William Styron

The day after Peter Leverett met his old friend Mason Flagg in Italy, Mason was found dead. The hours leading up to his death were a nightmare for Peter--both in their violence and in their maddening unreality. The blaze of events which followed was, Peter soon realized, ignited by a conflict between two men: Mason Flagg himself, and Cass Kinsolving, a tortured, self-destructive painter, a natural enemy and prey to the monstrous evil of Mason Flagg. Three events--murder, rape and suicide--explode in the is relentless and passionate novel, almost overwhelming in its conception of the varieties of good and evil. "It may be one of the finest novels of our times . . . Styron, besides being a superb craftsman and a skillful, evocative artist, is a master storyteller."--San Francisco Chronicle

Two extraordinary works about soldiers in a time of dubious peace by a writer of vast eloquence and moral authority. With stylistic panache and vitriolic wit, William Styron depicts conflicts between men of somewhat more than average intelligence and the military machine. In The Long March, a novella, two Marine reservists fight to retain their dignity while on a grueling exercise staged by a posturing colonel. The uproariously funny play In the Clap Shack charts the terrified passage of a young recruit through the prurient inferno of a Navy hospital VD ward. In both works, Styron wages a gallant defense of the free individual--and serves up a withering indictment of a system that has no room for individuality or freedom.

The story that inspired the major motion picture The Birth of a Nation (2016) In the late summer of 1831, in a remote section of southeastern Virginia, there took place the only effective, sustained revolt in the annals of American Negro slavery... The revolt was led by a remarkable Negro preacher named Nat Turner, an educated slave who felt himself divinely ordained to annihilate all the white people in the region. The Confessions of Nat Turner is narrated by Nat himself as he lingers in jail through the cold autumnal days before his execution. The compelling story ranges over the whole of Nat's Life, reaching its inevitable and shattering climax that bloody day in August. The Confessions of Nat Turner is not only a masterpiece of storytelling; is also reveals in unforgettable human terms the agonizing essence of Negro slavery. Through the mind of a slave, Willie Styron has re-created a catastrophic event, and dramatized the intermingled miseries, frustrations--and hopes--which caused this extraordinary black man to rise up out of the early mists of our history and strike down those who held his people in bondage.