William Hope Hodgson

The Ghost Pirates is a novel by William Hope Hodgson, first published in 1909. The economic style of writing has led horror writer Robert Weinberg to describe The Ghost Pirates as "one of the finest examples of the tightly written novel ever published." 1] In it, Hodgson never describes in any remarkable details the ghosts - if this is indeed what they are, since their true nature is left ambiguous - he merely reports on their gradual commandeering of the ship. "The Ghost Pirates . . . is a powerful account of a doomed and haunted ship on its last voyage, and of the terrible sea-devils (of quasi-human aspect, and perhaps the spirits of bygone buccaneers) that besiege it and finally drag it down to an unknown fate. With its command of maritime knowledge, and its clever selection of hints and incidents suggestive of latent horrors in nature, this book at times reaches enviable peaks of power." - H.P. Lovecraft.... Story The novel is presented as the transcribed testimony of Jessop, who we ultimately discover is the only survivor of the final voyage of the Mortzestus, having been rescued from drowning by the crew of the passing Sangier. It begins with Jessop's recounting how he came to be aboard the ill-fated Mortzestus and the rumors surrounding the vessel. Jessop then begins to recount the unusual events that rapidly increase in both frequency and severity. In the telling of his tale, Jessop offers only sparse interpretation of the events, spending most of the time relating the story in an almost journalistic fashion, presenting a relatively unvarnished description of the events and conversations as they occurred. He describes his confusion and uncertainty about what he believes he has seen, at times fearing for his own sanity. He eventually hears other members of the crew speak of strange events, most of which the rest of the crew pass off as either bad luck or the result of the witness being either tired or "dotty". Jessop only offers brief personal interpretation; he states that while he cannot discount the idea that the beings plaguing the ship may be ghosts, he presents his theory that they may be beings from another dimension that, while sharing the same physical space as theirs, are normally completely separated to the extent that neither dimension is aware of the existence of the other. He offers only vague, superficial suggestions as to the cause of his theorized dimensional breach..... William Hope Hodgson (15 November 1877 - April 1918) was an English author. He produced a large body of work, consisting of essays, short fiction, and novels, spanning several overlapping genres including horror, fantastic fiction, and science fiction. Hodgson used his experiences at sea to lend authentic detail to his short horror stories, many of which are set on the ocean, including his series of linked tales forming the "Sargasso Sea Stories". His novels, such as The House on the Borderland (1908) and The Night Land (1912), feature more cosmic themes, but several of his novels also focus on horrors associated with the sea. Early in his writing career Hodgson dedicated effort to poetry, although few of his poems were published during his lifetime. He also attracted some notice as a photographer and achieved renown as a bodybuilder. He died in World War I at age 40. Early years and life at sea: Hodgson was born in Blackmore End, Essex, the son of the Reverend Samuel Hodgson, an Anglican priest, and Lissie Sarah Brown. He was the second of 12 children, three of whom died in infancy. The death of a child is a theme in several of Hodgson's works including the short stories "The Valley of Lost Children", "The Sea-Horses", and "The Searcher of the End House". Hodgson's father was moved frequently and served 11 different parishes in 21 years, including one in County Galway, Ireland. This setting was later featured in Hodgson's novel The House on the Borderland......

Detective stories in which the great Thomas Carnacki investigates the supernatural using scientific tools, such as photography, and tools that are augmented by theories of the supernatural, such as the electric pentacle, which uses vacuum tubes to repel supernatural forces.

Och ser du, en natt drev det mig åter att planlöst ströva genom Kleinstadts tysta gator? Ingenstans i världen är det så hemskt som i denna stadsdel. Man viker in på en gata och ser endast ett dött mörker, då sticker ur en fönsterspringa en spöklik ljusstråle en plötsligt som en lång elak nål i pupillerna. Ur mörkret dyker ett hus upp -- med avbrutna skuldror och bakåtlutande panna och stirrande medvetslöst som ett slaktat djur ur tomma vindskupor upp mot natthimlen. Och går man över de ojämna gatstenarna och ser sig plötsligt om, skulle man kunna hålla vad om, att ett svampigt, likblekt ansikte stirrat efter en om hörnet -- inte i vanlig axelhöjd -- nej, långt nedanför, där endast stora hundar har huvudet. Här samlas nio sällsamma berättelser av både äldre och nutida författare. Klassiska namn som Edgar Allan Poe, William Hope Hodgson och Gustav Meyrink har en plats i varje finsmakares bokhylla. Men dessutom ges stort utrymme åt svenska förmågor, bland dem våra kanske främsta författare av "weird tales" -- Johan Theorin och Sven Christer Swahn. En bok att läsa med öppet sinne och utan föreställningen att skräckfyllda berättelser måste vara blodiga och osubtila. Ty "varelserna som stapplar omkring i natten" är ju mest skrämmande så länge vi inte ser dem?