William G. Hyland

Martha Jefferson is the first and only biography of Thomas Jefferson’s greatest love and true kindred spirit, who died an untimely death at the young age of thirty-three in 1782. Drawing on a wealth of newly probed sources—including family letters, documents, and the handwritten notes left by Jefferson’s famed biographer, Dumas Malone—William G. Hyland Jr. captures the charm, sophistication, and grace, as well as a profound sense of history, of this little known and elusive figure who, until now, has been a mere footnote to the story of America’s founding. Hyland brings us a conflicted and honest Martha Jefferson, who endured the Revolution as valiantly as some men—defending her very doorstep from raiding British troops—and presided over the domestic life of the Jeffersons’ “little mountain,” Monticello, during her husband’s long absences and historic rise to power. A revealing and insightful look at an often overlooked American woman, this book provides a unique and previously unexplored understanding of America’s Revolutionary Era, and the men and women upon whose bravery, talent, and resolve our nation was founded.

“Anyone interested in how good history is written will be mesmerized by this book. If some readers also want to find out whether recent assaults on Thomas Jefferson's reputation are based on fact or on factoids, they will find a veritable mother lode of information here.”-Thomas Fleming, author of The Intimate Lives of the Founding Fathers

Having retired from a career in government, Hyland has taken to writing about American popular music and here traces the life, personality, and work of composer Gershwin (1898-1937) from his birth in New York City to the impact his music continues to exert. Annotation (c) Book News, Inc., Portland,

Hyland reveals both the man and his creations, revealing how Gershwin became the first composer to apply popular music to classical forms, how his work reflected the turmoil of America in the Jazz Age, and how, despite his fame, he never achieved the happiness and contentment a genius of his stature deserved. This is a fascinating new biography that no Gershwin fan—and no music fan—should be without. George Gershwin pioneered the crossover from Broadway musicals to concert audiences, culminating in what is arguably America's greatest opera, Porgy and Bess. In William G. Hyland's new biography, Gershwin's personality and music are reexamined. Hyland illustrates how the composer's craftsmanship was criticized and his music was relegated to the status of lowbrow for decades, until the relatively recent appreciation of his achievements. Yet for all of his artistic brilliance, Gershwin was vulnerable and discontented in his personal life. Hyland reveals both the man and his creations, revealing how Gershwin became the first composer to apply popular music to classical forms, how his work reflected the turmoil of America in the Jazz Age, and how, despite his fame, he never achieved the happiness and contentment a genius of his stature deserved. This is a fascinating new biography that no Gershwin fan—and no music fan—should be without.

No modern U.S. president inherited a stronger, safer international position than Bill Clinton. In 1992, the Cold War was over, and the nation was at peace and focused on domestic issues. Despite this temporary tranquility, Clinton would soon be faced with a barrage of crises, including flare-ups of unrest in the Middle East, ethnic conflict in Yugoslavia, uneasy relations with Japan and China, persistent trouble in the Persian Gulf, the dissolution of the USSR, and disastrous situations in Somalia and Haiti.In this comprehensive and balanced examination of Clinton's foreign policy—the first such book to cover all the global focal points of his administration to date—William G. Hyland brilliantly shows the effects of combining this confusion with Clinton's unique personality characteristics. His first term was marked, in the author's analysis, by murky policy, unrealistic goals, and the mishandling of several crises. By the end of that term he learned some hard lessons, was able to alter his pattern of response, and reversed himself on some major aspects of foreign policy—all to benefit, in the author's view, the country and the world as a whole.

Richard Rodgers, a musical genius whose Broadway career spanned six successful decades, composed more than a thousand songs for the American stage. Although he reaped wealth, success, and recognition that included two shared Pulitzer Prizes, Rodgers found happiness elusive. In this first comprehensive biography of Rodgers, William G. Hyland tells the full story of the complex man and his incomparable music. Hyland’s portrait of Rodgers (1902-79) begins with his childhood in an affluent Jewish family living in the Harlem neighborhood of Manhattan. During college years at Columbia University and early work on the amateur circuit and Broadway, Rodgers entered into a historic collaboration with the lyricist Lorenz Hart. The team produced a dozen popular shows and such enduring songs as "The Lady Is a Tramp." Rodgers’ next partnership, with Oscar Hammerstein II, led to the creation of the musical play, a new and distinctively American art form. Beginning with Oklahoma! in 1943, this pair dominated Broadway for almost twenty years with a string of hits that remain beloved favorites: Carousel, South Pacific, The King and I, and The Sound of Music. When Hammerstein died in 1960, Rodgers began a new phase in his career, writing the lyrics to his own music, then joining lyricists Stephen Sondheim, Sheldon Harnick, and Martin Charnin. Despite periods of depression, excessive drinking, hypochondria, and devastating illness at different points in his life, Rodgers’ outpouring of music seemed little affected, and he continued to compose until his death at age seventy-seven. An icon of the musical theater, Rodgers left a legacy of timeless songs that audiences return to hear over and again.