Yngvar B Steinholt

This multi-authored monograph consists of the sections: Pop Rock, Ethno-Chaos, Battle Drums, and a Requiem: The Sounds of the Ukrainian Revolution, The Euromaidans Aftermath and the Genre of Answer Song: A Musical Dialogue Between the Antagonists?, Exposing the Fault Lines beneath the Kremlins Restorative Geopolitics: Russian and Ukrainian Parodies of the Russian National Anthem, Lasha Tumbai, or Russia, Goodbye? The Eurovision Song Contest as a Post-Soviet Geopolitical Battleground, and (Post-)Soviet Rock Soundtracks the Donbas Conflict.

Punk culture is currently having a revival worldwide and is poised to extend and mutate even more as youth unemployment and youth alienation increase in many countries of the world. In Russia, its power to have an impact and to shock is well illustrated by the state response to activist collective and punk band Pussy Riot. This book, based on extensive original research, examines the nature of punk culture in contemporary Russia. Drawing on interviews and observation, it explores the vibrant punk music scenes and the social relations underpinning them in three contrasting Russian cities. It relates punk to wider contemporary culture and uses the Russian example to discuss more generally what constitutes 'punk' today.

Punk culture is currently having a revival worldwide and is poised to extend and mutate even more as youth unemployment and youth alienation increase in many countries of the world. In Russia, its power to have an impact and to shock is well illustrated by the state response to activist collective and punk band Pussy Riot. This book, based on extensive original research, examines the nature of punk culture in contemporary Russia. Drawing on interviews and observation, it explores the vibrant punk music scenes and the social relations underpinning them in three contrasting Russian cities. It relates punk to wider contemporary culture and uses the Russian example to discuss more generally what constitutes 'punk' today.