Amit Chaudhuri

In these poems, written after the death of his parents, Amit Chaudhuri gives us both a record of loss and an account of tasting life afresh. Here, past and future are often conjoined, as are moments, people, and sounds: Ramanujan the mathematician and Chaudhuri, related as much by Cambridge as they are to each other by their suffering bodies; absent parents echoed by the daughter absent during home-cooked meals; a 9th-century Chinese poet and Sybille Bedford finding a reader in Chaudhuri, who himself addresses a 'Reader' who belongs to both past and future; the first day of the year with its 'cough cough' rhythm echoed by the 'tatak tatak' of the dhak on Durga puja; two mothers, one American, in Kaddish, the other an Indian maid with a face disfigured by burns; the 'human and God touching faces nose to nose'. Moving through this world - Chaudhuri's universe - now annotated by bereavement, one cannot not be infected, again, by the wonder and newness with which he experiences the world: that, even after living and all these lives, 'I never felt I knew the place'. "The spirit of the Indian mathematician Ramanujan, a "strange misfit" in Cambridge, hovers over this mercurial collection that dwells deftly on empire and migration, on the solidity of architecture and the fugitive particularity of food. All of it testifies to an "appetite for existence" and an omnivorous richness of perception." -Jamie McKendrick

**SHORTLISTED FOR THE JAMES TAIT BLACK PRIZE**By turns essay, memoir and cultural study, Finding the Raga is Amit Chaudhuri's singular account of his discovery of, and enduring passion for, North Indian music: an ancient, evolving tradition whose principles and practices will alter the reader's notion of what music might - and can - be.Tracing the music's development, Finding the Raga dwells on its most distinctive and mysterious characteristics: its extraordinary approach to time, language and silence; its embrace of confoundment, and its ethos of evocation over representation. The result is a strange gift of a book, for musicians and music lovers, and for any creative mind in search of diverse and transforming inspiration.'Supple, intricate and uncompromising, full of delicate observation and insight, Amit Chaudhuri's Finding the Raga immerses us in the rigorous beauty and cosmology of Indian classical music. It is also a loving memoir about relationships and places, dedication and vocation.' Geoff Dyer

Winner of the James Tait Black Prize for Biography An autobiographical exploration of the role and meaning of music in our world by one of India's greatest living authors, himself a vocalist and performer. Amit Chaudhuri, novelist, critic, and essayist, is also a musician, trained in the Indian classical vocal tradition but equally fluent as a guitarist and singer in the American folk music style, who has recorded his experimental compositions extensively and performed around the world. A turning point in his life took place when, as a lonely teenager living in a high-rise in Bombay, far from his family's native Calcutta, he began, contrary to all his prior inclinations, to study Indian classical music. Finding the Raga chronicles that transformation and how it has continued to affect and transform not only how Chaudhuri listens to and makes music but how he listens to and thinks about the world at large. Offering a highly personal introduction to Indian music, the book is also a meditation on the differences between Indian and Western music and art-making as well as the ways they converge in a modernism that Chaudhuri reframes not as a twentieth-century Western art movement but as a fundamental mode of aesthetic response, at once immemorial and extraterritorial. Finding the Raga combines memoir, practical and cultural criticism, and philosophical reflection with the same individuality and flair that Chaudhuri demonstrates throughout a uniquely wide-ranging, challenging, and enthralling body of work.

A one-of-a-kind collection of work by one of India's best contemporary poets. Gathering the work of a lifetime, spanning four books of poetry, and including thirty-four new poems, this is the first comprehensive collection of the work of one of India's most influential English language poets to be published in the United States and the United Kingdom. Arvind Krishna Mehrotra's poetry has long been known for its mixing of the commonplace and the strange, the autobiographical and the fabulous, in which the insignificant details of everyday life-whether contemporary or historical-bring larger patterns into focus. Mehrotra's celebrated translations from Indian languages (Prakrit, Hindi, Gujarati, Bengali) take up a third of Collected Poems. Selections from The Absent Traveller and Songs of Kabir are followed by those of Nirala, Vinod Kumar Shukla, Mangalesh Dabral, Pavankumar Jain and Shakti Chattopadhyay. Together they tell the story of Indian poetry over two millennia."

An intensely personal novel about childhood, memory, and history by one of today's most celebrated authors, now available in the US for the first time. Friend of My Youth begins with the novelist Amit Chaudhuri returning to Bombay, the city in which he grew up, to give a reading. Ramu, the friend of his youth, with whom he likes to get together when he comes back, is not there: after years of disabling drug addiction, Ramu has signed up for an intensive rehab program. But Amit Chaudhuri has errands to run in Bombay for his mother and wife, which take him back to the Taj Mahal Hotel, the site, not that long before, of a brutal terrorist attack. Amit Chaudhuri writes novels the way an extraordinary instrumentalist makes music, stating and restating his themes, trying them out in different keys and to various effect, developing and dropping them, only to pick them up again and turn them completely around. He engages both our minds and our hearts. He makes us marvel. Friend of My Youth, his deceptively casual and continually observant and inventive new novel, makes us see and feel the great city of Bombay while bringing us into the quizzical, tender, rueful, and reflective sensibility of its central character, Amit Chaudhuri, not to be confused, we are told, with the novelist who wrote this book. Friend of My Youth reflects on the nature of identity, the passage of time, the experience of friendship, the indignities of youth and middle age, the lives of parents and children, and, for all the humor that seasons its pages, terror, the terror that can strike from nowhere, the terror that is a fact of daily life. Friend of My Youth is fearfully and wonderfully made.

'Strategic thinking for a writer articulates itself as dislike and as allegiance.' In this wonderfully rich and diverse collection of essays, Amit Chaudhuri explores the way in which writers understand and promote their own work in antithesis to writers and movements that have gone before. Chaudhuri's criticism disproves and questions several assumptions—that a serious and original artist cannot think critically in a way that matters; that criticism can't be imaginative, and creative work contain radical argumentation; that a writer reflecting on their own position and practice cannot be more than a testimony of their work, but open up how we think of literary history and reading. Illuminating new ways of thinking about Western and non-Western traditions, prejudices, and preconceptions, Chaudhuri shows us again that he takes nothing as a given: literary tradition, the prevalent definitions of writing and culture; and the way the market determines the way culture and language express themselves. He asks us to look again at what we mean by the modern, and how it might be possible to think of the literary today.

In Friend of My Youth, a novelist named Amit Chaudhuri visits his childhood home of Bombay. The city, reeling from the impact of the 2008 terrorist attacks, weighs heavily on Amit's mind, as does the unexpected absence of his childhood friend Ramu, a drifting, opaque figure who is Amit's last remaining connection to the city he once called home.

In Odysseus Abroad, Amit Chaudhuri charts a day in the life of two Indian men--a twenty-two-year-old student trying (and failing) at being a poet and his bachelor uncle, who has been living in genteel poverty for nearly three decades--as they explore London, the city they now call home. A wistful and beguiling work of fiction, the novel follows nephew and uncle on one of their weekly forays about town, as they ruminate on their situations, the art of living, and each other. Marked by the same sensual richness that is a hallmark of all of Chaudhuri's work, here is a charming yet candid look at the experiences of the outsider, the struggles of youth and loneliness, and the spiky, needful, sometimes comical, yet ultimately loving connection between two generations.

It’s 1985. Twenty-two-year-old Ananda has been a student in London for two years, practicing at being a poet. He's homesick, thinks of himself as an inveterate outsider, and yet he can't help feeling that there is something romantic about his isolation. His uncle, Radhesh is a magnificent failure and an eccentric virgin who has lived in genteel impoverishment in Hampstead for nearly three decades. Over the course of one day, we follow Ananda and Radhesh on one of their weekly forays about town. Weaving back and forth in time, Chaudhuri gradually reveals the background to the two men’s lives with deft precision and humour as they walk through London together, circling around their respective pasts and futures, and finding in one another an unspoken solace. Written in a voice that is tender, wry and unsentimental, ­Odysseus Abroad is a lyrical and modern exploration of loneliness and failure – as well as a love letter to Homer and Joyce – by one of our most celebrated writers.

In this beautiful collection, Amit Chaudhuri's stories range from a divorcee about to enter into an arranged marriage to a teengaed poet who develops a relationship with a lonely widower, from a singing teacher struggling to make a living out of the boredom of his students to gauche teenager desperate to hurdle past his adolescence. Ripe with subtlety, elegance and deep feeling, this is vintage Chaudhuri.

A Strange and Sublime Address, Amit Chaudhuri’s first book, features a Bengali boy who spends his school holidays at his uncle's home in Calcutta. Heatwaves, thunderstorms, mealtimes, prayer-sessions, shopping expeditions and family visits create a shifting background to the shaping of people's lives. Delicate, nuanced, full of exquisite detail, A Strange and Sublime Address is a small masterpiece. The book also includes nine short stories about the city.

In this vividly drawn and deeply personal portrait, acclaimed novelist Amit Chaudhuri chronicles the two years he spent revisiting Calcutta, the city of his birth. A mesmerizing narrative, the book takes readers into the heart of a metropolis relatively resistant to the currents of globalization. Moving through the city's vibrant avenues and derelict alleyways, Chaudhuri introduces us to the homeless and the high society, describes its architecture and food, its sounds and smells, and its past and present politics. With rare candor and clarity, he combines memoir, reportage, and history to evoke all that is most particular and extraordinary about the city--and to explain his own passionate attachment to the place and its people.

A year after his divorce, Jayojit Chatterjee, an economics professor in the American Midwest, travels home to Calcutta with his young son, Bonny, to spend the summer holidays with his parents. Jayojit is no more accustomed to spending time alone with Bonny–who lives with his mother in California–than he is with the Admiral and his wife, whose daily rhythms have become so synchronized as to become completely foreign to their son. Together, the unlikely foursome struggles to pass the protracted hours of summer, each in his or her own way mourning Jayojit’s failed marriage. Written with depth and tenderness, A New World goes right to the heart of a family, making vividly alive their hopes, desires and regrets.

Khuku, a housewife, is irritated with the Muslims because their call to prayer wakes her up early every morning; her husband, a retired businessman, has been hired to cure a 'sick’ sweet factory that doesn't particularly want to be cured. Across town, Khuku's brother worries about his son's affiliations with the Communist Party, but only because they may affect his ever-so-gradually coalescing marriage prospects. Freedom Song is vintage Amit Chaudhuri, playing with big ideas while evoking the smallest aspects of everyday life with acute tenderness and extraordinary beauty.

Shyamji has music in his blood, for his father was the acclaimed 'heavenly singer' and guru, Ram Lal. But Shyam Lal is not his father, and knows he never will be. Mallika Sengupta's voice could have made her famous, but being the wife of a successful businessman is a full-time occupation in itself. Mallika's son, Nirmalya, believes in suffering for his art, and for him, all compromise is failure: those with talent should be true to that talent. No matter what. Written in haunting, melodic prose, The Immortals tells the story of Shyam, Mallika and Nirmalya: their relationships, their lives, their music.

It’s 1985. Twenty-two-year-old Ananda has been a student in London for two years, practicing at being a poet. He's homesick, thinks of himself as an inveterate outsider, and yet he can't help feeling that there is something romantic about his isolation. His uncle, Radhesh is a magnificent failure and an eccentric virgin who has lived in genteel impoverishment in Hampstead for nearly three decades. Over the course of one day, we follow Ananda and Radhesh on one of their weekly forays about town. Weaving back and forth in time, Chaudhuri gradually reveals the background to the two men’s lives with deft precision and humour as they walk through London together, circling around their respective pasts and futures, and finding in one another an unspoken solace. Written in a voice that is tender, wry and unsentimental, -Odysseus Abroad is a lyrical and modern exploration of loneliness and failure – as well as a love letter to Homer and Joyce – by one of our most celebrated writers.

Described as a ‘felicitous prose poem’, Afternoon Raag is the account of a young Bengali man who is studying at Oxford University and caught in complicated love triangle. His loneliness and melancholy sharpen his memories of home, which come back to haunt him in vivid, sensory detail. Intensely moving, superbly written, Afternoon Raag is a perfect miniature of a novel about arrivals and departures, new worlds and old homes.

It’s 1985. Twenty-two-year-old Ananda has been a student in London for two years, practicing at being a poet. He's homesick, thinks of himself as an inveterate outsider, and yet he can't help feeling that there is something romantic about his isolation. His uncle, Radhesh is a magnificent failure and an eccentric virgin who has lived in genteel impoverishment in Hampstead for nearly three decades. Over the course of one day, we follow Ananda and Radhesh on one of their weekly forays about town. Weaving back and forth in time, Chaudhuri gradually reveals the background to the two men’s lives with deft precision and humour as they walk through London together, circling around their respective pasts and futures, and finding in one another an unspoken solace. Written in a voice that is tender, wry and unsentimental, -Odysseus Abroad is a lyrical and modern exploration of loneliness and failure – as well as a love letter to Homer and Joyce – by one of our most celebrated writers.

The Essential Tagore showcases the genius of India’s Rabindranath Tagore, the first Asian Nobel Laureate and possibly the most prolific and diverse serious writer the world has ever known.Marking the 150th anniversary of Tagore’s birth, this ambitious collection—the largest single volume of his work available in English—attempts to represent his extraordinary achievements in ten genres: poetry, songs, autobiographical works, letters, travel writings, prose, novels, short stories, humorous pieces, and plays. In addition to the newest translations in the modern idiom, it includes a sampling of works originally composed in English, his translations of his own works, three poems omitted from the published version of the English Gitanjali, and examples of his artwork.Tagore’s writings are notable for their variety and innovation. His Sonar Tari signaled a distinctive turn toward the symbolic in Bengali poetry. “The Lord of Life,” from his collection Chitra, created controversy around his very personal concept of religion. Chokher Bali marked a decisive moment in the history of the Bengali novel because of the way it delved into the minds of men and women. The skits in Vyangakautuk mocked upper-class pretensions. Prose pieces such as “The Problem and the Cure” were lauded by nationalists, who also sang Tagore’s patriotic songs.Translations for this volume were contributed by Tagore specialists and writers of international stature, including Amitav Ghosh, Amit Chaudhuri, and Sunetra Gupta.

Infosys Prize for outstanding contribution to the Humanities in Literary Studies Rabindranath Tagore is widely regarded as a romantic poet, speaking of beauty and truth; as a transcendentalist; a believer in the absolute; a propagandist for universal man; and as a national icon. But, as Amit Chaudhuri shows in these remarkable and widely admired essays about the poet and his milieu, his secret concern was really with life, play, and contingency, with the momentary as much as it was with the eternal. It is this strain of unacknowledged modernism, as well as a revolutionary life-affirming vision, that gives his work, Chaudhuri argues, its immense power. Acute, challenging, and path-breaking, Amit Chaudhuri’s collection will become a classic reading of Rabindranath Tagore and the way he is perceived today. On Tagore was awarded the Rabindra Puraskar, the West Bengal government’s highest literary honour, in 2012 in recognition of the ‘significance, in the English language, of its critical analysis of Tagore’s works’.