Gabriel Marcel

Maria Traub's translation of Gabriel Marcel's post-war plays is a window into the French philosopher's answer to his own signature questions regarding human existence. And as in the earlier collection of plays, The Invisible Threshold, the realism, passion and sincerity that frame conscience and moral duty in Marcel are most profoundly visible in the day-to-day of family life. Ideas never before presented theatrically emerge in Marcel's characters who struggle to understand their times and how best to live in them. Post-war life was as much a spiritual reckoning as it was a new society, and Marcel's treatment of introspection is a valuable key to his own work. Marcel's dramas require characters to respond authentically and from their true selves. He thereby offers the vision of how individual compromises may build up to break the world and condemn, or, conversely, contribute to the discovery and meaning of relation and redemption. Traub's new translation will interest the player as much as the scholar, and Marcel's aptitude for theatrical writing is proven once again. His intellectual sensitivity creates characters that beckon performance, which is an added dimension to the presentation of the human condition.

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.

French philosopher and dramatist, Gabriel Marcel (1888-1973), who belonged to the movement of French existentialism, is one of the most insightful thinkers of the twentieth century. Unlike some of his contemporaries who took existentialism in an atheistic, even nihilistic, direction, Marcel approaches human existence from a theistic perspective, and gives priority to the themes of hope, fidelity and faith in the human search for meaning in a challenging world. Author of seventeen major works of philosophy, Marcel also wrote more than thirty plays, including tragedies and comedies, many of which were staged in theaters in Paris, Germany, Belgium, England, Ireland and the United States. Marcel regarded dramatic art as having priority in both a chronological and an intellectual sense. His plays deal with challenging experiences and issues of contention that arise between people, especially families, in day-to-day life. Describing his own style as “post-Ibsen,” because it involves a sense of realism, depictions of passion and sincerity, and a sense of moral duty, Marcel’s plays rarely provide complete or settled answers to the difficulties they confront, but suggest possibilities both of interpretation and with regard to the choices on life’s journey. One of his aims is to allow audiences (and readers) not only to arrive at their own conclusions, but to feel the echo of the dramatic action in their own lives, and so provoke both insight and critical reflection on the dramas of existence. The plays in this new volume were written early in his career, and were published together under the title Le Seuil invisible (The Invisible Threshold) in 1913. The first play, Grace, explores the theme of religious conversion. The drama depicts a crisis between characters of genuine depth and sincerity, who are struggling with different interpretations of shared experiences. After a serious illness, Gerard, one of the main protagonists, undergoes a religious conversion, an experience which allows of two different and irreconcilable interpretations. The first is the interpretation of the scientific materialist; the second regards Gerard’s illness not as a cause but as an occasion to exercise the subject’s creative freedom. The play also raises the question of grace: the role that God may play in the choice of faith. Marcel asks us to consider the sincerity of our choices, and those attitudes and temptations that play a role in our motivations, in a profound dramatization of the experience of the religious as it emerges through challenging life situations. Similar themes are addressed but developed differently in the second play, The Sandcastle. Through the character of Moirans, this drama explores the confrontation between one’s beliefs and their consequences when faced with challenging family and social circumstances. The play asks us to think about what happens when our beliefs and theories, especially about religion, morality and politics, come up against situations in life that can test them. Marcel raises issues of moral character, commitment and sincerity, and introduces the role doubt plays in the way we form and hold our convictions. The springboard for the unfolding of the drama is Moirans’ egotism, and his growing realization of the difference between accepting Christianity in an intellectual and cultural sense, and a Christianity that is lived. This predicament then provokes his daughter, Clarisse, into some profound soul-searching of her own. Drama of this profundity offers audiences and readers a mirror that reflects their own problems, which leads to further awareness and understanding. Marcel’s dramatic works deal with the difficulties in acknowledging many of life’s most profound experiences, in reacting to them in an authentic way, and often illustrates our failures with regard to them. One of the major themes of both his dramatic and philosophical work is that life’s most profound, fulfilling experiences are being compromised more than ever in what he describes as the modern, broken world (le monde cassé), one unfortunately characterized by alienation, loss of meaning and feelings of despair. These new plays of Marcel’s, here translated into English for the first time, will appeal to all who are interested in the role of grace in everyday life, in the influence of culture on belief, the relationship between faith and reason, the choice of faith in a secular world, and the struggle between inauthentic and authentic existence. Marcel raises profound questions about these and related topics, but does not offer final answers. In his plays, he leaves that to us.

Le geographe Thomas Lopez et son oeuvre: essai de biographie et de cartographie (2e edition corrigee et augmentee) / par Gabriel Marcel, ...Date de l'edition originale: 1908Sujet de l'ouvrage: Lopez, Tomas (1731-1802)Ce livre est la reproduction fidele d'une oeuvre publiee avant 1920 et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF.Les oeuvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique.En entreprenant de redonner vie a ces ouvrages au travers d'une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles.Nous avons cherche a concilier la reproduction fidele d'un livre ancien a partir de sa version numerisee avec le souci d'un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction.Pour plus d'informations, rendez-vous sur www.hachettebnf.fr

Gabriel Marcel: Die Meuterer von der Bounty Edition Holzinger. Taschenbuch Berliner Ausgabe, 2013 Vollst ndiger, durchgesehener Neusatz bearbeitet und eingerichtet von Michael Holzinger LES R VOLT S DE LA BOUNTY (entstanden 1879). Frz. Buch-Erstausgabe: in LES CINQ CENTS MILLIONS DE LA B GUM, J. Hetzel, Paris 1879 Dt. Buch-Erstausgabe: in DIE F NFHUNDERT MILLIONEN DER B GUM, A. Hartleben, Wien Pest Leipzig 1880, ausgeliefert November 1879 Buchreihe, Band: Julius Vernes Schriften XXXI Textgrundlage ist die Ausgabe: Gabriel Marcel: Die Meuterer von der Bounty. In: Die f nfhundert Millionen der Begum. Bekannte und unbekannte Welten. Abenteuerliche Reisen von Julius Verne, Band XXXI, Wien, Pest, Leipzig: A. Hartleben, 1881, S. 189-213. Herausgeber der Reihe: Michael Holzinger Reihengestaltung: Viktor Harvion Gesetzt aus Minion Pro, 10 pt

The Philosophy of Gabriel Marcel is a comprehensive exploration of the French existentialist philosopher Gabriel Marcel's ideas and their impact on philosophy, theology, and cultural criticism. Written by Kenneth T. Gallagher, a leading scholar in the field, the book provides a detailed analysis of Marcel's key concepts, including his views on human existence, the nature of love and relationships, and the role of faith in modern society.Drawing on Marcel's major works, such as Being and Having, The Mystery of Being, and The Broken World, Gallagher offers a clear and accessible guide to the philosopher's thought, highlighting his contributions to contemporary debates on ethics, ontology, and the meaning of life. The book also situates Marcel's ideas within the broader context of French existentialism, tracing his intellectual influences and examining his relationships with other leading thinkers of his time.In addition to its scholarly rigor, The Philosophy of Gabriel Marcel is also a valuable resource for anyone interested in the intersection of philosophy and spirituality. Gallagher explores Marcel's unique approach to religious faith, emphasizing his rejection of dogmatism and his emphasis on the importance of personal experience and encounter. Overall, the book provides a rich and nuanced portrait of one of the most important and influential thinkers of the 20th century.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

The central theme of this important book is that we are paying the price of an arrogance that refuses to recognize mystery. The author invites the reader to enter into the argument that he holds with himself on a great number of problems. Written in the early 1950s, Marcel’s discussion of these topics are remarkably contemporary, e.g.:* Our crisis is a metaphysical, not merely social, one.* What a man is depends partly on what he thinks he is, and a materialistic philosophy turns men into things.* Can a man be free except in a free country?* Stoicism is no longer a workable philosophy because today pressure can be put on the mind as well as on the body.* Technical progress is not evil in itself, but a technique is a means that, regarded as an end, can become either an idol or an excuse for self-idolatry. State control of scientific research, leading to a concentration on new means of destruction, is a calamity.* Fanaticism is an opinion that refuses to argue, and so the fanatic is an enemy of truth.* The kind of unification that science is bringing about today is really an ironing out of differences, but the only valuable kind of unity is one that implies a respect for differences.* We must beware of thinking in terms of great numbers and so blinding ourselves to the reality of individual suffering. Our philosophical approach to being is made possible only by our practical approach to our neighbor.* We must encourage the spirit of fraternity and distrust the kind of egalitarianism that is based on envy and resentment.* No man however humble should feel that he cannot spread the light among his friends. No easy solution is offered, but the author conveys his own faith that ultimately love and intelligence will triumph.