William Rowley

Schola Medicinae Universalis Nova. Pars Prior, Continens Historiam Medicinae, Anatomiam, Physiologiam Specialem Cum Plurimis Tabulis Aeneis, by William Rowley, is a comprehensive exploration of early medical science presented in Latin. This first part of the 'New Universal School of Medicine' delves into the history of medicine, detailed anatomical studies, and specialized physiology. The book includes numerous engraved plates, providing visual representations of anatomical structures and physiological processes. Rowley's work offers insights into the medical knowledge and educational practices of its time, making it a valuable resource for historians of medicine and anyone interested in the evolution of medical science. The text provides a window into the intellectual and scientific traditions of the era, showcasing the depth of understanding and the methods used to teach medicine. This book is a significant contribution to the historical record of medical scholarship. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

At the center of this remarkable 1621 play is the story of Elizabeth Sawyer, the titular "Witch of Edmonton," a woman who had in fact been executed for the crime of witchcraft mere months before the play's first performance. Yet hers is only one of several plots that animate The Witch of Edmonton. Blending sensational drama with domestic tragedy and comic farce, this complex and multi-layered play by Dekker, Ford, and Rowley emphasizes the mundane realities and interpersonal conflicts that are so often at the heart of sensational occurrences. This edition of their work offers a compelling and informative introduction, thorough annotation, and a selection of contextual materials that helps set the play in the context of the "witch-craze" of Jacobean England.

Two little known Elizabethan plays, one a comedy the other a tragedy, both set in the village of Edmonton, now a neighbourhood of North London, here adapted for production in Edmonton, Canada. Both plays were given their first performance in the City of Edmonton as staged readings as part of Malachite Theatre's first Winter Shakespeare Festival, January, 2020. In the "Merry Devil of Edmonton", follow the exploits of Smug the Smith and his friends as they poach deer, sing songs, and, under the guidance of the magician, Fabell, help the younger generation pull their elders into the Sixteenth Century And, in "The Witch of Edmonton", follow the tragic true story of Elizabeth Sawyer, an impoverished woman scapegoated as a witch by her fellow villagers and lead to the gallows.

“The next good mood I find my father in, I’ll get him quite discarded”With these chillingly offhand words, Beatrice-Joanna, the spoilt daughter of a powerful nobleman, plots to get rid of the family servant who has crossed her once too often. The Changeling’s vivid tale of sexual appetite, repulsion, betrayal and lunacy remains one of the most compelling tragedies of the 17th century. Exposing the vexed relationship between servants and masters, setting notions of `change’ against the revelation of psychological ‘secrets’ as ways of explaining human behaviour, and exploring the idea of love as a `tame madness’, the play reveals the terrifying consequences of ungoverned sexual appetite and betrayal. Featuring the full and modernized play text, this revised edition includes incisive commentary notes which explain the nuances of the play’s vibrant, colloquial language and demonstrate its sly delight in the characters’ conscious and unconscious wordplay. Michael Neill’s illuminating introduction provides a firm grounding in the play’s socio-political context, demonstrates how careful close-reading can expand your enjoyment of the play, explains the play’s violent linkage of comic and tragic plots and gives theatrical life to the text via a discussion of its stage history, with a particular emphasis on the most interesting recent productions. The New Mermaids plays offer: · Modernized versions of the play text edited to the highest textual standards · Fully annotated student editions with obscure words explained and critical, contextual and staging insight provided on each page · Full Introductions analyzing context, themes, author background and stage history