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1000 tulosta hakusanalla Jennifer Griffith

American Nietzsche

American Nietzsche

Jennifer Ratner-Rosenhagen

University of Chicago Press
2011
sidottu
If you were looking for a philosopher likely to appeal to Americans, Friedrich Nietzsche would be far from your first choice. After all, in his blazing career, Nietzsche took aim at nearly all the foundations of modern American life: Christian morality, the Enlightenment faith in reason, and the idea of human equality. Despite that, for more than a century Nietzsche has been a hugely popular - and surprisingly influential - figure in American high and popular culture alike. In "American Nietzsche", Jennifer Ratner-Rosenhagen delves deeply into Nietzsche's thought, and America's reception of it, to tell the story of his curious appeal. Beginning her account as far back as Emerson, whom the seventeen-year-old Nietzsche read obsessively, she shows how Nietzsche's ideas first burst on American shores at the turn of the twentieth century, and how they continued to alternately invigorate and shock Americans throughout the century to come. She also traces out the broader intellectual and cultural contexts in which a wide array of commentators - academic and armchair philosophers, theologians and atheists, romantic poets and hard-nosed empiricists, and political ideologues and apostates from the Left and the Right - drew insight and inspiration from Nietzsche's claims for the death of God, his challenge to universal truth, and his insistence on the interpretive nature of all human thought and belief. At the same time, she explores how his image as an iconoclastic immoralist was put to work in American popular culture, making Nietzsche an unlikely posthumous celebrity capable of inspiring teenagers and scholars alike. A heady examination of a powerful, but little-explored undercurrent of twentieth-century American culture, "American Nietzsche" dramatically recasts our understanding of American intellectual life - and puts Nietzsche squarely at its heart.
Action versus Contemplation

Action versus Contemplation

Jennifer Summit; Blakey Vermeule

University of Chicago Press
2020
nidottu
“All of humanity’s problems stem from man’s inability to sit quietly in a room alone,” Blaise Pascal wrote in 1654. But then there’s Walt Whitman, in 1856: “Whoever you are, come forth! Or man or woman come forth! / You must not stay sleeping and dallying there in the house.” It is truly an ancient debate: Is it better to be active or contemplative? To do or to think? To make an impact, or to understand the world more deeply? Aristotle argued for contemplation as the highest state of human flourishing. But it was through action that his student Alexander the Great conquered the known world. Which should we aim at? Centuries later, this argument underlies a surprising number of the questions we face in contemporary life. Should students study the humanities, or train for a job? Should adults work for money or for meaning? And in tumultuous times, should any of us sit on the sidelines, pondering great books, or throw ourselves into protests and petition drives? With Action versus Contemplation, Jennifer Summit and Blakey Vermeule address the question in a refreshingly unexpected way: by refusing to take sides. Rather, they argue for a rethinking of the very opposition. The active and the contemplative can—and should—be vibrantly alive in each of us, fused rather than sundered. Writing in a personable, accessible style, Summit and Vermeule guide readers through the long history of this debate from Plato to Pixar, drawing compelling connections to the questions and problems of today. Rather than playing one against the other, they argue, we can discover how the two can nourish, invigorate, and give meaning to each other, as they have for the many writers, artists, and thinkers, past and present, whose examples give the book its rich, lively texture of interplay and reference. This is not a self-help book. It won’t give you instructions on how to live your life. Instead, it will do something better: it will remind you of the richness of a life that embraces action and contemplation, company and solitude, living in the moment and planning for the future. Which is better? Readers of this book will discover the answer: both.
Segregation by Experience

Segregation by Experience

Jennifer Keys Adair; Kiyomi Sánchez-Suzuki Colegrove

University of Chicago Press
2021
sidottu
Early childhood can be a time of rich discovery, a period when educators have an opportunity to harness their students’ fascination to create unique learning opportunities. Some teachers engage with their students’ ideas in ways that make learning collaborative--but not all students have access to these kinds of learning environments. In Segregation by Experience, the authors filmed and studied a a first-grade classroom led by a Black immigrant teacher who encouraged her diverse group of students to exercise their agency. When the researchers showed the film to other schools, everyone struggled. Educators admired the teacher but didn’t think her practices would work with their own Black and brown students. Parents of color—many of them immigrants—liked many of the practices, but worried that they would compromise their children. And the young children who viewed the film thought that the kids in the film were terrible, loud, and badly behaved; they told the authors that learning was supposed to be quiet, still, and obedient. In Segregation by Experience Jennifer Keys Adair and Kiyomi Sánchez-Suzuki Colegrove show us just how much our expectations of children of color affect what and how they learn at school, and they ask us to consider which children get to have sophisticated, dynamic learning experiences at school and which children are denied such experiences because of our continued racist assumptions about them.
Segregation by Experience

Segregation by Experience

Jennifer Keys Adair; Kiyomi Sánchez-Suzuki Colegrove

University of Chicago Press
2021
nidottu
Early childhood can be a time of rich discovery, a period when educators have an opportunity to harness their students’ fascination to create unique learning opportunities. Some teachers engage with their students’ ideas in ways that make learning collaborative--but not all students have access to these kinds of learning environments. In Segregation by Experience, the authors filmed and studied a a first-grade classroom led by a Black immigrant teacher who encouraged her diverse group of students to exercise their agency. When the researchers showed the film to other schools, everyone struggled. Educators admired the teacher but didn’t think her practices would work with their own Black and brown students. Parents of color—many of them immigrants—liked many of the practices, but worried that they would compromise their children. And the young children who viewed the film thought that the kids in the film were terrible, loud, and badly behaved; they told the authors that learning was supposed to be quiet, still, and obedient. In Segregation by Experience Jennifer Keys Adair and Kiyomi Sánchez-Suzuki Colegrove show us just how much our expectations of children of color affect what and how they learn at school, and they ask us to consider which children get to have sophisticated, dynamic learning experiences at school and which children are denied such experiences because of our continued racist assumptions about them.
Lost Property

Lost Property

Jennifer Summit

University of Chicago Press
2000
sidottu
The English literary canon is haunted by the figure of the lost woman writer. She has, of course, been a powerful stimulus for the 20th-century rediscovery of works written by women. But as Jennifer Summit argues, "the lost woman writer" also served as an evocative symbol during the very formation of an English literary tradition from the 14th through the 16th centuries. Examining the history of the representations of women writers from Margery Kempe and Christine de Pizan to Elizabeth I and Mary Stuart, Queen of Scots, Summit shows how the woman writer came to embody alienation from tradition. Chaucer, for instance, used the figure of the woman writer to dramatize the problems of writing outside the dominant literary culture, while the reformation writer John Bale cast women writers as proto-Protestant icons of opposition to the Catholic church. Bringing together original archival research with new readings of key literary texts, Summit provides a revisionary account of the woman writers' role in English literary history.
Lost Property

Lost Property

Jennifer Summit

University of Chicago Press
2000
nidottu
The English literary canon is haunted by the figure of the lost woman writer. She has, of course, been a powerful stimulus for the 20th-century rediscovery of works written by women. But as Jennifer Summit argues, "the lost woman writer" also served as an evocative symbol during the very formation of an English literary tradition from the 14th through the 16th centuries. Examining the history of the representations of women writers from Margery Kempe and Christine de Pizan to Elizabeth I and Mary Stuart, Queen of Scots, Summit shows how the woman writer came to embody alienation from tradition. Chaucer, for instance, used the figure of the woman writer to dramatize the problems of writing outside the dominant literary culture, while the reformation writer John Bale cast women writers as proto-Protestant icons of opposition to the Catholic church. Bringing together original archival research with new readings of key literary texts, Summit provides a revisionary account of the woman writers' role in English literary history.
Memory's Library

Memory's Library

Jennifer Summit

University of Chicago Press
2011
nidottu
In Jennifer Summit's account, libraries are more than inert storehouses of written tradition; they are volatile spaces that actively shape the meanings and uses of books, reading, and the past. Considering the two-hundred-year period between 1431, which saw the foundation of Duke Humfrey's famous library, and 1631, when the great antiquarian Sir Robert Cotton died, "Memory's Library" revises the history of the modern library by focusing on its origins in medieval and early modern England. Summit argues that the medieval sources that survive in English collections are the product of a Reformation and post-Reformation struggle to redefine the past by redefining the cultural place, function, and identity of libraries. By establishing the intellectual dynamism of English libraries during this crucial period of their development, "Memory's Library" demonstrates how much current discussions about the future of libraries can gain by reexamining their past.
Memory's Library

Memory's Library

Jennifer Summit

University of Chicago Press
2008
sidottu
In Jennifer Summit's account, libraries are more than inert storehouses of written tradition; they are volatile spaces that actively shape the meanings and uses of books, reading, and the past. Considering the two-hundred-year period between 1431, which saw the foundation of Duke Humfrey's famous library, and 1631, when the great antiquarian Sir Robert Cotton died, "Memory's Library" revises the history of the modern library by focusing on its origins in medieval and early modern England. Summit argues that the medieval sources that survive in English collections are the product of a Reformation and post-Reformation struggle to redefine the past by redefining the cultural place, function, and identity of libraries. By establishing the intellectual dynamism of English libraries during this crucial period of their development, "Memory's Library" demonstrates how much current discussions about the future of libraries can gain by reexamining their past.
An American Obsession

An American Obsession

Jennifer Terry

University of Chicago Press
1999
sidottu
Drawing on research from medical texts, psychiatric case histories, pioneering statistical surveys, first-person accounts, legal cases, sensationalist journalism and legislative debates, this text is a history of how the century-old obsession with homosexuality is deeply tied to changing American anxieties about social and sexual order in the modern age. The overarching argument is that homosexuality served as a marker of the "abnormal" against which malleable, tenuous and often contradictory concepts of the "normal" were defined. The book takes into consideration homosexuality in both women and men and refuses to erase the agency of people classified as abnormal. It documents the ways that gays, lesbians and other sexual minorities have co-authored, resisted and transformed the most powerful and authoritative modern truths about sex.
An American Obsession – Science, Medicine, and Homosexuality in Modern Society
Drawing on research from medical texts, psychiatric case histories, pioneering statistical surveys, first-person accounts, legal cases, sensationalist journalism and legislative debates, this text is a history of how the century-old obsession with homosexuality is deeply tied to changing American anxieties about social and sexual order in the modern age. The overarching argument is that homosexuality served as a marker of the "abnormal" against which malleable, tenuous and often contradictory concepts of the "normal" were defined. The book takes into consideration homosexuality in both women and men and refuses to erase the agency of people classified as abnormal. It documents the ways that gays, lesbians and other sexual minorities have co-authored, resisted and transformed the most powerful and authoritative modern truths about sex.
Maladies of the Will

Maladies of the Will

Jennifer L. Fleissner

THE UNIVERSITY OF CHICAGO PRESS
2022
sidottu
An examination of the nineteenth-century American novel that argues for a new genealogy of the concept of the will. What if the modern person were defined not by reason or sentiment, as Enlightenment thinkers hoped, but by will? Western modernity rests on the ideal of the autonomous subject, charting a path toward self-determination. Yet novelists have portrayed the will as prone to insufficiency or excess—from indecision to obsession, wild impulse to melancholic inertia. Jennifer Fleissner’s ambitious book shows how the novel’s attention to the will’s maladies enables an ongoing interrogation of modern premises from within. Maladies of the Will reveals the nineteenth-century American novel’s relation to a wide-ranging philosophical tradition, highly relevant to our own tumultuous present. In works from Moby-Dick and The Scarlet Letter to Elizabeth Stoddard’s The Morgesons and Charles W. Chesnutt’s The Marrow of Tradition, the will’s grandeur and its perversity emerge as it alternately aligns itself with and pits itself against a bigger Will—whether of God, the state, society, history, or life itself. Today, when invocations of autonomy appear beside the medicalization of many behaviors, and democracy’s tenet of popular will has come into doubt, Maladies of the Will provides a map to how we got here, and how we might think these vital dilemmas anew.
Maladies of the Will

Maladies of the Will

Jennifer L. Fleissner

THE UNIVERSITY OF CHICAGO PRESS
2022
nidottu
An examination of the nineteenth-century American novel that argues for a new genealogy of the concept of the will. What if the modern person were defined not by reason or sentiment, as Enlightenment thinkers hoped, but by will? Western modernity rests on the ideal of the autonomous subject, charting a path toward self-determination. Yet novelists have portrayed the will as prone to insufficiency or excess—from indecision to obsession, wild impulse to melancholic inertia. Jennifer Fleissner’s ambitious book shows how the novel’s attention to the will’s maladies enables an ongoing interrogation of modern premises from within. Maladies of the Will reveals the nineteenth-century American novel’s relation to a wide-ranging philosophical tradition, highly relevant to our own tumultuous present. In works from Moby-Dick and The Scarlet Letter to Elizabeth Stoddard’s The Morgesons and Charles W. Chesnutt’s The Marrow of Tradition, the will’s grandeur and its perversity emerge as it alternately aligns itself with and pits itself against a bigger Will—whether of God, the state, society, history, or life itself. Today, when invocations of autonomy appear beside the medicalization of many behaviors, and democracy’s tenet of popular will has come into doubt, Maladies of the Will provides a map to how we got here, and how we might think these vital dilemmas anew.
Undesirable

Undesirable

Jennifer Anne Boittin

THE UNIVERSITY OF CHICAGO PRESS
2022
sidottu
Archival research into policing and surveillance of migrant women illuminates pressing contemporary issues. Examining little-known policing archives in France, Senegal, and Cambodia, Jennifer Anne Boittin unearths the stories of hundreds of women labeled “undesirable” by the French colonial police and society in the early twentieth century. These “undesirables” were often women traveling alone, women who were poor or ill, women of color, or women whose intimate lives were deemed unruly. To refute the label and be able to move freely, they spoke out or wrote impassioned letters: some emphasized their “undesirable” qualities to suggest that they needed the care and protection of the state to support their movements, while others used the empire’s own laws around Frenchness and mobility to challenge state or societal interference. Tacking between advocacy and supplication, these women summoned intimate details to move beyond, contest, or confound surveillance efforts, bringing to life a practice that Boittin terms “passionate mobility.” In considering how ordinary women pursued autonomy, security, companionship, or simply a better existence in the face of surveillance and control, Undesirable illuminates pressing contemporary issues of migration and violence.
Undesirable

Undesirable

Jennifer Anne Boittin

THE UNIVERSITY OF CHICAGO PRESS
2022
nidottu
Archival research into policing and surveillance of migrant women illuminates pressing contemporary issues. Examining little-known policing archives in France, Senegal, and Cambodia, Jennifer Anne Boittin unearths the stories of hundreds of women labeled “undesirable” by the French colonial police and society in the early twentieth century. These “undesirables” were often women traveling alone, women who were poor or ill, women of color, or women whose intimate lives were deemed unruly. To refute the label and be able to move freely, they spoke out or wrote impassioned letters: some emphasized their “undesirable” qualities to suggest that they needed the care and protection of the state to support their movements, while others used the empire’s own laws around Frenchness and mobility to challenge state or societal interference. Tacking between advocacy and supplication, these women summoned intimate details to move beyond, contest, or confound surveillance efforts, bringing to life a practice that Boittin terms “passionate mobility.” In considering how ordinary women pursued autonomy, security, companionship, or simply a better existence in the face of surveillance and control, Undesirable illuminates pressing contemporary issues of migration and violence.
The Experimental Fire

The Experimental Fire

Jennifer M Rampling

THE UNIVERSITY OF CHICAGO PRESS
2023
nidottu
A 400-year history of the development of alchemy in England that brings to light the evolution of the practice. In medieval and early modern Europe, the practice of alchemy promised extraordinary physical transformations. Who would not be amazed to see base metals turned into silver and gold, hard iron into soft water, and deadly poison into elixirs that could heal the human body? To defend such claims, alchemists turned to the past, scouring ancient books for evidence of a lost alchemical heritage and seeking to translate their secret language and obscure imagery into replicable, practical effects. Tracing the development of alchemy in England over four hundred years, from the beginning of the fourteenth century to the end of the seventeenth, Jennifer M. Rampling illuminates the role of alchemical reading and experimental practice in the broader context of national and scientific history. Using new manuscript sources, she shows how practitioners like George Ripley, John Dee, and Edward Kelley, as well as many previously unknown alchemists, devised new practical approaches to alchemy while seeking the support of English monarchs. By reconstructing their alchemical ideas, practices, and disputes, Rampling reveals how English alchemy was continually reinvented over the space of four centuries, resulting in changes to the science itself. In so doing, The Experimental Fire bridges the intellectual history of chemistry and the wider worlds of early modern patronage, medicine, and science.
Some White Folks

Some White Folks

Jennifer Chudy

THE UNIVERSITY OF CHICAGO PRESS
2024
sidottu
A pioneering exploration of the unexamined roots and effect of racial sympathy within American politics. There is racial inequality in America, and some people are distressed over it while others are not. This is a book about white people who feel that distress. For decades, political scientists have studied the effects of white racial prejudice, but Jennifer Chudy shows that white racial sympathy for Black Americans’ suffering is also a potent force in modern American politics. Grounded in the history of Black-white relations in America, racial sympathy is unique. It is not equivalent to a low level of racial prejudice or sympathy for other marginalized groups. Some White Folks reveals how racial sympathy shapes a significant number of white Americans’ opinions on policy areas ranging from the social welfare state to the criminal justice system. Under certain circumstances, it can also spur action—although effects on political behavior are weaker and less consistent, for reasons Chudy examines. Drawing on diverse quantitative and qualitative evidence and integrating insights from multiple disciplines, Chudy explores the origins, importance, and complexity of racial sympathy, as well as the practical implications for political and movement leaders. A companion to the rich literature on prejudice, Some White Folks demonstrates the multifaceted role of race in American politics and public opinion.
Some White Folks

Some White Folks

Jennifer Chudy

THE UNIVERSITY OF CHICAGO PRESS
2024
nidottu
A pioneering exploration of the unexamined roots and effect of racial sympathy within American politics. There is racial inequality in America, and some people are distressed over it while others are not. This is a book about white people who feel that distress. For decades, political scientists have studied the effects of white racial prejudice, but Jennifer Chudy shows that white racial sympathy for Black Americans’ suffering is also a potent force in modern American politics. Grounded in the history of Black-white relations in America, racial sympathy is unique. It is not equivalent to a low level of racial prejudice or sympathy for other marginalized groups. Some White Folks reveals how racial sympathy shapes a significant number of white Americans’ opinions on policy areas ranging from the social welfare state to the criminal justice system. Under certain circumstances, it can also spur action—although effects on political behavior are weaker and less consistent, for reasons Chudy examines. Drawing on diverse quantitative and qualitative evidence and integrating insights from multiple disciplines, Chudy explores the origins, importance, and complexity of racial sympathy, as well as the practical implications for political and movement leaders. A companion to the rich literature on prejudice, Some White Folks demonstrates the multifaceted role of race in American politics and public opinion.
Forming Humanity

Forming Humanity

Jennifer A. Herdt

THE UNIVERSITY OF CHICAGO PRESS
2024
nidottu
Now in paperback, Forming Humanity reveals bildung, or ethical formation, as the key to post-Kantian thought. Kant’s proclamation of humankind’s emergence from “self-incurred immaturity” left his contemporaries with a puzzle: What models should we use to sculpt ourselves if we no longer look to divine grace or received authorities? Deftly uncovering the roots of this question in Rhineland mysticism, Pietist introspection, and the rise of the bildungsroman, Jennifer A. Herdt reveals bildung, or ethical formation, as the key to post-Kantian thought. This was no simple process of secularization, in which human beings took responsibility for something they had earlier left in the hands of God. Rather, theorists of bildung, from Herder through Goethe to Hegel, championed human agency in self-determination while working out the social and political implications of our creation in the image of God. While bildung was invoked to justify racism and colonialism by stigmatizing those deemed resistant to self-cultivation, it also nourished ideals of dialogical encounter and mutual recognition. Herdt reveals how the project of forming humanity lives on in our ongoing efforts to grapple with this complicated legacy.
Slips of the Mind

Slips of the Mind

Jennifer Soong

THE UNIVERSITY OF CHICAGO PRESS
2025
sidottu
An audacious account of what happens when forgetting becomes a way of writing and writing becomes a way of forgetting. In Slips of the Mind, poet and critic Jennifer Soong turns away from forgetting's longstanding associations with suppression, privation, and error to argue that the absence or failure of memory has often functioned as a generative creative principle. Exploring forgetting not as the mere rejection of a literary past or a form of negative poetics, Soong puts to the test its very aesthetic meaning. What new structures, forms of desires, styles, and long and short feelings do lapses in time allow? What is oblivion's relationship to composition? And how does the twentieth-century poet come to figure as the quintessential embodiment of such questions? Soong uncovers forgetting's influence on Gertrude Stein, Lyn Hejinian, Tan Lin, Harryette Mullen, Lissa Wolsak, and New York School poets John Ashbery, James Schuyler, Bernadette Mayer, and Ted Berrigan, among others. She reveals that forgetting's shapeshifting produces differences in poetic genre, interest, and degrees of intentionality—and that such malleability is part of forgetting's nature. Most provocatively, Soong shows how losing track of things, leaving them behind, or finding them already gone resists overdetermination and causality in the name of surprise, as poets leverage forgetting in order to replace identity with style. Slips of the Mind is the kind of literary criticism that will reward all readers of modern and contemporary poetry.
Slips of the Mind

Slips of the Mind

Jennifer Soong

THE UNIVERSITY OF CHICAGO PRESS
2025
nidottu
An audacious account of what happens when forgetting becomes a way of writing and writing becomes a way of forgetting. In Slips of the Mind, poet and critic Jennifer Soong turns away from forgetting's longstanding associations with suppression, privation, and error to argue that the absence or failure of memory has often functioned as a generative creative principle. Exploring forgetting not as the mere rejection of a literary past or a form of negative poetics, Soong puts to the test its very aesthetic meaning. What new structures, forms of desires, styles, and long and short feelings do lapses in time allow? What is oblivion's relationship to composition? And how does the twentieth-century poet come to figure as the quintessential embodiment of such questions? Soong uncovers forgetting's influence on Gertrude Stein, Lyn Hejinian, Tan Lin, Harryette Mullen, Lissa Wolsak, and New York School poets John Ashbery, James Schuyler, Bernadette Mayer, and Ted Berrigan, among others. She reveals that forgetting's shapeshifting produces differences in poetic genre, interest, and degrees of intentionality—and that such malleability is part of forgetting's nature. Most provocatively, Soong shows how losing track of things, leaving them behind, or finding them already gone resists overdetermination and causality in the name of surprise, as poets leverage forgetting in order to replace identity with style. Slips of the Mind is the kind of literary criticism that will reward all readers of modern and contemporary poetry.