Kirjahaku

This book provides comparison of Daniel Deronda with Anna Karenina and Women in Love in order to answer the following questions: why does one protagonist in each novel fail whilst another succeeds? And what does the 'comparative' in 'comparative literature' actually mean?

This work of intellectual and cultural history seeks to understand the recurring connection of teaching with contradiction in some major texts of the European Middle Ages. It moves comfortably between patristic and monastic exegesis, the Paris schools of the twelfth and thirteenth centuries, and late medieval Spain; between Latin and vernacular, between religious and secular. It assimilates the methodologies of religious and erotic texts, thereby displaying the investment of each in the sensuality and analytical power of language. The book begins by exploring Christian exegesis, in which biblical contradiction is the textual incarnation of a Truth that is at once and paradoxically singular and multiple. Exegesis teaches us of the possibility of maintaining the truth in one biblical proposition and, equally and simultaneously, in its apparent opposite. Under the aegis of dialectic and the Aristotelian rule of non-contradiction, however, we are next taught to read either/or, and to resolve contradiction not through suspension and multiplicity, as in exegesis, but rather through a judgment that favors either one proposition or the other. The writers studied here are John of Salisbury, whose Metalogicon is an ostensibly moderating critique of the intellectual extremism of the School of Paris logicians, and Peter Abelard, in whose life and writing the forces of contradiction work with maiming and illuminating violence. The book then considers the teaching-textuality of two great secular works of the Middle Ages, formed under the double instruction of the master disciplines of monastic exegesis and dialectic and under the tutelage of Ovid. Calling simultaneously on the both-and of exegesis and the either/or of dialectic, the teaching of these two texts is both biblical and worldly—impossibly, both at once, always in motion. The De Amore of Andreas Capellanus teaches two opposite propositions and commands that either one or the other must be chosen, yet in practice shows each proposition to be deeply embedded in the other. The concluding chapter turns from the Latin to the vernacular tradition to study one of the lesser-known examples of contradictory teaching, the fourteenth-century Libro de Buen Amor of Juan Ruiz, whose titular "good love" conflates the contrary things of spiritual and carnal love, while reminding readers that the difference between the two is urgently consequential.

WINNER, KATHERINE SINGER KOVACS PRIZE Remember the Hand studies a body of articulate manuscript books from the Christian monasteries of northern Iberia in the tenth and eleventh centuries. These exceptional, richly illuminated codices have in common an urgent sense of scribal presence—scribes name themselves, describe themselves, even paint their own portraits. While marginal notes, even biographical ones, are a common feature of medieval manuscripts, rarely do scribes make themselves so fully known. These writers address the reader directly, asking for prayers of intercession and sharing of themselves. They ask the reader to join them in not only acknowledging the labor of writing but also in theorizing it through analogy to agricultural work or textile production, tending a garden of knowledge, weaving a text out of words. By mining this corpus of articulate codices (known to a school of Iberian codicologists, but virtually unstudied outside that community), Catherine Brown recovers these scribes' understanding of reading as a powerful, intimate encounter between many parties—authors and their text, scribes and their pen, patrons and their art-object, readers and the words and images before their eyes—all mediated by the material object known as the book. By rendering that mediation conspicuous and reminding us of the labor that necessarily precedes that mediation, the scribes reach out to us across time with a simple but profound directive: Remember the hand. Remember the Hand is available from the publisher on an open-access basis.

Known for its hunting skills and endless energy, the Jack Russell Terrier is absolutely a breed apart. In addition to discussion of the breed's development and working history, this book will serve as a new owner's reference, with guidance on care, feeding and training the companion dog.

It's almost Christmas in Westie Green and the snowflakes are falling. Nestled deep within the Highlands of Scotland lives an enchanting community of West Highland Terriers, the Westie Hutters. Roobie & Radley and their pet piglet Disco live at the Bones Bakery where the ovens are busy cooking up Yummytastic Bone Biscuits for Christmas. Grandpa Angus delivers these in his VW Campervan, but he also needs to call on their help. Finding reindeer in Westie Woods, a search to find Santa, and the Tree of Awesomeness all add to the ingredients, making this Magical Christmas Adventure almost as tasty as Grandma Soozie's Christmas pudding and its hidden treasure. But can the little trio help rescue Christmas?

It's almost Christmas in Westie Green and the snowflakes are falling. Nestled deep within the Highlands of Scotland lives an enchanting community of West Highland Terriers, the Westie Hutters. Roobie & Radley and their pet piglet Disco live at the Bones Bakery where the ovens are busy cooking up Yummytastic Bone Biscuits for Christmas. Grandpa Angus delivers these in his VW Campervan, but he also needs to call on their help. Finding reindeer in Westie Woods, a search to find Santa, and the Tree of Awesomeness all add to the ingredients, making this Magical Christmas Adventure almost as tasty as Grandma Soozie's Christmas pudding and its hidden treasure. But can the little trio help rescue Christmas?

God's Wonder Women is a celebration of amazing women of God through the lens of the Bible. It is fresh, full of revelatory wisdom and cannot fail to inspire you to step out in new adventures with Jesus. This book will take your faith to another level.

This book provides comparison of Daniel Deronda with Anna Karenina and Women in Love in order to answer the following questions: why does one protagonist in each novel fail whilst another succeeds? And what does the 'comparative' in 'comparative literature' actually mean?

This book seeks to envision emerging leaders and also equips existing leaders to step out in bold Kingdom ventures. It is a must read for all established visionary leaders and for those who are emerging as aspiring leaders. Catherine draws from her own ministry experience in leading global vision and does so in a transparent and straightforward fashion. The topics in the books include how to recognise your season in the Lord, how to conceive, consolidate and build foundations for vision. How to be prepared to carry vision, how to implement, share and lead vision to completion. Advice on partnership, vision, values, balance in leadership, investing in team, setting goals, dealing with enemy opposition and obtaining counter strategy and much, much more. "This is a wonderfully practical book that melds together Godly values with our best efforts to bring forth Kingdom strategy. It challenges us to lay a true foundation for realizing vision by nurturing the right heart attitude with God and our fellow ministry partners. Then it builds on that solid foundation with straightforward and accessible principles and guidelines. May visions be realized; May leaders be developed; May God's Kingdom Come."Rev. Wesley Zinn, Wellspring Church

2 Elizabeths is a literary magazine focused on poetry and short fiction, with an emphasis on romance and women's fiction. This inaugural anthology centers around stories and poems with themes of love and romance. The work within ranges from lighthearted, romantic, and fun, to deeply moving. The string that ties these pieces together is their common sense of optimism, a belief in true love.

Launched in 1936 in the "Sunday Post" in Scotland, The Broons are undoubtedly Scotland's first family - the Nation's favourites - with a readership covering all generations. The Broons 'annual' sells over 100,000 copies. This is a facsimile of Maw Broon's very own cookbook, which we borrowed from the sideboard at No. 10 Glebe Street - first made for her by her mother-in-law when 'Maw' married 'Paw', and added-to over the years with recipes for every day and special days, from friends and neighbours and others that simply caught Maw's eye in "The Sunday Post", or cut-out of the backof a flour bag. These are the very recipes that became the favourite dishes of the whole extended family - Maw and Paw, Granpaw, Daphne, Horace, Joe, Maggie, Hen, the Twins and 'the bairn'.The strip itself is still hugely popular, with the "Sunday Post" having a circulation of over 1,000,000 copies every week, and there are some examples of the strip from years gone by that Maw must have clipped into her Cookbook- perhaps as reminders of special days. We've just left the 'bits and pieces' that you find tucked into a cookbook, exactly as we found them - stains and all."Maw Broon's Cookbook" is published at a time when nostalgia items are extremely popular, and although obviously firm favourites in Scotland, there will be interest nationwide, with support and endorsement from celebrity names - Gordon Ramsay, Lorraine Kelly, Ewan McGregor to name a few. The BBC's Robbie Shepherd and Tom Morton will lend a hand too! There will be promotion in DC Thomson's portfolio of newspapers and magazines - including "The Sunday Post", "The Courier", "The Scots Magazine", and "The People's Friend".

Let's say there are three Scotlands. The Scotland of cityscapes, stunning and grim. The Scotland of open spaces, stunning and grand. The Scotland of the mind: inventors of television and telephone, proponents of the existence of underwater monsters, a world of jigs and reels and long traditions, a nation which was independent in heart and mind and stance long before it had its own new parliament. This book is a guide to the distinct Scots language, urban, rural and cultural. It is aimed both at native speakers of English and those who have learned English as a second language and at native Scots. It explains and exemplifies Scots vocabulary and usage and, on occasions, makes comparisons with English usage, particularly where the differences are likely to cause confusion.