Ivan Bunin

The first Russian to be awarded the Nobel Prize for literature, Ivan Bunin is often considered the last of the great Russian masters. Already renowned in Russia before the revolution, he fled the country in 1920 and lived the remainder of his life in France, where he continued to write for thirty years. Bunin made his name as a short-story writer with such masterpieces as ""The Gentleman from San Francisco,"" the title piece in one of his collections and one of the stories in this volume. His last book of stories, Dark Avenues, was published in the 1940s. Among his longer works were a fictional autobiography, The Life of Arseniev (1930), and its sequel, Youth (1939), which were later collected into one volume, and two memoirs, The Accursed Days (1926), and Memories and Portraits (1950). He also wrote books on Tolstoy and Chekhov, both of whom he knew personally. Bunin, in fact, serves as a link-both personal and literary-between Tolstoy, whom he met as a young man, Chekhov, a close friend, and Vladimir Nabokov, who was influenced by Bunin early in his career and who moved in the same émigré literary circles in the twenties and thirties. Bunin achieved his greatest mastery in the short story, and much of his finest work appears in this volume-the largest collection of his prose works ever published in English. In Robert Bowie's fine translation, with extensive annotations and a lengthy critical afterword, this work affords readers of English their first opportunity for a sustained encounter with a Russian classic, and one of the great writers of the twentieth century.

Graham Hettlinger's brilliant translations of Bunin's stories in Sunstroke (2002) were widely acclaimed. In The Elagin Affair, Mr. Hettlinger continues to acquaint English-language readers with a Bunin they may not have appreciated. Bunin's sensual, elaborate, and highly rhythmic prose has proven deeply resistant to earlier translations. In these new stories, Mr. Hettlinger captures both the music and the grace, as well as the literal meaning, of Bunin's renowned prose. The Elagin Affair contains three of the author's greatest novellas, the title piece, "Mitya's Love," and "Sukhodol" as well as a broad range of stories written between 1900 and 1940 and centered on themes of love, loss, and the Russian landscape, including several of Bunin's most haunting stories from his final collection, Dark Avenues. Praise for Sunstroke, Graham Hettlinger's first translations of Ivan Bunin: "Bunin is, unaccountably, the least translated of the great Russian writers (and his best work ranks with that of Turgenev and Chekhov). This splendid volume takes an important step toward righting a long-standing wrong."—Kirkus Reviews "Graham Hettlinger's new translation...gives us a Bunin startling in his vividness, sensuality, and restraint."—Virginia Quarterly Review "Vibrant...a fine introduction to Bunin's work and a reminder of its importance."—New York Sun

The Nobel PrizeDwinning author's great anti-Bolshevik diary of the Russian Revolution, translated into English for the first time, with an Introduction and Notes by Thomas Gaiton Marullo. A harrowing description of the forerunners of the concentration camps and the Gulag. Marc Raeff

”The Gentleman from San Francisco” is easily the best known of Ivan Bunin's stories and has achieved the stature of a masterpiece. But Bunin's other stories are not to be missed. In Sunstroke, Graham Hettlinger has selected the “Gentleman” and twenty-four other stories and translated them afresh—several for the first time in English. The result is a collection that is remarkable in its crystalline prose, surprising in its vibrancy. It includes, among others, “Raven,” “Cold Fall,” “Muza,” “Styopa,” “Antigone,” ”In Paris,” and “Late Hour.” Never has the last of the great “gentry” writers and the first Russian to win the Nobel Prize for Literature received a more caring and passionate translation. Sunstroke confirms Bunin's stature as one of the greatest—and most neglected—Russian writers of the twentieth century.

A much neglected literary figure, Ivan Bunin is one of Russia's major writers and ranks with Tolstoy and Chekhov at the forefront of the Russian Realists. Drawing artistic inspiration from his personal experience, these powerful, evocative stories are set in the late nineteenth- and early twentieth-century Russia of his youth, in the countries that he visited and in France, where he spent the last thirty years of his life. In the title story, for example, a family's tour of fashionable European resorts comes to an unexpected end; 'Late Hour' describes an old man's return to the little Russian town in the steppes that he has not seen since his early youth; while 'Mitya's Love' explores the darker emotional reverberations of sexual experience. Throughout his stories there is a sense of the precariousness of existence, an omnipresent awareness of the impermanence of human aspirations and achievements.