Lee Ann Turner

Elrica Jane Davis is embarking on a daunting solitary journey from Caddo Gap through the mountains that make up the wilderness that is western Arkansas in 1858. This will be a dangerous trip for a young woman with just her dog and mule for protection. The premature death of her mother and the matrimonial intentions of the bootlegging outlaw Oscar James leave Jane little choice. Unknown to Jane, Sebastian County Deputy Sheriff Richard Drake has been sent by Jane's uncle to escort her to Fort Smith. Unfortunately, he is shot and wounded by the outlaw gang who believe he is the one who destroyed their moonshine still. Richard is bleeding profusely, but manages to elude the bumbling outlaw gang before sliding from his horse.Jane's spiritual upbringing will not allow her to abandon Richard when she finds him lying unconscious on the trail. Together, they learn respect for each other and the skills each brings to the adventures, challenges and dangers they encounter on their unexpected journey.

Caves to Cathedrals: Visual Arts in Ancient and Medieval Texts is a compilation of primary sources that help clarify or contextualize artistic production in the pre-modern Western world. A wide array of ancient and medieval visual culture is explored, including fashion, stage scenery, and other types of display such as triumphal and funerary processions, a lavish dinner party, and gladiatorial games. The diverse readings include an eyewitness account of the eruption of Mount Vesuvius, a thorough description of the process of mummification, and instructions on how to make a stained glass window. In the fully revised second edition there are dozens of new readings that explore such topics as royal tents, calligraphy, the role of women in the arts, and the Bayeux tapestry. With the addition of an introduction to the manuscript tradition, this edition also features several contemporary authors, such as John Keats, Friedrich Nietzsche, and D.H. Lawrence, who found inspiration in the ancient world. Engaging and carefully chosen, the readings in this book bring the past to life. Caves to Cathedrals is an ideal textbook companion for the first half of Western art history survey, and the new readings make it suitable for Roman, ancient Greek, and medieval art courses.Lee Ann Turner is a professor in the Art Department at Boise State University, where she has taught survey of Western art since 1996. There, she initiated the first history of art degree in the state of Idaho. She received her Ph.D. in classical archaeology from the University of Pennsylvania, where she also studied Latin and ancient Greek. She was a fellow of the American School of Classical Studies in Athens and has participated in either archaeological programs or field projects in Cyprus, Greece, Rome, and Crete.

This volume is the second in the series of final reports on the work of the Kavousi Project and the first volume on the cleaning (1982-1984) and excavations (1987-1992) at the mountain sites located above the modern village of Kavousi in eastern Crete. These sites, Vronda and the Kastro, shed light on the Early Iron Age, the transitional period in Cretan history known popularly as the Dark Ages, thereby elucidating the way of life of the people who lived in the area of Kavousi during that period and how their culture changed over time. Kavousi IIA is devoted to the excavation of material from the Late Minoan IIIC settlement at Vronda, particulary the houses on the summit of the Vronda ridge (Buildings A-B, C-D, J-K, and Q), along with earlier (Building P) and later (Building R) structures around them.