M.J. Trow

They were often half-starved, marching through an alien land with few signposts and no maps. They were often suffering from dysentery, their legwear rolled down and they sometimes fought naked from the waist down. They were paid 6d a day – the same as a civilian craftsman – and they swore like the troopers they were. That was why the French called them the Goddamns and king and peasant alike were terrified of them. With their yew wood bows and ash arrows a clothyard long, they were the victors in countless clashes during the Hundred Years War and in the three great battles of Crecy, Poitiers and Agincourt. They robbed, pillaged, raped and murdered, often in their king’s name. Yet they won battles and it is no exaggeration to say that England became a powerful nation state because of them. If they were caught in action by the enemy, they would have their bow fingers cut off and their throats slit. We know the names of very few of them. They were not worthy of ransom, unlike the knights they fought for. Most of them ended up in mass burial pits or some unmarked plot beside a French road. The vast majority was illiterate, so we have no firsthand accounts of their campaigns from the bowmen themselves. For all they won battles and renown, for all they helped indirectly to increase the power of the common man, they are like ghosts drifting over the battlefield. They were the bowmen.

On 2 November 1952, two teenagers, Derek Bentley and Christopher Craig, tried to break into a warehouse in Croydon, Surrey. The police were called and in the minutes that followed, Craig wounded one policeman and shot another dead. At 16, Craig was too young to hang, but Bentley, at 19, was not. Even though he had not fired a shot or carried a gun and was under arrest at the time PC Sidney Miles died, Bentley was deemed to be guilty of murder. The law – of joint felonious enterprise – was unjust and Bentley had an IQ of 66 (the national average is 100). Even so, he was hanged at Wandsworth in February 1953. Nearly forty years later, PC Claude Pain, who was there at the time of the shooting, told a different story. He was on the warehouse rooftop and saw the whole thing. What really hanged Bentley were the words he allegedly used, ‘Let him have it, Chris’. And Pain did not hear those words. M.J. Trow's Let Him Have It, Chris, published in 1990, was based on Pain’s new evidence. Eight years later, the conviction against Bentley was overturned – not as a result of police corruption, but because of the appallingly partial performance of the trial judge, Lord Goddard. At the time, access to any material relating to the case was denied and only now, with the Freedom of Information Act, can Pain’s testimony be refuted. He was not on the roof. His original deposition is still in The National Archive. This book aims to put the record straight. There was indeed a dreadful miscarriage of justice in 1952 – one of many before and since – and, in a way, Claude Pain was part of it.

In the autumn of 1888, a series of grisly murders took place in Whitechapel in London’s East End, the Abyss, the Ghetto, the City of Eternal Night. The Whitechapel murderer, arguably the first of his kind, was never caught but the killings gave rise to the best known pen-name in criminal history – Jack the Ripper. The Whitechapel killer was terrifyingly real but Jack was the creation of Fleet Street, the gallows humour of a newspaper hack whose sole aim in life was to sell newspapers. And where the ‘Dear Boss’ letter, with its ‘trade name’ signature led, thousands followed. This book is not about the world’s first serial killer but about the sick, the perverted, the twisted souls who put pen to paper purporting to be the killer or suggested ever more lurid ways in which he could be caught. Innocent men were put in the frame by Victorian trouble-makers who would be perfectly at home with today’s Internet trolls, pointing cruel fingers in almost perfect anonymity. The book takes the lid off Victorian mindsets, exposing a dark and unnatural place as topsy-turvy as that inhabited by the killer himself.

The assassination of John Fitzgerald Kennedy is one of the milestones of history. Everyone, it is said, remembers where they were when they heard the news. Because the official investigation, the Warren Commission, set up by Kennedy’s successor in the White House, Lyndon Johnson, was such a whitewashing travesty of justice, the world has felt itself free to speculate ever more wildly about what really happened in Dealey Plaza, Dallas, in November 1963. The killer, said the Warren Commission, was the peculiar loner, Lee Harvey Oswald, and he acted alone. Evidence, science and common sense have long ago proved that this was not possible. So it was the Russians. It was the Cubans. It was the Mafia. It was Lyndon Johnson. It was the Secret Service. It was the FBI. It was the CIA. It was that murky conspiratorial bunch, the Military-Industrial Complex. This book evaluates all the above and comes to another conclusion entirely. The reason that we are still arguing about who was responsible for a murder committed in front of a large crowd in broad daylight is that no one was prepared to put up their hands and admit their responsibility for not doing their jobs properly. Yes, there was a conspiracy, but the ‘cock-up’ element was even greater. Why was there inadequate Secret Service protection for the president in Dallas? Why was the motorcade route made public well in advance? Why was Lee Oswald identified on the word of a single witness? Why was Jack Ruby allowed to slip past dozens of policemen to kill Oswald? Why were the lawyers of the Warren Commission allowed to select witnesses and bully them into saying what they had not seen? Why did subsequent governmental enquiries fudge the physics of a headshot and a bungled autopsy? Why does the American mainstream media still cling to the lone gunman, single bullet theory? The answer is simple. Everybody in 1963 and for many years afterwards were far too concerned about covering their own backs. Truth and justice got lost somewhere in all of that.

Film studios have been making historical movies now for over a century. In that time, thousands of films have been made covering not just centuries but millennia. Did Neanderthal woman really look like Raquel Welch in her bearskin bikini? Did 6,000 rebellious slaves claim that they were Spartacus? Did Berengaria complain to her husband, Richard the Lionheart, ‘War, war; that’s all you think about, Dick Plantagenet’? Was El Cid strapped to his horse’s saddle to lead his army after he was dead? These aren’t questions of history; they are questions of Hollywood. Charlton Heston was a foot too tall for General Charles Gordon. John Wayne was a tad too American for Genghis Khan. Eric von Stroheim’s bald head was an odd choice for the perfectly hirsute Erwin Rommel. And Warren Beatty and Fay Dunaway were far too gorgeous for bank robbers Bonnie and Clyde. Hollywood never gets it right. History and its characters are endlessly complicated, and producers, directors and screenwriters have a simple story to tell. They have a maximum of two hours to explain what happened over weeks or months or years and many of it give it their best shot. Yet for all Hollywood’s shortcomings in recreating the past, it has managed to evoke eras and people long dead in a magical way that has kept millions of us enthralled for generations.

Nobody expected a corpse in the tranquil Surrey countryside near Godalming, even though there was a war on and tanks churned the soil on manoeuvres. The body belonged to 19-year-old Joan Pearl Wolfe, a sweet, convent-educated girl who, according to her own mother, had gone bad. It was 1942 and England was swarming with British, Canadian and American troops building up to what would become D-Day two years later. The Surrey police, over-stretched as all forces were during the war, called in Scotland Yard, the experts, in the form of Superintendent Ted Greeno, one of the most famous and formidable detectives of his day. One of the Surrey detectives recognized the dead girl's dress - he had seen it on its owner weeks earlier and from that the body's identity came to light. Joan was a camp follower with a string of men interested in her, but her latest beau was the M tis Canadian August Sangret. He had slipped out to live with Joan in woods near to the camp and had built shacks - wigwams - as temporary homes. Charged with her murder, he gave the longest statement ever made to the police - seventeen pages of it - and Keith Simpson, the Home Office pathologist, became the first to produce a human skull in court. The distinctive wounds inflicted by Sangret's knife convinced the jury of his guilt and he was hanged by Albert Pierrepoint in Wandsworth gaol. An open and shut case? Far from it. For all the brilliance of forensic science and the dogged work of the police, the jury should still be out on August Sangret. As the judge said in his summing up, there is no blood on this man'.

Astonishingly, The Hagley Wood Murder is the first book solely on the subject (other than a selection of privately printed/self published offerings) ever written on this murder, which too place eighty years ago. In April 1943, four teenaged boys discovered a corpse stuffed into the bole of a wych elm in a wood in the industrial Midlands. The body was merely bones and had been in the tree for up to two years. The pathologist determined that she was female, probably in her thirties, had given birth and was just under five feet tall. The cause of death was probably suffocation. Six months after the discovery, mysterious messages began to appear on walls in the area, variants of Who Put Bella Down the Wych Elm - Hagley Wood'. And the name Bella has stuck ever since. Local newspapers, then the national press, took up the story and ran with it, but not until 1968 was there a book on the case - Donald McCormick's Murder by Witchcraft - and that, like others that followed, tied Bella in with another supposedly occult murder, that of Charles Walton on Meon Hill in 1945. Any unsolved murder brings out the oddballs - the police files, only recently released, are full of them - and the nonsense still continues. The online versions are woeful - inaccuracy piled on supposition, laced with fiction. It did not help that a professional occultist, Dr Margaret Murray, expressed her belief, as early as 1953, that witchcraft was involved in Bella's murder. And ill-informed nonsense has been cobbled together to prove' that Dr Murray was right. McCormick's own involvement was in espionage and his book, slavishly copied by later privately printed efforts, have followed this tack too. It was wartime, so the anonymous woman in the wych elm had to be a spy, parachuted in by the Abwehr, the Nazi secret service. The Hagley Wood Murder is the first book to unravel the fiction of McCormick and others. It names Bella and her probable murderer. And if the conclusion is less over-the-top than the fabrications referred to above, it is still an intriguing tale of the world's oldest profession and the world's oldest crime!

On 1 May 1820, outside Newgate Prison, in front of a dense crowd, five of the Cato Street conspirators - Arthur Thistlewood, William Davidson, James Ings, Richard Tidd and John Brunt - were hanged for high treason. Then they were decapitated in the last brutal act of a murderous conspiracy that aimed to assassinate Prime Minister Lord Liverpool and his cabinet and destroy his government. The Cato Street conspirators matched the Gunpowder plotters in their daring - and in their fate - but their dark, radical intrigue hasnt received the attention it deserves. M.J. Trow, in this gripping fast-moving account of this notorious but neglected episode in British history, reconstructs the case in vivid detail and sets it in the wider context of the French Revolution and the Napoleonic Wars.

Dismembered corpses are discovered scattered along the banks of the river Thames, a calculating clinical multiple murderer is on the loose, and the London police have no inkling of the killers identity and, more than a century later, they still don't. In this, M.J. Trows latest re-investigation of a bizarre and brutal serial killing, he delves deep into the appalling facts of the case, into the futile police investigations, and into the dark history of late Victorian London. The incredible criminal career of the Thames torso murderer has gripped readers and historians ever since he committed his crimes in the 1870's and 1880's. The case poses as many questions as the even more notorious killings of Jack the Ripper. How, over a period of fifteen years, did the Thames murderer get away with a succession of monstrous and sensational misdeeds? And what sort of perverted character was he, why did he take such risks, why did he kill again and again?

With girlfriend DS Jacquie Carpenter back at work and little baby Nolan rapidly growing into a feisty toddler, Peter 'Mad Max' Maxwell, Head of Sixth Form at Leighford High, decides to hire an au pair. The exotic Juanita Reyes hails from the sun-drenched isle of Menorca, and whilst the good old British weather can't hold a candle to the Menorcan sun, Juanita doesn't appear to mind a bit. She seems perfectly happy in the sleepy little seaside town, doting on baby Nolan and working hard to improve her English. Then one afternoon Max returns home to find Nolan gurgling happily in his cot, but sees no sign of his au pair; the lovely Juanita has disappeared into thin air. Meanwhile, two ramblers are surprised and more than a little disturbed when Patches the border Collie digs up an arm, which presumably belongs to a body, on Dead Man's Point - the lonely cliff top rising high over the sea. Mad Max is no stranger to murder inquiries and, as always when violent death's in the vicinity, his nose starts a-twitching, just itching to be poked into all the places it shouldn't. And, much to DCI Henry Hall's annoyance, the past has proved more than once that Max has a talent for sniffing out killers. But with a missing au pair to search for, and a creepy gardener, troublesome teenagers and reports of a randy rambler to investigate - not to mention a young baby to look after - has Max taken on more than he can handle this time?

For centuries, it was believed that a corpse would ‘bleed anew’ in the presence of its murderer. Chaucer wrote about it; so did Shakespeare. Only slowly, as the Renaissance and the Age of Reason drove away the shadows of superstition, did forensic science find its feet. From the Ratlciffe Highway murders of 1811 to the first murder trial with fingerprint technology (the Stratton brothers in 1905), In the Shadow of the Ripper charts the grisly history of crime and focuses on the technological developments that brought real justice just a little closer. General practitioners, police surgeons, anatomists, chemists and many others argued with each other in spectacular cases like the Ripper murders in 1888, the poisonings of William Palmer, Florence Maybrick and the axe frenzy of Lizzie Borden. And if the expert witnesses disagreed, how were juries, ‘twelve men and true’, with no scientific knowledge supposed to come to a verdict at a murder trial? Today, we take forensic science with all its brilliance for granted. In the Shadow of the Ripper looks at how it all began. The Ripper case is a shining example of the fact that it does not matter how many forensic advances are made, a killer in the shadows can sometimes outwit the police and science for over 135 years … and counting.

Richard III is England’s most controversial king. Forever associated with the murder of his nephews, the Princes in the Tower, he divides the nation. As spectacular as his death at Bosworth in August 1485 – the last king of England to die in battle – the astonishing discovery of his bones under a Leicester car park five centuries later renewed interest in him and re-opened old debates. Is he the world’s most wicked uncle; or is he (in the words of the man who most smeared him) ‘a prince more sinned against than sinning’? Richard was not born in the North; neither did he die there, but this detailed look at his life, tracing his steps over the thirty-three years that he lived, focuses on the area that he loved and made his own. As Lord of the North, he had castles at Middleham and Sheriff Hutton, Penrith and Sandal. He fought the Scots along the northern border and on their own territory. His son was born at Middleham and was invested as Prince of Wales at York Minster, where Richard planned to set up a college of 100 priests. His white boar device can be found in obscure corners of churches and castles; his laws, framed in the single parliament of his short reign, gave rights to the people who served him and loved him north of the Trent. And when he felt threatened or outnumbered by his enemies during the turbulent years of the Wars of the Roses, it was to the men of the North that he turned for support and advice. They became his knights of the body; members of the Council of the North which outlived Richard by a 150 years. They died with him at Bosworth. Although we cannot divorce Richard from the violent politics of the day or from events that happened far to the South, it was in the North that Richard’s heart lay. The North was his home. It was the place he loved.

An unputdownable cozy mystery with a touch of wry English humour.'Cleverly conceived and amusingly executed.' The Sunday TimesMeet Peter Maxwell: film buff, golden-hearted cynic, bow-tied eccentric teacher . . . and reluctant amateur sleuth.A reality TV crew descends on Leighford High . . . and Head of Sixth Form Peter Maxwell braces for disaster - but not murder.The cameras pry into every corner of the school, exposing secrets better left buried. But when a member of the TV crew is found stabbed to death in the headteacher's office, it's clear the real drama has only just begun.Then a second crew member is found sprawled in Maxwell's office. Murdered with the same knife.As Maxwell unravels the truth he finds himself facing a chilling reality: the murderer is still watching, still waiting, and ready to kill again.If you love Faith Martin, Richard Osman, the Reverend Richard Coles, Fiona Leitch, Sarah Yarwood-Lovett, Simon Brett, Janice Hallett, M.C. Beaton or Agatha Christie, prepare to be hooked by this delightful character-driven mystery Praise for Maxwell's Reality: ⭐⭐⭐⭐⭐ 'Multiple twists and a cleverly woven plot, the story keeps you engaged and guessing throughout.'⭐⭐⭐⭐⭐ 'An absolute delight. The characters are simply brilliant, I didn't guess the killer and I loved every second.'⭐⭐⭐⭐⭐ 'What a fun cozy mystery.'⭐⭐⭐⭐⭐ 'A cast of eccentric and eclectic characters and a frothy plot bursting with dry wit and outright humour.'Meet Peter MaxwellPeter Maxwell is a history teacher at Leighford High School. He's loved by his students and known as 'Mad Max' to his friends because of his love of quoting movies. His eccentricities make him a well-known figure in the small seaside town, cycling everywhere on his bike called White Surrey - after Richard III's horse. When not teaching history, he is building a diorama of the Charge of the Light Brigade in his attic and talking to his cat, Count Metternich, his sounding board and boss, and solving crimes the police are unable to crack.The SettingLeighford is a small seaside town on the South Coast. Its population trebles in the summer as tourists flock to holiday there. Unfortunately for Peter Maxwell some of these characters will end up dead.

Everybody remembers where they were the day John F. Kennedy died. The president’s assassination shocked the world and raised questions that have still not been answered today. Almost as shocking is attempted assassination – the bullet that missed; the bomb that did not go off; the poison that did not work. _Dodging the Bullet_ looks at the most spectacular of these, from attempts on royals like George II and Queen Victoria, where dysfunctional men with unreliable guns lurked in the shrubbery of parks to the astonishing 634 attempts to kill and/or discredit Fidel Castro. Anybody in the public eye is a potential victim for an assassin. Anybody with access to the most easily obtained weapons is a potential killer. The fascination lies in the mix of these two – the random meeting of the famous and the deranged. _Dodging the Bullet_ has professional hitmen working for sinister organizations and governments. It has security services who are nothing of the sort. It has arrogant and complacent rulers of states who believe in their own immortality – ‘Honey, I forgot to duck,’ as President Ronald Reagan said. Why the bullet missed is one of the imponderables. Another is; what difference would it have made if it had not?

The disappearance of two boys during the summer of 1483 has never been satisfactorily explained. They were Edward, Prince of Wales, nearly thirteen at the time, and his brother, Richard of York, nearly ten. With their father, Edward IV, dying suddenly at forty, both boys had been catapulted into the spotlight of fifteenth-century politics, which was at once bloody and unpredictable. Thanks to the work of the hack historians' who wrote for Henry VII, the first Tudor, generations grew up believing that the boys were murdered and that the guilty party was their wicked uncle, Richard, Duke of Gloucester. Richard crowned himself King of England in July 1483, at which time the boys were effectively prisoners in the Tower of London. After that, there was no further sign of them. Over the past 500 years, three men in particular have been accused of the boys' murders - Richard of Gloucester; Henry Tudor, Earl of Richmond; and Henry Stafford, Duke of Buckingham. The evidence against them would not stand up in a court of law today, but the court of history is much less demanding and most fingers remain pointed squarely at Richard of Gloucester. This book takes a different approach, the first to follow this particular line of enquiry. It is written as a police procedural, weighing up the historical evidence without being shackled to a particular camp'. The supposition has always been made that the boys were murdered for political reasons. But what if that is incorrect? What if they died for other reasons entirely? What if their killer had nothing to gain politically from their deaths at all? And, even more fascinatingly, what if the princes in the Tower were not the only victims?

Before Britain had a prime minister – and before they invented America – the dictator Oliver Cromwell urged the artist Lely to paint him ‘warts and all’. This book deals with some of the ‘all’, but is mostly about the warts, the moral blemishes that have dogged the leaders of two of the greatest countries on earth for 300 years. Scandalously, there are still no qualifications necessary for the job of prime minister or president, two of the most important positions in the world. And that lack of ability shows itself in spades throughout these pages. Robert Walpole knew that ‘every man has his price’ and bought people accordingly. Viscount Goderich broke down in tears, begging the king to fire him. George Washington, the revered saint of American creation, blew with the wind and owned slaves. Abraham Lincoln was prepared to send African Americans back to Africa to save the Union. William Gladstone popped out from Downing street to ‘save’ prostitutes. David Lloyd George gave people titles for money. Warren Harding had a string of mistresses, as did John Kennedy. And all this happened before Donald Trump! Thank God the fourth estate was there, the free press watching every move of politicians. Who was watching them, of course, is another story. If you thought – and prayed – that the occupants of No. 10 and the White House were honourable, competent people, you’re in for a bit of a shock.