Kirjailija
Jean Baudrillard
Kirjat ja teokset yhdessä paikassa: 80 kirjaa, julkaisuja vuosilta 1983-2026, suosituimpien joukossa The Jean Baudrillard Reader. Vertaile teosten hintoja ja tarkista saatavuus suomalaisista kirjakaupoista.
80 kirjaa
Kirjojen julkaisuhaarukka 1983-2026.
Jean Baudrillard (1929-2007) was a controversial social and cultural theorist known for his trenchant analyses of media and technological communication. Belonging to the generation of French thinkers that included Gilles Deleuze, Jean-Francois Lyotard, Michel Foucault, and Jacques Lacan, Baudrillard has at times been vilified by his detractors, but the influence of his work on critical thought and pop culture is impossible to deny (many might recognize his name from The Matrix movies, which claimed to be based on the French theorist's ideas). Steve Redhead takes a fresh look at Baudrillard in relation to the intellectual and political climates in which he wrote. Baudrillard sought to produce a theory of modernity, but the modern world of the 1950s was radically different from the reality of the early twenty-first century. Beginning with Baudrillard's initial publications in the 1960s and concluding with his writings on 9/11 and Abu Ghraib, Redhead guides the reader through Baudrillard's difficult texts and unorthodox views on current issues. He also proposes an original theory of Baudrillard's relation to postmodernism, presenting the theorist's work as "non-postmodernist," after Bruno Latour's concept of "non-modernity." Each section of the Reader includes an extract from one of Baudrillard's writings, prefaced by a short bibliographical introduction that places the piece in context and puts the debate surrounding the theorist into sharp perspective. The conflict over Baudrillard's legacy stems largely from the fact that a comprehensive selection of his writings has yet to be translated and collected into one volume. The Jean Baudrillard Reader provides an expansive and much-needed portrait of the critic's resonant work.
Fronesis 2. Utopier
Barbara Taylor; Norberto Bobbio; Jean Baudrillard; Michel Foucault; Charlotte Perkins Gilman; Walter Benjamin; William Morris; Frida Stéenhoff
Fronesis
2016
lehtivihko, moniste
Berlinmurens fall tycktes markera slutet för den kommunistiska utopin, men samtidigt bars förändringen fram av en utopisk energi och drömmar om ett pluralistiskt samhälle utan förtryck. Det nya årtusendets inträde har samtidigt setts som inledningen på en ny tid, vilket gett näring till utopiska spekulationer. Fronesis nr 2 befinner sig i skärningspunkten mellan verklighet och utopi. Det handlar om den socialistiska idétraditionens förhållande till det utopiska tänkandet, om feministiska utopier, om det tidiga 1900-talets utopiska tanke om att skapa ”en ny människa” med mera. Innehåll i Fronesis nr 2 (138 sidor): Norberto Bobbio: Den förvridna utopins fall Petra Hall och Sara Winnfors: I glappet mellan möjligt och omöjligt Per Månson: Utopiernas död: Har socialismen någon framtid? Barbara Taylor: Den socialistiska feminismen: utopi eller vetenskap? Jakob Norberg: Inledning till Walter Benjamins ”Program för en proletär barnteater” Walter Benjamin: Program för en proletär barnteater Ulrika Holgersson: Frida Stéenhoffs feministiska utopi Frida Stéenhoff: Feminismens moral Jenny Lindblad: Herland – Den litterära feministiska utopin Charlotte Perkins Gilman: Våra förhållanden och deras Sara Winnfors: Arkitektur och makt Ur Acceptera-manifestet: Staden William Morris: Om den dekorativa konstens ursprung Michel Foucault: Rum, makt och kunskap Richard Saage: Reflektioner över den politiska utopins framtid Jean Baudrillard: I skuggan av millenniet, eller Det ovissa år 2000 Blå Tåget: Nyårsafton
Jean Baudrillard (1929-2007) was a controversial social and cultural theorist known for his trenchant analyses of media and technological communication. Belonging to the generation of French thinkers that included Gilles Deleuze, Jean-Francois Lyotard, Michel Foucault, and Jacques Lacan, Baudrillard has at times been vilified by his detractors, but the influence of his work on critical thought and pop culture is impossible to deny (many might recognize his name from The Matrix movies, which claimed to be based on the French theorist's ideas). Steve Redhead takes a fresh look at Baudrillard in relation to the intellectual and political climates in which he wrote. Baudrillard sought to produce a theory of modernity, but the modern world of the 1950s was radically different from the reality of the early twenty-first century. Beginning with Baudrillard's initial publications in the 1960s and concluding with his writings on 9/11 and Abu Ghraib, Redhead guides the reader through Baudrillard's difficult texts and unorthodox views on current issues. He also proposes an original theory of Baudrillard's relation to postmodernism, presenting the theorist's work as "non-postmodernist," after Bruno Latour's concept of "non-modernity." Each section of the Reader includes an extract from one of Baudrillard's writings, prefaced by a short bibliographical introduction that places the piece in context and puts the debate surrounding the theorist into sharp perspective. The conflict over Baudrillard's legacy stems largely from the fact that a comprehensive selection of his writings has yet to be translated and collected into one volume. The Jean Baudrillard Reader provides an expansive and much-needed portrait of the critic's resonant work.
Det sideriska Amerika. Den rena cirkulationens lyriska karaktär i motsats till den europeiska analysens melankoli. Den omedelbara förbländningen i det vektoriella, det signalerande, det vertikala, det rumsliga. Ställd mot den kulturella blickens febrila distans. Obscenitetens glädje, den blottlagda obsceniteten, den uppenbara makten, simuleringens makt. Blicken! Den horisontella från bilen; den vertikala från flygplanet; den elektroniska från televisionen; den geologiska från öknarna; den »stereolytiska« från megastäderna; den transpolitiska från maktspelet, allt som strömmar från det maktmuseum som Amerika har blivit för världen. Den franske filosofen Jean Baudrillard (1929-2007) reste till USA och nedtecknade sina intryck, tankar, analyser och observationer i boken Amerika (1986). Det är en filosofisk resedagbok, sociologisk betraktelse, en samling aforismer och kulturspekulativ essä. Idag på många sätt lika aktuell som när den skrevs. Johan Öberg har översatt till svenska och i ett utblickande efterord av Daniel Pedersen beskrivs Baudrillards analys mot dagens situation.
Zhan Bodrijjar (1929 - 2007) - izobretatel terminov "giperrealnost" i "simuljakr", "velikij provokator" sovremennoj filosofii, avtor proizvedenij, sovershenno izmenivshikh samo otnoshenie k zhizni sovremennogo obschestva, odin iz samykh znachimykh myslitelej epokhi postmodernizma, kotorogo, sobstvenno, mnogie issledovateli schitajut ni bolee ni menee kak "ottsom-sozdatelem" postmodernistskoj filosofii. Politika i ekonomika, kultura i mass-media, iskusstvo i dazhe moda - vot lish nemnogoe, na chto, volno ili nevolno, udalos radikalno povlijat Bodrijjaru. Obschestvo potreblenija - obschestvo samoobmana. Obschestvo, kotoroe gonitsja za bessmyslennoj i bessoznatelnoj illjuziej schastja. Obschestvo, v kotorom sama neobkhodimost potreblenija davno uzhe stala irratsionalnoj samotselju, "industrija krasoty" priravnjala zhenskoe telo k "tovaru", a "filosofija uspekha" obestsenivaet chelovecheskuju individualnost. Rabota Zhana Bodrijjara, vyshedshaja v 1970 godu, v bukvalnom smysle vzorvala mirooschuschenie molodykh intellektualov vsego mira. Absoljutnuju spravedlivost etoj knigi ezhednevno dokazyvaet v nashe vremja sama zhizn sovremennykh tsivilizovannykh stran - s ee daunshiftingom i "osoznannym potrebleniem", neprijatiem "kulta roskoshi", vozvrascheniem k nematerialnym tsennostjam, rastsvetom feminizma i dazhe medlennoj smertju "industrii vysokoj mody" i "industrii krasoty".
A spectre haunts the revolutionary imagination: the spectre of production. Revolutionary thought - from Marx to Deleuze - merely replicates the obsession with production of classical political economy. Jean Baudrillard's provocative early study The Mirror of Production, marks the point at which his thought breaks from the tenants of Marxism. Instead, Baudrillard seeks to go further than Marx, radicalising his thought by breaking with the capitalist logic of production in its entirety. Combining semiotics with a skilled reworking of critical theory, he carries out a thorough critique of Marxism, arguing that by placing production at the centre of its analysis it serves to naturalise capitalism instead of abolishing it. Instead, what we need is a thorough attack on productivism in all its forms and a total break from the logic of capital.
”Øjnenes forførelse. Den mest umiddelbare, den reneste. Den er ordløs, det er ene og alene blikkene, der vikles ind i en slags duel, et umiddelbart favntag, uden andres vidende og andres diskurs: en ubevægelig og tavs orgasmes diskrete charme.” Forførelse (1979) er Jean Baudrillards berømte og i sig selv forførende analyse af et både klassisk, moderne og postmoderne tema. Fokus er ikke så meget på begærets, åbenhedens og intimitetens forførelse, men på de utallige lag af skin, spil og simulation, som vor tid har sat forførelsen i: gennem ironien og markedets iscenesættelser, seksualitetens eksponeringer, mediernes illusionsnumre, informationsteknologiens digitale dans og dagliglivets karakter af quiz og skrabelod. Midt i dette voldsomme portræt af en kultur, der er ved at forføre sig selv til døde, nærlæses Forførerens dagbog (Kierkegaard). Jean Baudrillard var en fransk sociolog, kulturteoretiker og filosof og hører til de centrale postmoderne sociologer og filosoffer. På dansk foreligger også At glemme Foucault, America og Det fatale. Bogen genudgives nu i Hans Reitzels Forlags serie Klassikere og udkom første gang på dansk i 1985.
Zhan Bodrijjar (1929 - 2007) - izobretatel terminov "giperrealnost" i "simuljakr", "velikij provokator" sovremennoj filosofii, avtor proizvedenij, sovershenno izmenivshikh samo otnoshenie k zhizni sovremennogo obschestva, odin iz samykh znachimykh myslitelej epokhi postmodernizma, kotorogo, sobstvenno, mnogie issledovateli schitajut ni bolee ni menee kak "ottsom-sozdatelem" postmodernistskoj filosofii. Politika i ekonomika, kultura i mass-media, iskusstvo i dazhe moda - vot lish nemnogoe, na chto, volno ili nevolno, udalos radikalno povlijat Bodrijjaru. Obschestvo potreblenija - obschestvo samoobmana. Obschestvo, kotoroe gonitsja za bessmyslennoj i bessoznatelnoj illjuziej schastja. Obschestvo, v kotorom sama neobkhodimost potreblenija davno uzhe stala irratsionalnoj samotselju, "industrija krasoty" priravnjala zhenskoe telo k "tovaru", a "filosofija uspekha" obestsenivaet chelovecheskuju individualnost. Rabota Zhana Bodrijjara, vyshedshaja v 1970 godu, v bukvalnom smysle vzorvala mirooschuschenie molodykh intellektualov vsego mira. Absoljutnuju spravedlivost etoj knigi ezhednevno dokazyvaet v nashe vremja sama zhizn sovremennykh tsivilizovannykh stran - s ee daunshiftingom i "osoznannym potrebleniem", neprijatiem "kulta roskoshi", vozvrascheniem k nematerialnym tsennostjam, rastsvetom feminizma i dazhe medlennoj smertju "industrii vysokoj mody" i "industrii krasoty".Perevodchik: Samarskaja E. A.Redaktor: Trushechkina E.
The System of Objects is a tour de force-a theoretical letter-in-a-bottle tossed into the ocean in 1968, which brilliantly communicates to us all the live ideas of the day-offering a cultural critique of the commodity in consumer society.
Zhan Bodrijjar (1929 - 2007) - izobretatel terminov "giperrealnost" i "simuljakr", "velikij provokator" sovremennoj filosofii, avtor proizvedenij, sovershenno izmenivshikh samo otnoshenie k zhizni sovremennogo obschestva, odin iz samykh znachimykh myslitelej epokhi postmodernizma, kotorogo, sobstvenno, mnogie issledovateli schitajut ni bolee ni menee kak "ottsom-sozdatelem" postmodernistskoj filosofii. Politika i ekonomika, kultura i mass-media, iskusstvo i dazhe moda - vot lish nemnogoe, na chto, volno ili nevolno, udalos radikalno povlijat Bodrijjaru. Obschestvo potreblenija - obschestvo samoobmana. Obschestvo, kotoroe gonitsja za bessmyslennoj i bessoznatelnoj illjuziej schastja. Obschestvo, v kotorom sama neobkhodimost potreblenija davno uzhe stala irratsionalnoj samotselju, "industrija krasoty" priravnjala zhenskoe telo k "tovaru", a "filosofija uspekha" obestsenivaet chelovecheskuju individualnost. Rabota Zhana Bodrijjara, vyshedshaja v 1970 godu, v bukvalnom smysle vzorvala mirooschuschenie molodykh intellektualov vsego mira. Absoljutnuju spravedlivost etoj knigi ezhednevno dokazyvaet v nashe vremja sama zhizn sovremennykh tsivilizovannykh stran - s ee daunshiftingom i "osoznannym potrebleniem", neprijatiem "kulta roskoshi", vozvrascheniem k nematerialnym tsennostjam, rastsvetom feminizma i dazhe medlennoj smertju "industrii vysokoj mody" i "industrii krasoty".
What if the problems of modern society don't come from production, but rather consumption and the system of cultural signs? In this classic work from the defining intellectual of the postmodern, Jean Baudrillard, For a Critique of the Political Economy of the Sign takes Marx's critique of political economy and its analysis of the commodity form as the starting point for an analysis of signs and their meaning in modern society. Influenced by Lefebvre's critique of everyday life, Barthes's semiology, and Situationism, Baudrillard analyses how objects are encoded within the system of signs and meanings that constitute contemporary media and consumer societies. Combining semiological studies and sociology of the consumer society, For a Critique of the Political Economy of the Sign contains Baudrillard's most extensive engagement with Marxism and shows him at a critical juncture for the development of his thought.
Jean Baudrillard is one of the most celebrated and most controversial of contemporary social theorists. This major work occupies a central place in the rethinking of the humanities and social sciences around the idea of postmodernism. It leads the reader on an exhilarating tour encompassing the end of Marxism, the enchantment of fashion, symbolism about sex and the body, and the relations between economic exchange and death. Most significantly, the book represents Baudrillard's fullest elaboration of the concept of the three orders of the simulacra, defining the historical passage from production to reproduction to simulation. A classic in its field, Symbolic Exchange and Death is a key source for the redefinition of contemporary social thought. Baudrillard's critical gaze appraises social theories as diverse as cybernetics, ethnography, psychoanalysis, feminism, Marxism, communications theory and semiotics. This English translation begins with a new introductory essay.
Jean Baudrillard is one of the most celebrated and most controversial of contemporary social theorists. This major work occupies a central place in the rethinking of the humanities and social sciences around the idea of postmodernism. It leads the reader on an exhilarating tour encompassing the end of Marxism, the enchantment of fashion, symbolism about sex and the body, and the relations between economic exchange and death. Most significantly, the book represents Baudrillard's fullest elaboration of the concept of the three orders of the simulacra, defining the historical passage from production to reproduction to simulation. A classic in its field, Symbolic Exchange and Death is a key source for the redefinition of contemporary social thought. Baudrillard's critical gaze appraises social theories as diverse as cybernetics, ethnography, psychoanalysis, feminism, Marxism, communications theory and semiotics. This English translation begins with a new introductory essay.
Jean Baudrillard's classic text was one of the first to focus on the process and meaning of consumption in contemporary culture. Originally published in 1970, the book makes a vital contribution to current debates on consumption. The book includes Baudrillard's most organized discussion of mass media culture, the meaning of leisure, and anomie in affluent society. A chapter on the body demonstrates Baudrillard's extraordinary prescience for flagging vital subjects in contemporary culture long before others. This English translation begins with a new introductory essay.