Gilles Deleuze

Logic of Sense is one of Deleuze’s seminal works. First published in 1969, shortly after Difference and Repetition, it prefigures the hybrid style and methods he would use in his later writing with Felix Guattari. In an early review Michel Foucault wrote that Logic of Sense ‘should be read as the boldest and most insolent of metaphysical treatises’.The book is divided into 34 ‘series’ and five appendices covering a diverse range of topics including, sense, nonsense, event, sexuality, psychoanalysis, paradoxes, schizophrenia, literature and becoming and includes fascinating close textual readings of works by Lewis Carroll, Sigmund Freud, Seneca, Pierre Klossowski, F. Scott Fitzgerald, and Émile Zola. Logic of Sense is essential reading for anyone interested in post-war continental thought.

Since its publication in 1968, Difference and Repetition, an exposition of the critique of identity, has come to be considered a contemporary classic in philosophy and one of Gilles Deleuze's most important works. The text follows the development of two central concepts, those of pure difference and complex repetition. It shows how the two concepts are related, difference implying divergence and decentring, repetition being associated with displacement and disguising. The work moves deftly between Hegel, Kierkegaard, Freud, Althusser and Nietzsche to establish a fundamental critique of Western metaphysics, and has been a central text in initiating the shift in French thought - away from Hegel and Marx, towards Nietzsche and Freud.

Gilles Deleuze was one of the most influential figures in twentieth-century philosophy, whose master-works, Difference and Repetition and – with Felix Guattari - A Thousand Plateaus and Anti-Oedipus have become one of the most widely-influential bodies of work in contemporary thought. Cinema II is Deleuze’s second work on cinema, completing the reassessment of the art form begun in Cinema I. Influenced by the philosophy of Henri Bergson, Deleuze here offers a compelling analysis of the cinematic treatment of time and memory, thought and speech. The work draws on examples from major film makers, including Federico Fellini, Alfred Hitchcock and Orson Welles, among many others.

Gilles Deleuze was one of the most influential figures in twentieth-century philosophy, well known for his works on the philosophy of art and for his master-works, Difference and Repetition and - with Felix Guattari - A Thousand Plateaus and Anti-Oedipus.Cinema I is the first volume of Deleuze’s revolutionary work on the theory of cinema (concluded in Cinema II, also available in the Bloomsbury Revelations series). Drawing on the philosophy of Henri Bergson, Deleuze identified his work as “a logic of the cinema”, setting out to “isolate certain cinematographic concepts” philosophically. To do this, he brings together diverse examples from a variety of major filmmakers, including Ingmar Bergman, Charlie Chaplin, Sergei Eisenstein and Alfred Hitchcock, among many others.

Anti-Oidipus on kiistämättä yksi 1900-luvun merkittävimpiä filosofisia teoksia ja moderni klassikko. Kirjassa yhdistyvät omaperäisellä tavalla Gilles Deleuzen kehittelemä eron filosofia ja Félix Guattarin pyrkimys kyseenalaistaa perinteinen tulkintakeskeinen psykoanalyysi. Jos Freud käsittää tiedostamattoman teatteriksi, jonka esitykset psykoanalyytikon on paljastettava ja tulkittava, Deleuzelle ja Guattarille tiedostamaton on pikemminkin tehdas: se on kone, joka tuottaa niin henkilöyden kuin henkilön halun kohteetkin. Anti-Oidipuksessa skitsofrenia on keskeinen ongelma sekä filosofisesti että poliittisesti. Ensinnäkään perinteisen psykoanalyysin keinot eivät kykene käsittelemään skitsofreniaa. Toiseksi skitsofrenia on Deleuzen ja Guattarin mukaan elimellisessä yhteydessä kapitalistiseen tuotantotapaan. Alun perin vuonna 1972 ilmestynyt Anti-Oidipus on inspiroinut 50 vuoden ajan lukuisia yhteiskunnallisia liikkeitä ja kumouksellista ajattelua.

Gilles Deleuze'i (1925-1995) sajandit tähistav tõlkekogumik sisaldab valikut kirjutistest, mis avaralt ja arusaadavalt ilmestavad prantsuse filosoofi olulisi ideid, kõnetavad eesti lugejat juba olemasolevate tõlgete taustal ("Erinevus ja kordus", "Anti-Oidipus", "Bergsonism") ning lisavad nüansse nomaadliku mõtlemise imetabasesse maailma. Selles maailmas seguneb filosoofia ulmekirjandusega, tarkusearmastus sooritab mõtteroima, argument läheneb karjele ning kirjutamine kutsub üles puuduvat rahvast. Kogumikust leiab filosoofilisi välkportreid (Bergson, Hume, Nietzsche, Simondon), pikema ülevaate strukturalismi eripäradest, dramatiseerimise meetodist ja Michel Foucault' põhimõistetest, kriitilise seisukohavõtu psühhoanalüüsi aadressil, kapitalismi ja skisofreenia võrdleva analüüsi ning usutluse "Anti-Oidipuse" peamiste ideede teemal, nagu palju muudki huvitavat. Üheskoos joonistavad need tekstid välja möödunud sajandi ühe säravama mõtteseikluse kaardi, mis ühtlasi pakub ärksatele vaimudele hädavajalikke vahendeid, et tõhusalt orienteeruda ka tänapäeva maailma tulevikusuundumustes.

Available for the first time in English: the complete and annotated transcripts of Deleuze’s 1981 seminars on painting From 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first time. Extensively annotated by philosopher David Lapoujade, On Painting illuminates Deleuze’s thinking on artistic creation, significantly extending the lines of thought in his book Francis Bacon. Through paintings and writing by Rembrandt, Delacroix, Turner, CÉzanne, Van Gogh, Klee, Pollock, and Bacon, Deleuze explores the creative process, from chaos to the pictorial fact. The introduction and use of color feature prominently as Deleuze elaborates on artistic and philosophical concepts such as the diagram, modulation, code, and the digital and the analogical. Through this scrutiny, he raises a series of profound and stimulating questions for his students: How does a painter ward off grayness and attain color? What is a line without contour? Why paint at all? Written and thought in a rhizomatic manner that is thoroughly Deleuzian-strange, powerful, and novel-On Painting traverses both the conception of art history and the possibility of color as a philosophical concept. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

Available for the first time in English: the complete and annotated transcripts of Deleuze’s 1981 seminars on painting From 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first time. Extensively annotated by philosopher David Lapoujade, On Painting illuminates Deleuze’s thinking on artistic creation, significantly extending the lines of thought in his book Francis Bacon. Through paintings and writing by Rembrandt, Delacroix, Turner, CÉzanne, Van Gogh, Klee, Pollock, and Bacon, Deleuze explores the creative process, from chaos to the pictorial fact. The introduction and use of color feature prominently as Deleuze elaborates on artistic and philosophical concepts such as the diagram, modulation, code, and the digital and the analogical. Through this scrutiny, he raises a series of profound and stimulating questions for his students: How does a painter ward off grayness and attain color? What is a line without contour? Why paint at all? Written and thought in a rhizomatic manner that is thoroughly Deleuzian-strange, powerful, and novel-On Painting traverses both the conception of art history and the possibility of color as a philosophical concept. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

Tämä on uudistettu laitos alun perin vuonna 2005 ilmestyneestä Haastatteluja-käännöskokoelmasta. Haastatteluja on valikoima Gilles Deleuzen artikkeleita ja haastatteluja 1960-luvulta 1990-luvulle. Näissä yksi 1900-luvun innovatiivisimmista filosofeista puhuu filosofiasta, politiikasta, taiteesta ja ennen kaikkea käsitteiden luomisesta. Kirjassa tarkastellaan muun muassa muutoksen ja historian suhdetta, uusia kontrollimuotoja, halua ja nautintoa, luomistekoa sekä kirjallisuutta.

«Film 1: Bevegelse-bildet» er et av få genuine forsøk på å virkelig tenke det spesifikke ved filmen, ikke bare som en kunstart og som medium for fortelling, undersøkelse og kritikk, men som en del av virkeligheten, som en del av vår måte å erfare verden på, nemlig som bilde.

Vad är filosofi? både ställer och besvarar frågan om vad den filosofiska verksamheten innebär. Det är en skapande verksamhet, där det som skapas är unika begrepp. Filosofen Gilles Deleuze och psykoanalytikern Félix Guattari svarar även på hur detta begreppsliga tänkande skiljer sig från - och samtidigt interagerar med - andra former av skapande, såsom konsten och naturvetenskapen. Vad är filosofi? utgör kulmen på samarbetet mellan Deleuze och Guattari, efter de tidigare böckerna Anti-Oidipus, Tusen platåer och Kafka - för en mindre litteratur. Boken är inte bara en pedagogisk analys och förklaring av vad begreppsligt tänkande innebär, utan också en kraftfull uppmaning att skapa nya begrepp; att skapa ett filosofiskt tänkande för samtiden och framtiden. När den gavs ut 1991 skrev filosofen Didier Eribon att "det är en oerhört stor bok ... en av dessa sällsynta böcker som får oss att betrakta saker och ting på ett annat sätt ... den kommer mycket snart att bli en klassiker." Det blev den också, inte bara inom den akademiska filosofin, utan i en betydligt bredare teoretisk och kritisk bemärkelse. "För att svara på frågan krävs alltså något annat än en filosofi eller mer eller mindre vaga föreställningar om tänkandet i allmänhet: det som behövs är en utredning av vad filosofi är och gör, inifrån den filosofiska aktiviteten". (Ur Fredrika Spindlers förord.) Boken är översatt från franska av Rikard Johansson, Fredrika Spindler & Sven-Olov Wallenstein.

R ussissez votre bac de philosophie 2024 gr ce notre fiche de lecture de L'Anti-Oedipe de Gilles Deleuze Valid e par une quipe de professeurs, cette analyse philosophique est une r f rence pour tous les lyc ens.Gr ce notre travail ditorial, les points suivants n'auront plus aucun secret pour vous: la biographie du philosophe, le r sum du livre, l' tude de l'oeuvre, l'analyse des th mes principaux conna tre et le courant philosophique auquel est rattach l'auteur.