916. For fifty years, Vanessa and her fellow painter Duncan Grant lived, loved and worked in this isolated Sussex farmhouse, together transforming the house and garden into an extraordinary work of art and creating a rural retreat for the Bloomsbury group. Now, Vanessa’s son, Quentin Bell, and her granddaughter Virginia Nicholson tell the inside story of their family home, linking it with some of the pioneering cultural figures who spent time there, including Vanessa’s sister Virginia Woolf, the economist Maynard Keynes, the writer Lytton Strachey and the art critic Roger Fry. Taking readers through each room of the house – from Clive Bell's Study, the Dining Room, the Kitchen and the Garden Room, through to individual bedrooms, the Studios and the Library – Quentin Bell relives old memories, including having T.S. Eliot over for a dinner party and staging plays in the Studio, while Virginia Nicholson details the artistic techniques (stencilling, embroidery, painting, sculpture, ceramics and more) used to embellish and enliven the once simple farmhouse. In this refreshed edition of the original 1997 publication, Gavin Kingcombe’s specially commissioned photographs breathe life into the colourful interiors and garden of the Sussex farmhouse, while updated text and captions by Virginia Nicholson capture the evolution of Charleston as it continues to inspire a new generation. For lovers of literature, decorative arts, and all things Bloomsbury, Charleston: A Bloomsbury House & Garden offers a window onto a truly unique creative hub.

In Perfect Wives in Ideal Homes, Virginia Nicholson tells the story of women in the 1950s: a time before the Pill, when divorce spelled scandal and two-piece swimsuits caused mass alarm.Turn the page back to the mid-twentieth century, and discover a world peopled by women with radiant smiles, clean pinafores and gleaming coiffures; a promised land of batch-baking, maraschino cherries and brightly hued plastic. A world where the darker side of the decade encompassed rampant prostitution, a notorious murder, and the threat of nuclear disaster. Perfect Wives in Ideal Homes reconstructs the real 1950s, through the eyes of the women who lived it. Step back in time to when our grandmothers scrubbed their doorsteps, cared for their families, lived, laughed, loved and struggled. This is their story.

In Millions Like Us Virginia Nicholson tells the story of the women's Second World War, through a host of individual women's experiences. We tend to see the Second World War as a man's war, featuring Spitfire crews and brave deeds on the Normandy beaches. But in conditions of "Total War" millions of women - in the Services and on the Home Front - demonstrated that they were cleverer, more broad-minded and altogether more complex than anyone had ever guessed. Millions Like Us tells the story of how these women loved, suffered, laughed, grieved and dared; how they re-made their world in peacetime. And how they would never be the same again ...'Vividly entertaining, uplifting and humbling, Millions Like Us deserves to be a bestseller' Bel Mooney, The Daily Mail'Passionate, fascinating, profoundly sympathetic' Artemis Cooper, Evening Standard Virginia Nicholson was born in Newcastle-upon-Tyne and grew up in Yorkshire and Sussex. She studied at Cambridge University and lived abroad in France and Italy, then worked as a documentary researcher for BBC Television. Her books include the acclaimed social history Among the Bohemians - Experiments in Living 1900-1939, and Singled Out - How Two Million Women Survived Without Men after the First World War, both published by Penguin in 2002 and 2007. She is married to a writer, has three children and lives in Sussex.

Almost three-quarters of a million British soldiers lost their lives during the First World War, and many more were incapacitated by their wounds, leaving behind a generation of women who, raised to see marriage as "the crown and joy of woman's life," suddenly discovered that they were left without an escort to life's great feast. Drawing upon a wealth of moving memoirs, Singled Out tells the inspiring stories of these women: the student weeping for a lost world as the Armistice bells pealed, the socialite who dedicated her life to resurrecting the ancient past after her soldier love was killed, the Bradford mill girl whose campaign to better the lot of the "War spinsters" was to make her a public figure--and many others who, deprived of their traditional roles, reinvented themselves into something better. Tracing their fates, Nicholson shows that these women did indeed harbor secret sadness, and many of them yearned for the comforts forever denied them--physical intimacy, the closeness of a loving relationship, and children. Some just endured, but others challenged the conventions, fought the system, and found fulfillment outside of marriage. From the mill-girl turned activist to the debutante turned archeologist, from the first woman stockbroker to the "business girls" and the Miss Jean Brodies, this book memorializes a generation of young women who were forced, by four of the bloodiest years in human history, to stop depending on men for their income, their identity, and their future happiness. Indeed, Singled Out pays homage to this remarkable generation of women who, changed by war, in turn would change society.

Virginia Nicholson's Singled Out is the touching and beautifully told story of the women who were left alone after World War I - a remarkable generation of women who were changed by war; and in their turn helped change society.In 1919 a generation of young women discovered that there were, quite simply, not enough men to go round, and the statistics confirmed it. After the 1921 Census, the press ran alarming stories of the 'Problem of the Surplus Women - Two Million who can never become Wives...'. This book is about those women, and about how they were forced, by a tragedy of historic proportions, to stop depending on men for their income, their identity and their future happiness.'This is a ground-breaking book, richly nuanced with titbits of information, insight and understanding' Daily Mail 'Remarkably perceptive and well-researched ... Virginia Nicholson has produced another extraordinarily interesting work, sensitive, intelligent and well-written' Sunday Telegraph 'This in an inspiring book, lovingly researched, well-written and humane... the period is beautifully caught' Economist 'Brave, humane and honest' Observer Virginia Nicholson was born in Newcastle-upon-Tyne. She has worked as a documentary researcher for BBC Television and her first book, Charleston - A Bloomsbury House and Garden (written in collaboration with her father, Quentin Bell), was an account of the Sussex home of her grandmother, the painter Vanessa Bell. Her second book, Among the Bohemians: Experiments in Living 1900-1939, was published by Penguin in 2002. She lives in Sussex.

They ate garlic and didn't always bathe; they listened to Wagner and worshiped Diaghilev; they sent their children to coeducational schools, explored homosexuality and free love, vegetarianism and Post-impressionism. They were often drunk and broke, sometimes hungry, but they were of a rebellious spirit. Inhabiting the same England with Philistines and Puritans, this parallel minority of moral pioneers lived in a world of faulty fireplaces, bounced checks, blocked drains, whooping cough, and incontinent cats.They were the bohemians.Virginia Nicholson -- the granddaughter of painter Vanessa Bell and the great-niece of Virginia Woolf -- explores the subversive, eccentric, and flamboyant artistic community of the early twentieth century in this "wonderfully researched and colorful composite portrait of an enigmatic world whose members, because they lived by no rules, are difficult to characterize" (San Francisco Chronicle).

Virginia Nicholson's Among the Bohemians is a portrait of England's artistic community in the first half of the twentieth century, engaged in a grand experiment.Subversive, eccentric and flamboyant - the Bohemians ate garlic and didn't always wash; they painted and danced and didn't care what people thought. They sent their children to co-ed schools; explored homosexuality and Free Love. They were often drunk, broke and hungry but they were rebels.In this fascinating book Virginia Nicholson examines the way the Bohemians refashioned the way we live our lives.'Interesting, gorgeous, wonderful.... this book displays the best of bohemia itself - playful, dazzling, original' Julie Burchill, Spectator'Racy, vivacious, warm-hearted. Offers an illuminating and well-researched portrait of life among the artists, a century ago' Miranda Seymour, TLSVirginia Nicholson was born in Newcastle-upon-Tyne. She has worked as a documentary researcher for BBC Television and her first book, Charleston - A Bloomsbury House and Garden (written in collaboration with her father, Quentin Bell), was an account of the Sussex home of her grandmother, the painter Vanessa Bell. Her second book, Among the Bohemians: Experiments in Living 1900-1939, was published by Penguin in 2002. She lives in Sussex.