Wanda John-Kehewin

? Starred selection for CCBC's Best Books Ideal for Teachers 2023!Resurgence is an inspiring collection of contemporary Indigenous poetry, art, and narratives that guides K–12 educators in bridging existing curricula with Indigenous voices and pedagogies. In this first book in the Footbridge Series, we invite you to walk with us as we seek to: connect peoples and places link truth and reconciliation as ongoing processes symbolize the risk and urgency of this work for both Indigenous and settler educators engage tensions highlight the importance of balance, both of ideas and within ourselves Through critical engagement with each contributor’s work, experienced educators Christine M’Lot and Katya Adamov Ferguson support readers in connecting with Indigenous narratives and perspectives, bringing Indigenous works into the classroom, and creating more equitable and sustainable teaching practices. In this resource, you will find: diverse Indigenous voices, perspectives, and art forms from a variety of nations and locations valuable concepts and methods that can be applied to the classroom and beyond practical action steps and resources for educators, parents, librarians, and administrators Use this book as a springboard for your own learning journey or as a lively prompt for dialogue within your professional learning community.

A bear and her cub, a strange silver ring, and an ancestor from long ago… Join Damon as he unravels these mysteries through a vision quest in this graphic novel for young adults. For Damon Quinn, things have started to look up. He’s graduated high school, saved enough money to buy his first car, his old bully has kind of become a friend, and he and Journey are growing closer. Ready for adventure, Damon, his mom Marnie, and Journey take a road trip out to Kehewin Cree Nation to attend a Sweat Ceremony and a Powwow, as well as reconnect with family.A When Marnie learns of Damon's plan to meet up with his estranged father, the news sends shockwaves through the group. But Damon isn’t the only one keeping secrets. As Damon stumbles into a vision quest, he’ll discover more than he bargained for about his own history and the history his mother would prefer he never found out.

A beautifully illustrated book that gently explores the complicated feelings a young girl experiences as she learns about tragedy and injustice. Miya loves her school and she especially loves storytime. One day, her teacher shares a story about a little girl who was taken away to a residential school. The little girl wasn’t allowed to go home. Her hair was cut and she wasn’t allowed to keep her favourite doll. She was taken away from her family because she was Indigenous, just like Miya! Miya worries the same thing will happen to her. Her mom tells her that Indigenous girls and boys aren’t forced to leave their families anymore. Miya is relieved, but she is still sad. What can she do about these feelings?

? Among CCBC's Best Books for Kids & Teens list, a starred selection of exceptional caliberWe live in a hopeless old house on an almost-deserted dead-end street in a middle-of-nowhere town named Hope. This is the oldest part of Hope; eventually it will all be torn down and rebuilt into perfect homes for perfect people. Until then, we live here: imperfect people on an imperfect street that everyone forgets about. For Eva Brown, life feels lonely and small. Her mother, Shirley, drinks and yells all the time. She’s the target of the popular mean girl, and her only friend doesn’t want to talk to her anymore. All of it would be unbearable if it weren’t for her cat, Toofie, her beloved nohkum, and her writing, which no one will ever see. When Nohkum is hospitalized, Shirley struggles to keep things together for Eva and her younger brother, Marcus. After Marcus is found wandering the neighbourhood alone, he is sent to live with a foster family, and Eva finds herself in a group home. Furious at her mother, Eva struggles to adjust—and being reunited with her family seems less and less likely. During a visit to the hospital, Nohkum gives Eva Shirley’s diary. Will the truths it holds help Eva understand her mother? Heartbreaking and humorous, Hopeless in Hope is a compelling story of family and forgiveness.

A vital collection weaving history, personal experience, and Indigenous resilienceSpells, Wishes, and the Talking Dead: ᒪᒪᐦᑖᐃᐧᓯᐃᐧᐣ ᐸᑯᓭᔨᒧᐤ ᓂᑭᐦᒋ ᐋᓂᐢᑯᑖᐹᐣ mamaht wisiwin, pakos yimow, nikihci- niskot p n is a wonder. It plays with form, space, and language, comparing meanings in English and n hiyaw win (Plains Cree). The reader's attention is drawn to the restrictive and imposed constructs of English grammar, the way it boxes in interpretation and cadence.With inspiring defiance, Wanda John-Kehewin demonstrates which magics cannot be suppressed. Broken into three sections, Spells, Wishes, and the Talking Dead looks at the sickening grip of colonialism: its ongoing detriment to the mental health of Indigenous people, its theft of language, and the scope of its intergenerational harms. The author places herself, her work, and her family's personal experiences in the context of a historical timeline running from the so-called doctrine of discovery to the present day. Recounting the two in tandem reveals the unrelenting nature of violence and, in turn, resistance. There is great power in truth; John-Kehewin "stands in her truth" so that other survivors may stand in theirs.

“Your ancestors have called us to help you.”“I think y'all have the wrong number.” Damon Quinn just wants to get through his senior year unscathed. His mom struggles with alcohol and is barely coping with the day-to-day. Marcus and his cronies at school are forever causing Damon trouble. The new girl, Journey, won't mind her own business. To make matters worse, now a mysterious crow is following him everywhere. After he is seized by a waking dream in the middle of a busy street, Damon is forced to confront his mom with some hard questions: Why haven't I met my dad? Where did we come from? Who am I? Damon must look within himself, mend the bond with his mother, and rely on new friends to find the answers he so desperately needs. Travelling through time and space, Damon will have to go back before he can move forward.

Seven Sacred Truths presents a powerful exploration of an Indigenous woman's healing journey. Seeing the world through "brown" eyes, poet Wanda John-Kehewin makes new meaning of the past, present, and future through a consideration of Love, Wisdom, Truth, Honesty, Respect, Humility, and Courage. By sharing her views on these Seven Sacred Truths and what they meant to her growing up, John-Kehewin instigates a therapeutic process of restoration and transformation. Her Seven Sacred Truths uncovers new meaning in the written word - meaning that can be shared with others who have lived trauma or who want insight into it. John-Kehewin strives to create a safe space and provide the opportunity to experience another perspective; she invites readers to embark on their own healing journeys. The closer you are to the truth, she writes, the freer you become.Wanda John-Kehewin uses writing as a therapeutic medium to understand and respond to the near-decimation of First Nations cultures and traditions. Recipient of the World Poetry Foundation's Empowered Poet Award for her first collection, In the Dog House.

In her first idiom-shattering book of poetry, Wanda John-Kehewin combines Aboriginal oral tradition with dramatic narrative to address the effects of colonization, alcohol addiction, familial abandonment, religious authority, sexual abuse, and the pain of mourning. She admonishes humanity for its seeming lack of conscience in poems journeying from turmoil on the Gaza Strip to rapidly dissolving ice floes. Cree poet Wanda John-Kehewin has studied criminology, sociology, Aboriginal studies, and creative writing while attending Simon Fraser University's The Writer's Studio writing program. She uses writing as a therapeutic medium for understanding and responding to the near decimation of Native culture, language, and tradition.