William Malpas

LAND ART IN CLOSE-UPBy William MalpasA fully illustrated, up-to-date, large format guide to land and environmental art. This new book explores all of the major land, environmental and earthwork artists of the past 40 years, including James Turrell and his vast volcano site - Hans Haacke's Conceptual art - Michael Heizer's Mid-West earthworks - Robert Smithson and his giant spiral, entropic earthworks - Christo's wrapped buildings and islands, - Robert Morris's environments - Walter de Maria's Romantic Lightning Field - David Nash's stoves, stones, trees and North Wales environments - Hamish Fulton's walks and words - Dennis Oppenheim's concentric snow circles - Richard Long and his art of walking - Andy Goldsworthy's natural, spontaneous, eco-friendly sculptures - Alice Aycock's mysterious underground mazes - Mary Miss's sunken pools and pavilions - Wolfgang Laib's delicate, luminous pollen spreads - Nancy Holt and her observation sculptures - and the enigmatic floor sculptures of Carl Andre. For the land artist, the whole planet is an artist's studio. The land artist ranges over the whole globe. A desert, a beach, a field, a forest becomes a studio, a place of creative activity. This means the very texture and colour and shape and dampness and springiness and strength and size of moss, for instance. Or a stone. Or a crevice in a rock formation. The way the light falls on a patch of grass, the little bits of dead, yellowish grass on top of the newer, green grass. Pine cones, closed-up. Flowers turning sunward in the late afternoon. These are the things land artists deal with in making art. These are the actualities that artists employ when they create artworks.Fully illustrated. This revised edition includes new illustrations. A large format book (216x280mm). Hardcover with a colour laminate cover. www.crmoon.com

INSTALLATION ART IN CLOSE-UP By William Malpas A huge array of contemporary artists are studied and illustrated in this book on installation and environmental art, including: Andy Goldsworthy, Mark Rothko, Barnett Newman, David Nash, Richard Long, Hamish Fulton, Hans Haacke, Wolfgang Laib, Joseph Beuys, Ad Reinhardt, Louise Nevelson, Tony Cragg, Cornelia Parker, Rebecca Horn, Constantin Brancusi, James Turrell, Donald Judd, Christo, Robert Morris, Lawrence Weiner, Robert Irwin, Jannis Kounellis, Donna Dennis, Ian Hamilton Finlay, Alan Sonfist, Alice Aycock, Mary Miss, Nancy Holt, Walter de Maria, Dennis Oppenheim, Jackie Winsor, Richard Serra, Carl Andre, Frank Stella, Robert Ryman, Robert Smithson, Dan Flavin, Eva Hesse, Sol LeWitt, and Barbara Kruger.This is a book of rows of steel cubes, lightning fields, galleries of soil and horses, leaf sculptures, entropy, earthworks, floor-to-ceiling slogans, snow circles, floor spreads, mapworks, walks, reshaped volcanoes, birds in space, fluorescent lamps, TV monitors, mirrors, interior lakes, wrapped buildings, spiral jetties, underground labyrinths, stellar observatories, steam pieces, gardens, embankments, holes, concrete poetry, slate stacks, artificial rivers, and stoves. Large format book (216 x 280mm). New reprint. Art in Close-Up Series. Bibliography, notes. Fully illustrated. 308pp.

INSTALLATION ART IN CLOSE-UP By William Malpas A huge array of contemporary artists are studied and illustrated in this book on installation and environmental art, including: Andy Goldsworthy, Mark Rothko, Barnett Newman, David Nash, Richard Long, Hamish Fulton, Hans Haacke, Wolfgang Laib, Joseph Beuys, Ad Reinhardt, Louise Nevelson, Tony Cragg, Cornelia Parker, Rebecca Horn, Constantin Brancusi, James Turrell, Donald Judd, Christo, Robert Morris, Lawrence Weiner, Robert Irwin, Jannis Kounellis, Donna Dennis, Ian Hamilton Finlay, Alan Sonfist, Alice Aycock, Mary Miss, Nancy Holt, Walter de Maria, Dennis Oppenheim, Jackie Winsor, Richard Serra, Carl Andre, Frank Stella, Robert Ryman, Robert Smithson, Dan Flavin, Eva Hesse, Sol LeWitt, and Barbara Kruger.This is a book of rows of steel cubes, lightning fields, galleries of soil and horses, leaf sculptures, entropy, earthworks, floor-to-ceiling slogans, snow circles, floor spreads, mapworks, walks, reshaped volcanoes, birds in space, fluorescent lamps, TV monitors, mirrors, interior lakes, wrapped buildings, spiral jetties, underground labyrinths, stellar observatories, steam pieces, gardens, embankments, holes, concrete poetry, slate stacks, artificial rivers, and stoves. Large format book (216 x 280mm). New reprint. Art in Close-Up Series. Bibliography, notes. Fully illustrated. 308pp.

A new and revised edition of our best-selling book on Andy Goldsworthy.

THE ART OF ANDY GOLDSWORTHY By William Malpas This is the most comprehensive and detailed study of British artist Andy Goldsworthy, and is the only full-length exploration of Goldsworthy and his art available anywhere. The book has been completely rewritten and brought up to date for this new edition. Andy Goldsworthy makes land or earth art out of, among other materials, stacks of rocks, or stalks tied together, or mud thrown into rivers or poppy petals wrapped around boulders. His art is a sensitive, intuitive response to nature, light, time, growth, the seasons and the earth. REVISED AND UPDATED, WITH NEW ILLUSTRATIONS Fully illustrated, with a revised text. Bibliography and notes. 348pp. ISBN 9781861717399. www.crmoon.com EXTRACT FROM THE CHAPTER ON GOLDSWORTHY'S LEAFWORKS It is the leafworks that are the most colourful of Andy Goldsworthy's sculptures. What the leaf sculptures show is how beautiful the colours of nature are: Goldsworthy shows the viewer these subtle colours by contrasting one leaf with another. Maple patch grouped the red/ orange/ yellow of Japanese maple leaves together; Poppy leaves contrasted the red poppy leaves against the mid-green of an elderberry bush; a Stone Wood sculpture of 1992 consisted of poppy leaves wrapped around a hazel branch, the red constrasting vividly with the wet green leaves; Dock Leaves interwove red leaves in green grass stalks. Two sycamore leafworks of 1980 and 1981 are very simple: a leaf black from cow shit is placed against pale Autumn leaves; another leaf, bleached white, is set down on a bed of dark leaves. He pins together two colours of sycamore leaves (sycamore is a favourite Goldsworthy medium) in Sycamore leaf sections (1988), and hangs the line of leaves from a tree. Shot with the sun behind them, the photograph of the leaves shows them glowing green and gold, the two classic colours of poetry and alchemy. The Autumnal colours of course connote nostalgia, decadence, sensuality, Romanticism, time passing, the decay of the year, and so on, all those things John Keats wrote about in his 'Ode: To Autumn', and in a billion other poets' art. Goldsworthy's aim in the leaf pieces, though, draws attention to the fragility and delicacy of leaves, as well as their strength and function. A leaf, after all, is a complex biological factory, so the natural scientists say. 'There is a whole world in a single leaf', remarked Goldsworthy. Goldsworthy's leafworks do not have a scientific agenda. Rather, they celebrate the presence of leaves, the being-in-the-world of leaves, so to speak.

THE ART OF RICHARD LONG By William Malpas The central fact and act of Richard Long's art is walking. His work is founded on the art of walking, the act of walking, the actuality of walking, and on walking as art, as act, as experience. His walks become 'artwalks', artwalks which become artworks. Richard Long is a British land artist and sculptor who works with and in the natural world, but also with and within the highly sophisticated, artificial and humanmade world of art and culture. 'I too wanted to make nature the subject of my work, ' Long explained of his early work, 'but in new ways. I started working outside using natural materials like grass and water, and this evolved into the idea of making a sculpture by walking'. Richard Long is sometimes termed a 'Romantic' sculptor, and part of this book relates his art to British Romanticism, as found in the literature of William Wordsworth, Percy Bysshe Shelley, John Keats and others, and the British landscape tradition, as in J.M.W. Turner, John Constable, Thomas Girtin and other landscape painters. Aspects of British Romantic culture in 20th century and 21st century art also considered (such as the 'New Ruralists', 'New Romantics', 'New Arcadians' and 'Neo-Romantics'). Malpas also explore some of the aspects of Romantic culture in Europe as well as Britain. In the course of this book William Malpas references many of Richard Long's contemporary British sculptors (Tony Cragg, Bill Woodrow, David Nash, Barry Flanagan, Alison Wilding, Shirazeh Houshiary, Hamish Fulton, Stephen Cox, Philip King, Anthony Caro, Tim Head, William Tucker, Anish Kapoor, Anthony Gormley, David Mach, and Gilbert & George). Further chapters include: one on women, feminist, body art and performance sculptors, as a comparison with Richard Long's art, which has a strong component of performance (even if it's nearly always private). Also, a consideration of gendered sculpture and art. The chapter on Minimal, Conceptual, Process and other 1960s and post-1960s art and artists, discusses the artists (primarily European and American) who have most in common with Richard Long's art: the great Minimal and land artists, such as Donald Judd, Robert Morris, Carl Andre, Sol LeWitt, Dennis Oppenheim, James Turrell and Robert Ryman, and the important Conceptual artists, such as Hans Haacke, Bruce Nauman, Yves Klein and Lawrence Weiner. This book also considers topics such as contemporary and postwar art and sculpture; Richard Long's contemporaries, including fellow British sculptors; and land art. REVISED AND UPDATED, WITH NEW ILLUSTRATIONS Fully illustrated, with a newly revised text. Bibliography and notes. www.crmoon.com

LAND ART A COMPLETE GUIDE TO LANDSCAPE, ENVIRONMENTAL, EARTHWORKS, NATURE, SCULPTURE AND INSTALLATION ART REVISED AND UPDATED, WITH NEW ILLUSTRATIONS A fully illustrated guide to land and environmental art. A newly updated and revised edition of our best-selling book. For the land artist, the whole planet is an artist's studio. The land artist ranges over the whole globe. A desert, a beach, a field, a forest becomes a studio, a place of creative activity. This means the very texture and colour and shape and dampness and springiness and strength and size of moss, for instance. Or a stone. Or a crevice in a rock formation. The way the light falls on a patch of grass, the little bits of dead, yellowish grass on top of the newer, green grass. Pine cones, closed-up. Flowers turning sunward in the late afternoon. These are the things land artists deal with in making art. These are the actualities that artists employ when they create artworks. This book explores all of the major land, environmental and earthwork artists of the past 40 years, including James Turrell and his vast volcano site - Hans Haacke's Conceptual art - Michael Heizer's Mid-West earthworks - Robert Smithson and his giant spiral, entropic earthworks - Christo's wrapped buildings and islands, - Robert Morris's environments - Walter de Maria's Romantic Lightning Field - David Nash's stoves, stones, trees and North Wales environments - Hamish Fulton's walks and words - Dennis Oppenheim's concentric snow circles - Richard Long and his art of walking - Andy Goldsworthy's natural, spontaneous, eco-friendly sculptures - Alice Aycock's mysterious underground mazes - Mary Miss's sunken pools and pavilions - Wolfgang Laib's delicate, luminous pollen spreads - Nancy Holt and her observation sculptures - and the enigmatic floor sculptures of Carl Andre. William Malpas has written books on Richard Long and land art, as well as three books on Andy Goldsworthy, including Andy Goldsworthy In America. Malpas's books on Richard Long and Andy Goldsworthy are the only full-length studies of these artists available. Includes new illustrations, bibliography, notes. 380 pages. . www.crmoon.com