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W.B. Gerard

Kirjat ja teokset yhdessä paikassa: 3 kirjaa, julkaisuja vuosilta 2006-2018, suosituimpien joukossa That: Literary Review Issue 1. Vertaile teosten hintoja ja tarkista saatavuus suomalaisista kirjakaupoista.

Mukana myös kirjoitusasut: W. B. Gerard

3 kirjaa

Kirjojen julkaisuhaarukka 2006-2018.

Laurence Sterne and the Visual Imagination
The first full-length and comprehensive study of the illustrations of Sterne's work, this book explores the ability of Sterne's texts to inspire the visual imagination. It helps to explain why scores of editions of his fiction have been illustrated, some profusely: to fulfill the reader's desire, as well as the artist's compulsion, to visualize Sterne's words. Gerard places his subject in a clear and innovative theoretical framework which opens the field to general word and image studies. The author begins by examining the distinct varieties of pictorialism in Sterne's texts. The remainder of the study takes into account three remarkable series of illustrations-representing Trim reading the sermon, didactic sentimentalism in A Sentimental Journey and Henry Mackenzie's Man of Feeling, and the many and diverse portrayals of 'poor Maria' - to demonstrate the ways in which culture projects these texts differently through the various artists.
That: Literary Review Issue 1

That: Literary Review Issue 1

W. B. Gerard

Createspace Independent Publishing Platform
2018
nidottu
THAT is a whirlwind of poetry, prose, creative nonfiction, and visuals to entertain and amaze. THAT tickles the curiosity and baffles expectations. THAT looks into dark closets and gazes, slack-jawed, at the stars. THAT surprises and satisfies. Be prepared for the mysterious and the wonderful.
Laurence Sterne and the Visual Imagination

Laurence Sterne and the Visual Imagination

W.B. Gerard

Ashgate Publishing Limited
2006
sidottu
The first full-length and comprehensive study of the illustrations of Sterne's work, this book explores the ability of Sterne's texts to inspire the visual imagination. It helps to explain why scores of editions of his fiction have been illustrated, some profusely: to fulfill the reader's desire, as well as the artist's compulsion, to visualize Sterne's words. Gerard places his subject in a clear and innovative theoretical framework which opens the field to general word and image studies. The author begins by examining the distinct varieties of pictorialism in Sterne's texts. The remainder of the study takes into account three remarkable series of illustrations-representing Trim reading the sermon, didactic sentimentalism in A Sentimental Journey and Henry Mackenzie's Man of Feeling, and the many and diverse portrayals of 'poor Maria' - to demonstrate the ways in which culture projects these texts differently through the various artists.