May Sinclair

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Considered by Agatha Christie to be one of the greatest English novels of her time, The Combined Maze is May Sinclair's classic tale of a London man and his love for two women.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Life and Death of Harriett Frean By May Sinclair

Did Horace "dare" take a risk on that poet Rickman? The poet dropped his aitches, for one thing. And there was the matter of that actress he doted on -- low-class Yet cousin Lucia kept asking about him . . . and Horace did think maybe, just maybe, Rickman was a genius. But could Horace introduce Rickman to his club? He yearned to -- and yet, as he told Lucia, "The burnt critic dreads the divine fire " In this witty 1904 novel of literary and social manners and foibles, May Sinclair demonstrates all the wit, perception and style that made her one of the most respected -- and most read -- novelists of her time. May Sinclair was the pseudonym of Mary Amelia St. Clair (24 August 1863 - 14 November 1946), a popular British writer who wrote about two dozen novels, short stories and poetry.She was an active suffragist, and member of the Woman Writers' Suffrage League. May Sinclair was also a significant critic in the area of modernist poetry and prose, and she is attributed with first using the term stream of consciousness in a literary context, when reviewing the first volumes of Dorothy Richardson's novel sequence Pilgrimage (1915-67), in The Egoist, April 1918. Early life: She was born in Rock Ferry, Cheshire. Her father was a Liverpool shipowner, who went bankrupt, became an alcoholic, and died before she was an adult. Her mother was strict and religious; the family moved to Ilford on the edge of London. After one year of education at Cheltenham Ladies College, she acted as caretaker for her brothers, as four of the five, all older, were suffering from a fatal congenital heart disease. Career: From 1896 she wrote professionally, to support herself and her mother, who died in 1901. An active feminist, Sinclair treated a number of themes relating to the position of women, and marriage. She also wrote non-fiction based on studies of philosophy, particularly German idealism. Her works sold well in the United States. Around 1913, at the Medico-Psychological Clinic in London, she became interested in psychoanalytic thought, and introduced matter related to Sigmund Freud's teaching in her novels.In 1914, she volunteered to join the Munro Ambulance Corps, a charitable organization (which included Lady Dorothie Feilding, Elsie Knocker and Mairi Chisholm) that aided wounded Belgian soldiers on the Western Front in Flanders. She was sent home after only a few weeks at the front; she wrote about the experience in both prose and poetry. She wrote early criticism on Imagism and the poet H. D. (1915 in The Egoist); she was on social terms with H. D. (Hilda Doolittle), Richard Aldington and Ezra Pound at the time. She also reviewed in a positive light the poetry of T. S. Eliot (1917 in the Little Review) and the fiction of Dorothy Richardson (1918 in The Egoist). It was in connection with Richardson that she introduced "stream of consciousness" as a literary term, which was very generally adopted. Some aspects of Sinclair's subsequent novels have been traced as influenced by modernist techniques, particularly in the autobiographical Mary Olivier: A Life (1919). She was included in the 1925 Contact Collection of Contemporary Writers. Sinclair was a believer in Spiritualism, and was also a member of the Society for Psychical Research from 1914. Sinclair wrote two volumes of supernatural fiction, Uncanny Stories (1923) and The Intercessor and Other Stories (1931).E. F. Bleiler called Sinclair "an underrated writer" and described Uncanny Stories as "excellent".Gary Crawford has stated Sinclair's contribution to the supernatural fiction genre, "small as it is, is notable"....

May Sinclair was the pseudonym of Mary Amelia St. Clair (24 August 1863 - 14 November 1946), a popular British writer who wrote about two dozen novels, short stories and poetry.She was an active suffragist, and member of the Woman Writers' Suffrage League. May Sinclair was also a significant critic in the area of modernist poetry and prose, and she is attributed with first using the term stream of consciousness in a literary context, when reviewing the first volumes of Dorothy Richardson's novel sequence Pilgrimage (1915-67), in The Egoist, April 1918. Early life: She was born in Rock Ferry, Cheshire. Her father was a Liverpool shipowner, who went bankrupt, became an alcoholic, and died before she was an adult. Her mother was strict and religious; the family moved to Ilford on the edge of London. After one year of education at Cheltenham Ladies College, she acted as caretaker for her brothers, as four of the five, all older, were suffering from a fatal congenital heart disease. Career: From 1896 she wrote professionally, to support herself and her mother, who died in 1901. An active feminist, Sinclair treated a number of themes relating to the position of women, and marriage. She also wrote non-fiction based on studies of philosophy, particularly German idealism. Her works sold well in the United States. Around 1913, at the Medico-Psychological Clinic in London, she became interested in psychoanalytic thought, and introduced matter related to Sigmund Freud's teaching in her novels.In 1914, she volunteered to join the Munro Ambulance Corps, a charitable organization (which included Lady Dorothie Feilding, Elsie Knocker and Mairi Chisholm) that aided wounded Belgian soldiers on the Western Front in Flanders. She was sent home after only a few weeks at the front; she wrote about the experience in both prose and poetry. She wrote early criticism on Imagism and the poet H. D. (1915 in The Egoist); she was on social terms with H. D. (Hilda Doolittle), Richard Aldington and Ezra Pound at the time. She also reviewed in a positive light the poetry of T. S. Eliot (1917 in the Little Review) and the fiction of Dorothy Richardson (1918 in The Egoist). It was in connection with Richardson that she introduced "stream of consciousness" as a literary term, which was very generally adopted. Some aspects of Sinclair's subsequent novels have been traced as influenced by modernist techniques, particularly in the autobiographical Mary Olivier: A Life (1919). She was included in the 1925 Contact Collection of Contemporary Writers. Sinclair was a believer in Spiritualism, and was also a member of the Society for Psychical Research from 1914. Sinclair wrote two volumes of supernatural fiction, Uncanny Stories (1923) and The Intercessor and Other Stories (1931).E. F. Bleiler called Sinclair "an underrated writer" and described Uncanny Stories as "excellent".Gary Crawford has stated Sinclair's contribution to the supernatural fiction genre, "small as it is, is notable".Jacques Barzun included Sinclair among a list of supernatural fiction writers that "one should make a point of seeking out".Brian Stableford has stated that Sinclair's "supernatural tales are written with uncommon delicacy and precision, and they are among the most effective examples of their fugitive kind." Andrew Smith has described Uncanny Stories as "an important contribution to the ghost story". From the late 1920s she was suffering from the early signs of Parkinson's disease, and ceased writing. She settled with a companion in Buckinghamshire in 1932.

May Sinclair was the pseudonym of Mary Amelia St. Clair (24 August 1863 - 14 November 1946), a popular British writer who wrote about two dozen novels, short stories and poetry.She was an active suffragist, and member of the Woman Writers' Suffrage League. May Sinclair was also a significant critic in the area of modernist poetry and prose, and she is attributed with first using the term stream of consciousness in a literary context, when reviewing the first volumes of Dorothy Richardson's novel sequence Pilgrimage (1915-67), in The Egoist, April 1918. Early life: She was born in Rock Ferry, Cheshire. Her father was a Liverpool shipowner, who went bankrupt, became an alcoholic, and died before she was an adult. Her mother was strict and religious; the family moved to Ilford on the edge of London. After one year of education at Cheltenham Ladies College, she acted as caretaker for her brothers, as four of the five, all older, were suffering from a fatal congenital heart disease. Career: From 1896 she wrote professionally, to support herself and her mother, who died in 1901. An active feminist, Sinclair treated a number of themes relating to the position of women, and marriage. She also wrote non-fiction based on studies of philosophy, particularly German idealism. Her works sold well in the United States. Around 1913, at the Medico-Psychological Clinic in London, she became interested in psychoanalytic thought, and introduced matter related to Sigmund Freud's teaching in her novels.In 1914, she volunteered to join the Munro Ambulance Corps, a charitable organization (which included Lady Dorothie Feilding, Elsie Knocker and Mairi Chisholm) that aided wounded Belgian soldiers on the Western Front in Flanders. She was sent home after only a few weeks at the front; she wrote about the experience in both prose and poetry. She wrote early criticism on Imagism and the poet H. D. (1915 in The Egoist); she was on social terms with H. D. (Hilda Doolittle), Richard Aldington and Ezra Pound at the time. She also reviewed in a positive light the poetry of T. S. Eliot (1917 in the Little Review) and the fiction of Dorothy Richardson (1918 in The Egoist). It was in connection with Richardson that she introduced "stream of consciousness" as a literary term, which was very generally adopted. Some aspects of Sinclair's subsequent novels have been traced as influenced by modernist techniques, particularly in the autobiographical Mary Olivier: A Life (1919). She was included in the 1925 Contact Collection of Contemporary Writers. Sinclair was a believer in Spiritualism, and was also a member of the Society for Psychical Research from 1914. Sinclair wrote two volumes of supernatural fiction, Uncanny Stories (1923) and The Intercessor and Other Stories (1931).E. F. Bleiler called Sinclair "an underrated writer" and described Uncanny Stories as "excellent".Gary Crawford has stated Sinclair's contribution to the supernatural fiction genre, "small as it is, is notable".Jacques Barzun included Sinclair among a list of supernatural fiction writers that "one should make a point of seeking out".Brian Stableford has stated that Sinclair's "supernatural tales are written with uncommon delicacy and precision, and they are among the most effective examples of their fugitive kind." Andrew Smith has described Uncanny Stories as "an important contribution to the ghost story". From the late 1920s she was suffering from the early signs of Parkinson's disease, and ceased writing. She settled with a companion in Buckinghamshire in 1932.