William Everson

In this collection of interviews with one of the central poets of the San Francisco Literary Renaissance (which preceded the Beat movement) William Everson/Brother Antoninus ponders the mystical dimensions of poetry. The interviews span the final fifteen years of his life and contain his final thoughts on the prophetic, the shamanistic and the aesthetic dimensions of his craft, as well as his own life, characterized by the Portuguese proverb that "God writes straight with crooked lines." The interviews, accompanied by selected poems, were conducted, edited and introduced by Clifton Ross and were first published two years after the poets death by Stride Publications, UK, republished by Freedom Voices to honor the centennial of the poet's birth.

The Crooked Lines Of God: Poems, 1949-1954 is a collection of poetry by William Everson, originally published in 1959. The book contains a selection of poems written by the author between the years of 1949 and 1954, during a period of personal and spiritual transformation. The poems explore themes of nature, love, and spirituality, often drawing on Everson's experiences as a poet, monk, and lover. The collection is known for its vivid imagery, lyrical language, and deep spiritual insight. The title of the book refers to the idea that God's plan for humanity is not always straightforward, and that the path to enlightenment is often full of twists and turns. The Crooked Lines Of God is considered a classic of American poetry, and is widely regarded as one of Everson's most important works.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Praised as the "best modern survey of the silent period" ( New Republic ), this indispensable history tells you everything you need to know about American silent film, from the nickelodeons in the early 1900s to the birth of the first "talkies" in the late 1920s. The author provides vivid descriptions of classic pictures such as The Birth of a Nation, Intolerance, Sunrise, The Covered Wagon, and Greed , and lucidly discusses their technical and artistic merits and weaknesses. He pays tribute to acknowledged masters like D. W. Griffith, Charlie Chaplin, Buster Keaton, Douglas Fairbanks, Mary Pickford, and Lillian and Dorothy Gish, but he also gives ample attention to previously neglected yet equally gifted actors and directors. In addition, the book covers individual genres, such as the comedy, western gangster, and spectacle, and explores such essential but little-understood subjects as art direction, production design, lighting and camera techniques, and the art of the subtitle. Intended for all scholars, students, and lovers of film, this fascinating book, which features over 150 film stills, provides a rich and comprehensive overview of this unforgettable era in film history.

A Stanford University Press classic.