Mohammad H Tamdgidi

Omar Khayyam's Secret: Hermeneutics of the Robaiyat in Quantum Sociological Imagination, by Mohammad H. Tamdgidi, is a 12-book series of which this book is the 12th, subtitled Khayyami Legacy: The Collected Works of Omar Khayyam (AD 1021-1123) Culminating in His Secretive 1000 Robaiyat Autobiography. Book 12 condenses the series and its findings in a single volume. This is the first time since Omar Khayyam's passing that all his extant works have been compiled in a single publication series and volume and studied integratively, accomplished for the millennium of his true birth date and the ninth centennial of his true date of passing. It includes two forewords, one by Winston E. Langley, Professor Emeritus of Political Science and International Relations and former Provost of UMass Boston, and another by Jafar Aghayani Chavoshi, Professor of History of Science and Mathematics at Sharif University of Technology in Tehran.The original texts are included with their new English (and where needed, updated or new Persian) translations. The preface recaps how a method in quantum sociological imagination helped solve the riddles of Khayyam's life and works in the series. The introduction delineates this series' findings toward a scientifically reliable biography of Khayyam, including a critical commentary on how Edward FitzGerald's Rubaiyat colonially distorted Khayyam's Robaiyat and Islamic legacy. Three other chapters are also shared: one on how Khayyam's true dates of birth and passing were discovered and reconfirmed in this series, including further notes on Swami Govinda Tirtha's errors in studying Khayyam's birth horoscope for the purpose; another on integratively viewing astronomy and its relation to astrology amid all of Khayyam's works; and a third on the role he played in the design of Isfahan's North Dome.Khayyam's studied writings are: his treatise on the science of the universals of existence; his annotated Persian translation of Avicenna's "Splendid Sermon" on God's unity and creation; his treatise on the created world and worship duty; his three-part treatises on existence (1-on the necessity of contradiction, determinism, and survival; 2-on attributes; and 3-on the light of intellect on 'existent' as the subject matter of universal science); his treatise on soul's survival, necessity of accidents, and nature of time; his treatise in music on tetrachords; his two treatises on balance; his treatise on circle quadrant for achieving a certain proportionality; his treatise in algebra and equations; his treatise on Euclid's postulation problems; his literary treatise "Nowrooznameh"; and his secretive autobiography, the Robaiyat, comprised of 1000 quatrains logically organized based on his own three-phased method of inquiry.This series has found the answer to its question about the origins, nature, and purpose of the Robaiyat in Khayyam's life and works. Lifelong, he was secretively writing his Robaiyat as his "book of life," his autobiography, for posthumous release. His pen name "Khayyam" ("tentmaker") had been inspired by his dazzling birth chart. By re-sewing in this series his autobiographical tent of wisdom as a Tavern serving the spiritual Wine of his poetry, we have advanced from knowing little about his life to reading his most intimate autobiography. But the Robaiyat is not just a private autobiography; it is also a sociologically imaginative and poetic public telling of humanity's search for a universal healing.Iran's appreciation of Omar Khayyam's legacy can be best judged not by the physics of his burial sites, traditionally humble or artistically modern, but by the role Iranians themselves have played since his time in safeguarding his works especially in the poetic bricks and mortars of the human architecture of his own secretly designed and designated everlasting tomb.

Omar Khayyam's Secret: Hermeneutics of the Robaiyat in Quantum Sociological Imagination, by Mohammad H. Tamdgidi, is a 12-book series of which this book is the 12th, subtitled Khayyami Legacy: The Collected Works of Omar Khayyam (AD 1021-1123) Culminating in His Secretive 1000 Robaiyat Autobiography. Book 12 condenses the series and its findings in a single volume. This is the first time since Omar Khayyam's passing that all his extant works have been compiled in a single publication series and volume and studied integratively, accomplished for the millennium of his true birth date and the ninth centennial of his true date of passing. It includes two forewords, one by Winston E. Langley, Professor Emeritus of Political Science and International Relations and former Provost of UMass Boston, and another by Jafar Aghayani Chavoshi, Professor of History of Science and Mathematics at Sharif University of Technology in Tehran.The original texts are included with their new English (and where needed, updated or new Persian) translations. The preface recaps how a method in quantum sociological imagination helped solve the riddles of Khayyam's life and works in the series. The introduction delineates this series' findings toward a scientifically reliable biography of Khayyam, including a critical commentary on how Edward FitzGerald's Rubaiyat colonially distorted Khayyam's Robaiyat and Islamic legacy. Three other chapters are also shared: one on how Khayyam's true dates of birth and passing were discovered and reconfirmed in this series, including further notes on Swami Govinda Tirtha's errors in studying Khayyam's birth horoscope for the purpose; another on integratively viewing astronomy and its relation to astrology amid all of Khayyam's works; and a third on the role he played in the design of Isfahan's North Dome.Khayyam's studied writings are: his treatise on the science of the universals of existence; his annotated Persian translation of Avicenna's "Splendid Sermon" on God's unity and creation; his treatise on the created world and worship duty; his three-part treatises on existence (1-on the necessity of contradiction, determinism, and survival; 2-on attributes; and 3-on the light of intellect on 'existent' as the subject matter of universal science); his treatise on soul's survival, necessity of accidents, and nature of time; his treatise in music on tetrachords; his two treatises on balance; his treatise on circle quadrant for achieving a certain proportionality; his treatise in algebra and equations; his treatise on Euclid's postulation problems; his literary treatise "Nowrooznameh"; and his secretive autobiography, the Robaiyat, comprised of 1000 quatrains logically organized based on his own three-phased method of inquiry.This series has found the answer to its question about the origins, nature, and purpose of the Robaiyat in Khayyam's life and works. Lifelong, he was secretively writing his Robaiyat as his "book of life," his autobiography, for posthumous release. His pen name "Khayyam" ("tentmaker") had been inspired by his dazzling birth chart. By re-sewing in this series his autobiographical tent of wisdom as a Tavern serving the spiritual Wine of his poetry, we have advanced from knowing little about his life to reading his most intimate autobiography. But the Robaiyat is not just a private autobiography; it is also a sociologically imaginative and poetic public telling of humanity's search for a universal healing.Iran's appreciation of Omar Khayyam's legacy can be best judged not by the physics of his burial sites, traditionally humble or artistically modern, but by the role Iranians themselves have played since his time in safeguarding his works especially in the poetic bricks and mortars of the human architecture of his own secretly designed and designated everlasting tomb.

Omar Khayyam's Secret: Hermeneutics of the Robaiyat in Quantum Sociological Imagination, by Mohammad H. Tamdgidi, is a 12-book series of which this book is the 11th volume, subtitled Khayyami Robaiyat: Re-Sewing the Tentmaker's Tent: 1000 Bittersweet Wine Sips from Omar Khayyam's Tavern of Happiness. Each book, independently readable, can be best understood as a part of the whole series.In Book 11, having shared the three parts of the Robaiyat attributed to Khayyam in the Books 8, 9, and 10 of the series, Tamdgidi offers the entire set of the 1000 quatrains, including the Persian originals and his new English verse translations for each. The poems, comprising Khayyam's songs of doubt, hope, and joy, are organized according to the three-phased method of inquiry he introduced in his philosophical writings, respectively addressing the questions: "Does Happiness Exist?"; "What Is Happiness?"; and "Why Does (or Can) Happiness Exist?"When Khayyam discussed the three-phased method of inquiry in his treatise "Resalat fi al-Kown wa al-Taklif" ("Treatise on the Created World and Worship Duty"), he noted an exception to the rule of asking, when studying any subject, whether it exists, what it is, and, why it exists (or can exist). He distinguished between things objectively existing independent of the human mind, and those created by the human mind. The normal procedure applies to the former, but for products of the human mind, he advised, the procedure must be modified to asking first what something is, then, whether it exists, and, then, why it exists or can exist. This is because, for products of the human mind, such as created works of art, we would not know whether something exists and why it exists unless we first know what it is. To illustrate his point, he used the example of the mythical bird Anqa (Simorgh in Persian or the Phoenix in English). He argued that only when we know what the metaphor stands for would we be able to say whether it exists (say, in a work of art, or even as a person represented by it), and why it exists or can exist.Khayyam's elaboration implies that one has to make a distinction between objective and human objectified realities, which implies that for some objects, such as happiness, we in fact confront a hybrid reality where aspects of it may be externally conditioned, but other aspects being dependent on the human will. Once we realize the significance of Khayyam's point, then, we appreciate that his Robaiyat can also be regarded as a way of poetically portraying and advancing human happiness, its poetic Wine being not just reflective but also generative of the happiness portrayed. By way of his poetry, therefore, Khayyam has offered a severe critique of the then prevalent fatalistic astrological worldviews blaming human plight on objective conditions, in favor of a conceptualist view of reality in which happiness can be achieved despite the odds, depending on the creative human agency, itself being an objective force.Tamdgidi further shows that the triangular geometry of the logic governing Khayyam's Robaiyat--the numerical values of whose three sides are proportional to the Grand Tent governing Khayyam's birth chart--further supports the view (expressed in Khayyam's own quatrains) that for him his Robaiyat poetically represented the tent of which he regarded himself to be a tentmaker, revealing another key explanation for his pen name. The geometric structure of a tent proportional to the Grand Tent of Khayyam's chart, as well as the metaphor of the Robaiyat as Simorgh songs, are hidden in the deeper structure of Khayyam's 1000-piece solved puzzle, the same way he embedded his own triangular golden rule in the design of the North Dome of Isfahan. Khayyam's Robaiyat are his Simorgh's millennial rebirth songs served in his tented tavern as 1000 sips of his bittersweet Wine of happiness.

Omar Khayyam's Secret: Hermeneutics of the Robaiyat in Quantum Sociological Imagination, by Mohammad H. Tamdgidi, is a 12-book series of which this book is the 11th volume, subtitled Khayyami Robaiyat: Re-Sewing the Tentmaker's Tent: 1000 Bittersweet Wine Sips from Omar Khayyam's Tavern of Happiness. Each book, independently readable, can be best understood as a part of the whole series.In Book 11, having shared the three parts of the Robaiyat attributed to Khayyam in the Books 8, 9, and 10 of the series, Tamdgidi offers the entire set of the 1000 quatrains, including the Persian originals and his new English verse translations for each. The poems, comprising Khayyam's songs of doubt, hope, and joy, are organized according to the three-phased method of inquiry he introduced in his philosophical writings, respectively addressing the questions: "Does Happiness Exist?"; "What Is Happiness?"; and "Why Does (or Can) Happiness Exist?"When Khayyam discussed the three-phased method of inquiry in his treatise "Resalat fi al-Kown wa al-Taklif" ("Treatise on the Created World and Worship Duty"), he noted an exception to the rule of asking, when studying any subject, whether it exists, what it is, and, why it exists (or can exist). He distinguished between things objectively existing independent of the human mind, and those created by the human mind. The normal procedure applies to the former, but for products of the human mind, he advised, the procedure must be modified to asking first what something is, then, whether it exists, and, then, why it exists or can exist. This is because, for products of the human mind, such as created works of art, we would not know whether something exists and why it exists unless we first know what it is. To illustrate his point, he used the example of the mythical bird Anqa (Simorgh in Persian or the Phoenix in English). He argued that only when we know what the metaphor stands for would we be able to say whether it exists (say, in a work of art, or even as a person represented by it), and why it exists or can exist.Khayyam's elaboration implies that one has to make a distinction between objective and human objectified realities, which implies that for some objects, such as happiness, we in fact confront a hybrid reality where aspects of it may be externally conditioned, but other aspects being dependent on the human will. Once we realize the significance of Khayyam's point, then, we appreciate that his Robaiyat can also be regarded as a way of poetically portraying and advancing human happiness, its poetic Wine being not just reflective but also generative of the happiness portrayed. By way of his poetry, therefore, Khayyam has offered a severe critique of the then prevalent fatalistic astrological worldviews blaming human plight on objective conditions, in favor of a conceptualist view of reality in which happiness can be achieved despite the odds, depending on the creative human agency, itself being an objective force.Tamdgidi further shows that the triangular geometry of the logic governing Khayyam's Robaiyat--the numerical values of whose three sides are proportional to the Grand Tent governing Khayyam's birth chart--further supports the view (expressed in Khayyam's own quatrains) that for him his Robaiyat poetically represented the tent of which he regarded himself to be a tentmaker, revealing another key explanation for his pen name. The geometric structure of a tent proportional to the Grand Tent of Khayyam's chart, as well as the metaphor of the Robaiyat as Simorgh songs, are hidden in the deeper structure of Khayyam's 1000-piece solved puzzle, the same way he embedded his own triangular golden rule in the design of the North Dome of Isfahan. Khayyam's Robaiyat are his Simorgh's millennial rebirth songs served in his tented tavern as 1000 sips of his bittersweet Wine of happiness.

Omar Khayyam's Secret: Hermeneutics of the Robaiyat in Quantum Sociological Imagination, by Mohammad H. Tamdgidi, is a 12-book series of which this book is the 7th volume, subtitled Khayyami Art: The Art of Poetic Secrecy for a Lasting Existence: Tracing the Robaiyat in Nowrooznameh, Isfahan's North Dome, and Other Poems of Omar Khayyam, and Solving the Riddle of His Robaiyat Attributability. Each book, independently readable, can be best understood as a part of the whole series.In Book 7, Tamdgidi shares his updated edition of Khayyam's Persian book Nowrooznameh, and for the first time his new English translation of it, followed by his analysis of its text. He then visits recent findings about the possible contribution of Khayyam to the design of Isfahan's North Dome. Next, he shares the texts, and his new Persian and English translations and analyses of Khayyam's other Arabic and Persian poems. Finally he studies the debates about the attributability of the Robaiyat to Khayyam.Tamdgidi verifiably shows that Nowrooznameh was written by Khayyam, arguing that its unjustifiable neglect has prevented Khayyami studies from answering important questions about Khayyam's life, works, and his times. Nowrooznameh is primarily a work in literary art, rather than in science, tasked not with reporting on past truths but with creating new truths in the spirit of Khayyam's conceptualist view of reality. Iran owes the continuity of its Zoroastrian calendar month names to the way Khayyam artfully recast their meanings in the book in order to prevent their being dismissed during the Islamic solar calendar reform underway under his invited direction. The book also sheds light on the mysterious function of Isfahan's North Dome, revealing it as having been to serve, as part of an observatory complex, for the annual Nowrooz celebrations and leap-year declarations of the new calendar. The North Dome, to whose design Khayyam contributed and in fact bears symbols of his unitary view of a world created for happiness by God, marks where the world's most accurate solar calendar of the time was calculated. It deserves to be named after Omar Khayyam (not Taj ol-Molk) and declared as a cultural world heritage site. Nowrooznameh is also a pioneer in the prince-guidance books genre that anticipated the likes of Machiavelli's The Prince by centuries, the difference being that Khayyam's purpose was to inculcate his Iranian and Islamic love for justice and the pursuit of happiness in the young successors of Soltan Malekshah. Iran is famed for its ways of converting its invaders into its own culture, and Nowrooznameh offers a textbook example for how it was done by Khayyam.Nowrooznameh also offers by way of its intricately multilayered meanings the mediating link between Khayyam's philosophical, theological, and scientific works, and his Robaiyat, showing through metaphorical clues of his beautiful prose how his poetry could bring lasting spiritual existence to its poet posthumously. Khayyam's other Arabic and Persian poems also provide significant clues about the origins, the nature, and the purpose of the Robaiyat as his lifelong project and magnum opus.Tamdgidi argues that the thesis of Khayyam's Robaiyat as a secretive artwork of quatrains organized in an intended reasoning order as a 'book of life' serving to bring about his lasting spiritual existence can solve the manifold puzzles contributing to the riddle of his Robaiyat attributability. He posits, and in the forthcoming books of this series will show, that the lost quatrains comprising the original Robaiyat have become extant over the centuries, such that we can now reconstruct, by way of solving their 1000-piece jigsaw puzzle, the collection as it was meant to be read as an ode of interrelated quatrains by Khayyam.

Omar Khayyam's Secret: Hermeneutics of the Robaiyat in Quantum Sociological Imagination, by Mohammad H. Tamdgidi, is a 12-book series of which this book is the 7th volume, subtitled Khayyami Art: The Art of Poetic Secrecy for a Lasting Existence: Tracing the Robaiyat in Nowrooznameh, Isfahan's North Dome, and Other Poems of Omar Khayyam, and Solving the Riddle of His Robaiyat Attributability. Each book, independently readable, can be best understood as a part of the whole series.In Book 7, Tamdgidi shares his updated edition of Khayyam's Persian book Nowrooznameh, and for the first time his new English translation of it, followed by his analysis of its text. He then visits recent findings about the possible contribution of Khayyam to the design of Isfahan's North Dome. Next, he shares the texts, and his new Persian and English translations and analyses of Khayyam's other Arabic and Persian poems. Finally he studies the debates about the attributability of the Robaiyat to Khayyam.Tamdgidi verifiably shows that Nowrooznameh was written by Khayyam, arguing that its unjustifiable neglect has prevented Khayyami studies from answering important questions about Khayyam's life, works, and his times. Nowrooznameh is primarily a work in literary art, rather than in science, tasked not with reporting on past truths but with creating new truths in the spirit of Khayyam's conceptualist view of reality. Iran owes the continuity of its Zoroastrian calendar month names to the way Khayyam artfully recast their meanings in the book in order to prevent their being dismissed during the Islamic solar calendar reform underway under his invited direction. The book also sheds light on the mysterious function of Isfahan's North Dome, revealing it as having been to serve, as part of an observatory complex, for the annual Nowrooz celebrations and leap-year declarations of the new calendar. The North Dome, to whose design Khayyam contributed and in fact bears symbols of his unitary view of a world created for happiness by God, marks where the world's most accurate solar calendar of the time was calculated. It deserves to be named after Omar Khayyam (not Taj ol-Molk) and declared as a cultural world heritage site. Nowrooznameh is also a pioneer in the prince-guidance books genre that anticipated the likes of Machiavelli's The Prince by centuries, the difference being that Khayyam's purpose was to inculcate his Iranian and Islamic love for justice and the pursuit of happiness in the young successors of Soltan Malekshah. Iran is famed for its ways of converting its invaders into its own culture, and Nowrooznameh offers a textbook example for how it was done by Khayyam.Nowrooznameh also offers by way of its intricately multilayered meanings the mediating link between Khayyam's philosophical, theological, and scientific works, and his Robaiyat, showing through metaphorical clues of his beautiful prose how his poetry could bring lasting spiritual existence to its poet posthumously. Khayyam's other Arabic and Persian poems also provide significant clues about the origins, the nature, and the purpose of the Robaiyat as his lifelong project and magnum opus.Tamdgidi argues that the thesis of Khayyam's Robaiyat as a secretive artwork of quatrains organized in an intended reasoning order as a 'book of life' serving to bring about his lasting spiritual existence can solve the manifold puzzles contributing to the riddle of his Robaiyat attributability. He posits, and in the forthcoming books of this series will show, that the lost quatrains comprising the original Robaiyat have become extant over the centuries, such that we can now reconstruct, by way of solving their 1000-piece jigsaw puzzle, the collection as it was meant to be read as an ode of interrelated quatrains by Khayyam.

Omar Khayyam's Secret: Hermeneutics of the Robaiyat in Quantum Sociological Imagination, by Mohammad H. Tamdgidi, is a twelve-book series of which this book is the sixth volume, subtitled Khayyami Science: The Methodological Structures of the Robaiyat in All the Scientific Works of Omar Khayyam. Each book, independently readable, can be best understood as a part of the whole series.In Book 6, Tamdgidi shares the Arabic texts, his new English translations (based on others' or his new Persian translations, also included in the volume), and hermeneutic analyses of five extant scientific writings of Khayyam: a treatise in music; a treatise on balance to weigh precious metals in a body composed of them; a treatise on dividing a circle quadrant to achieve a certain proportionality; a treatise on solving all cubic (and lower degree) algebraic equations using geometric methods; and a treatise on explaining three postulation problems in Euclid's book Elements. Khayyam wrote three other non-extant scientific treatises on nature, geography, and music, while a treatise in arithmetic is differently extant since it influenced the work of later Islamic and Western scientists. His work in astronomy on solar calendar reform is also differently extant in the calendar used in Iran today. A short tract on astrology attributed to him has been neglected. Tamdgidi studies the scientific works in relation to Khayyam's own theological, philosophical, and astronomical views. The study reveals that Khayyam's science was informed by a unifying methodological attention to ratios and proportionality. So, likewise, any quatrain he wrote cannot be adequately understood without considering its place in the relational whole of its parent collection. Khayyam's Robaiyat is found to be, as a critique of fatalistic astrology, his most important scientific work in astronomy rendered in poetic form.Studying Khayyam's scientific works in relation to those of other scientists out of the context of his own philosophical, theological, and astronomical views, would be like comparing the roundness of two fruits while ignoring that they are apples and oranges. Khayyam was a relational, holistic, and self-including objective thinker, being systems and causal-chains discerning, creative, transdisciplinary, transcultural, and applied in method. He applied a poetic geometric imagination to solving algebraic problems and his logically methodical thinking did not spare even Euclid of criticism. His treatise on Euclid unified numerical and magnitudinal notions of ratio and proportionality by way of broadening the notion of number to include both rational and irrational numbers, transcending its Greek atomistic tradition.Khayyam's classification of algebraic equations, being capped at cubic types, tells of his applied scientific intentions that can be interpreted, in the context of his own Islamic philosophy and theology, as an effort in building an algebraic and numerical theory of everything that is not only symbolic of body's three dimensions, but also of the three-foldness of intellect, soul, and body as essential types of a unitary substance created by God to evolve relatively on its own in a two-fold succession order of coming from and going to its Source. Although the succession order poses limits, as captured in the astrological imagination, existence is not fatalistic. Khayyam's conceptualist view of the human subject as an objective creative force in a participatory universe allows for the possibility of human self-determination and freedom depending on his or her self-awakening, a cause for which the Robaiyat was intended. Its collection would be a balanced unity of wisdom gems ascending from multiplicity toward unity using Wine and various astrological, geometrical, numerical, calendrical, and musical tropes in relationally classified quatrains that follow a logical succession order.

Omar Khayyam's Secret: Hermeneutics of the Robaiyat in Quantum Sociological Imagination, by Mohammad H. Tamdgidi, is a twelve-book series of which this book is the sixth volume, subtitled Khayyami Science: The Methodological Structures of the Robaiyat in All the Scientific Works of Omar Khayyam. Each book, independently readable, can be best understood as a part of the whole series.In Book 6, Tamdgidi shares the Arabic texts, his new English translations (based on others' or his new Persian translations, also included in the volume), and hermeneutic analyses of five extant scientific writings of Khayyam: a treatise in music; a treatise on balance to weigh precious metals in a body composed of them; a treatise on dividing a circle quadrant to achieve a certain proportionality; a treatise on solving all cubic (and lower degree) algebraic equations using geometric methods; and a treatise on explaining three postulation problems in Euclid's book Elements. Khayyam wrote three other non-extant scientific treatises on nature, geography, and music, while a treatise in arithmetic is differently extant since it influenced the work of later Islamic and Western scientists. His work in astronomy on solar calendar reform is also differently extant in the calendar used in Iran today. A short tract on astrology attributed to him has been neglected. Tamdgidi studies the scientific works in relation to Khayyam's own theological, philosophical, and astronomical views. The study reveals that Khayyam's science was informed by a unifying methodological attention to ratios and proportionality. So, likewise, any quatrain he wrote cannot be adequately understood without considering its place in the relational whole of its parent collection. Khayyam's Robaiyat is found to be, as a critique of fatalistic astrology, his most important scientific work in astronomy rendered in poetic form.Studying Khayyam's scientific works in relation to those of other scientists out of the context of his own philosophical, theological, and astronomical views, would be like comparing the roundness of two fruits while ignoring that they are apples and oranges. Khayyam was a relational, holistic, and self-including objective thinker, being systems and causal-chains discerning, creative, transdisciplinary, transcultural, and applied in method. He applied a poetic geometric imagination to solving algebraic problems and his logically methodical thinking did not spare even Euclid of criticism. His treatise on Euclid unified numerical and magnitudinal notions of ratio and proportionality by way of broadening the notion of number to include both rational and irrational numbers, transcending its Greek atomistic tradition.Khayyam's classification of algebraic equations, being capped at cubic types, tells of his applied scientific intentions that can be interpreted, in the context of his own Islamic philosophy and theology, as an effort in building an algebraic and numerical theory of everything that is not only symbolic of body's three dimensions, but also of the three-foldness of intellect, soul, and body as essential types of a unitary substance created by God to evolve relatively on its own in a two-fold succession order of coming from and going to its Source. Although the succession order poses limits, as captured in the astrological imagination, existence is not fatalistic. Khayyam's conceptualist view of the human subject as an objective creative force in a participatory universe allows for the possibility of human self-determination and freedom depending on his or her self-awakening, a cause for which the Robaiyat was intended. Its collection would be a balanced unity of wisdom gems ascending from multiplicity toward unity using Wine and various astrological, geometrical, numerical, calendrical, and musical tropes in relationally classified quatrains that follow a logical succession order.

Omar Khayyam's Secret: Hermeneutics of the Robaiyat in Quantum Sociological Imagination, authored by Mohammad H. Tamdgidi, is a 12-book series of which this is the 4th volume, subtitled Khayyami Philosophy: The Ontological Structures of the Robaiyat in Omar Khayyam's Last Written Keepsake Treatise on the Science of the Universals of Existence. Each book, independently readable, can be best understood as a part of the whole series.Having confirmed in the prior three books of the series the true dates of birth and passing of Omar Khayyam, his pen name origins, and his authorship of a robaiyat collection, Tamdgidi explores in this fourth book the origins, nature, and purpose of such a collection by applying the series' quantum sociological imagination method to hermeneutically explore the ontological structures of the Robaiyat in Khayyam's last written treatise.Khayyam's treatise, found in the early 20th century and still largely ignored or misread, radically challenges the mythical narratives built over the centuries about him as one who thought existence is unknowable, having died not solving its riddles. Strangely, his treatise instead offers a logically coherent and brilliant worldview of someone who has found his answers as far as human existence is concerned. Khayyam even goes so far as confidently saying he hopes his peers would agree that his brief treatise is more useful than volumes.Offering the Persian text and his new English translation of the treatise, Tamdgidi undertakes in this book a detailed clause-based hermeneutic study of the treatise. He also explores its broader intellectual and historical contexts by examining its relation to the book "Savior from Error" by Khayyam's junior (by more than three decades) contemporary foe, Muhammad Ghazali, while questioning the long-held belief that the treatise was requested by and addressed to Fakhr ol-Molk, a son of the famous vizier Nezam ol-Molk.Tamdgidi finds instead that the treatise was written in AD 1095-96, a few years earlier than thought, for another son of Nezam ol-Molk, Moayyed ol-Molk, who served at the time Soltan Muhammad, Malekshah's son. The treatise was intended as a philosophical foundation to move the post-Malekshah Iran in a more independent direction by way of influencing his son, Muhammad. Ghazali in his book, likely written to please Ahmad Sanjar (Malekshah's younger son who disliked Khayyam) and his vizier at the time, Fakhr ol-Molk, anonymously chastised Khayyam as a philosopher, duplicitously feeding the cynical metaphors that some theologians and Sufis hurled at Khayyam down the centuries.Khayyam's treatise unveils his vision of existence as a participatory universe where the subject has objective status, shedding a new light on the ontological structures of the Robaiyat. His "succession order" thesis of existence is an alternative Islamic creationist-evolutionary worldview that offers a prescient quantum conceptualist vision of the universe as a unitary, relatively self-reliant, self-knowing, and self-creative, substance lovingly created by an absolutely good God in His own image. Existence is essentially good but, due to its good volitionally self-creative nature, can be potentially subject to incidental defects that are nevertheless knowable and curable to build both a spiritually fulfilling and a joyful life in this world. Other than God's Necessary Existence there is no "another world"; judgment days, heavens, and hells are definitely real this-worldly, not after-worldly, existents. In Khayyam's view, human existence can be what good we artfully make of it, starting here-and-now from our own personal selves in our this-worldly lifetimes. It is to creatively realize such an existence that the Robaiyat must have been intended.

Omar Khayyam's Secret: Hermeneutics of the Robaiyat in Quantum Sociological Imagination, authored by Mohammad H. Tamdgidi, is a 12-book series of which this is the 4th volume, subtitled Khayyami Philosophy: The Ontological Structures of the Robaiyat in Omar Khayyam's Last Written Keepsake Treatise on the Science of the Universals of Existence. Each book, independently readable, can be best understood as a part of the whole series.Having confirmed in the prior three books of the series the true dates of birth and passing of Omar Khayyam, his pen name origins, and his authorship of a robaiyat collection, Tamdgidi explores in this fourth book the origins, nature, and purpose of such a collection by applying the series' quantum sociological imagination method to hermeneutically explore the ontological structures of the Robaiyat in Khayyam's last written treatise.Khayyam's treatise, found in the early 20th century and still largely ignored or misread, radically challenges the mythical narratives built over the centuries about him as one who thought existence is unknowable, having died not solving its riddles. Strangely, his treatise instead offers a logically coherent and brilliant worldview of someone who has found his answers as far as human existence is concerned. Khayyam even goes so far as confidently saying he hopes his peers would agree that his brief treatise is more useful than volumes.Offering the Persian text and his new English translation of the treatise, Tamdgidi undertakes in this book a detailed clause-based hermeneutic study of the treatise. He also explores its broader intellectual and historical contexts by examining its relation to the book "Savior from Error" by Khayyam's junior (by more than three decades) contemporary foe, Muhammad Ghazali, while questioning the long-held belief that the treatise was requested by and addressed to Fakhr ol-Molk, a son of the famous vizier Nezam ol-Molk.Tamdgidi finds instead that the treatise was written in AD 1095-96, a few years earlier than thought, for another son of Nezam ol-Molk, Moayyed ol-Molk, who served at the time Soltan Muhammad, Malekshah's son. The treatise was intended as a philosophical foundation to move the post-Malekshah Iran in a more independent direction by way of influencing his son, Muhammad. Ghazali in his book, likely written to please Ahmad Sanjar (Malekshah's younger son who disliked Khayyam) and his vizier at the time, Fakhr ol-Molk, anonymously chastised Khayyam as a philosopher, duplicitously feeding the cynical metaphors that some theologians and Sufis hurled at Khayyam down the centuries.Khayyam's treatise unveils his vision of existence as a participatory universe where the subject has objective status, shedding a new light on the ontological structures of the Robaiyat. His "succession order" thesis of existence is an alternative Islamic creationist-evolutionary worldview that offers a prescient quantum conceptualist vision of the universe as a unitary, relatively self-reliant, self-knowing, and self-creative, substance lovingly created by an absolutely good God in His own image. Existence is essentially good but, due to its good volitionally self-creative nature, can be potentially subject to incidental defects that are nevertheless knowable and curable to build both a spiritually fulfilling and a joyful life in this world. Other than God's Necessary Existence there is no "another world"; judgment days, heavens, and hells are definitely real this-worldly, not after-worldly, existents. In Khayyam's view, human existence can be what good we artfully make of it, starting here-and-now from our own personal selves in our this-worldly lifetimes. It is to creatively realize such an existence that the Robaiyat must have been intended.

2024 Update Note: For a detailed new update on the interpretation of the Somerton man's code in the context of new findings proposed and reported in 2022 and thereafter about the identity of the Somerton man as being Carl Webb, read OKCIR's 2024 research report on the OKCIR site titled "The Somerton Man Carl Webb's WWII Death Poems Staged in His Eternal Shadow-Show "Tam m Shud" -- A Lasting J. C. Williamsonian Suicide Mystery Play Still Staging, Now Featuring Us, from the Somerton Beach in Australia Since Its Opening on Nov. 30, 1948." A press release for the same was published on April 15, 2024, titled,"Rest of Australia's Somerton Man Case Mystery Solved Using His Own Code As Deciphered in 2021, OKCIR Sociologist Reports." The 2021 publication still has evidentiary value since it documents how the 2021 deciphering of the Somerton man code, preceding 2022 findings, anticipated the 2022 proposed findings and its results.]In this OKCIR Research Report, hermeneutic sociologist, Khayyami scholar, and founding director of Omar Khayyam Center for Integrative Research (OKCIR), Mohammad H. (Behrooz) Tamdgidi, Ph.D., reports having solved the mystery of the code associated with the so-called "Somerton Man" or "Tam m Shud" case.The mysterious code appearing on the back page of a first edition copy of Edward FitzGerald's The Rubaiyat of Omar Khayyam -- found months following the death of The Somerton Man (TSM) in South Adelaide, Australia, on Dec. 1, 1948 -- was a suicide contemplation and planning note he was poetically drafting for himself in the form of a quatrain on the back of his copy of The Rubaiyat, giving a gist of why and how he planned to carry out a deliberately mystery-laden suicide as his last dance for a lasting life. The code was the creative DNA of his suicide plot.It was written in the 'Tam m Shud' transliteration style -- in this case not from Persian, but from Arabic with which he must have been familiar, either natively due to coming ancestrally from the ethnically diverse and widely multilingual Russian Caucasus and/or by training and education. In other words, the 'Tam m Shud' torn-out piece found in TSM's fob pocket not only served as a bread crumb lead to his suicide note, it also offered the key to the code's deciphering.DNA is a self-replicating matter that reproduces the basic structure of a substance. TSM's 'code' offers the DNA of his last dance performance in public hoping of a lasting life, one that was sketched amid his medical suffering. He was reflecting on his life, terminal illness, and expected imminent death, while reading the meanings conveyed about life and death in FitzGerald's translation of Omar Khayyam's Rubaiyat -- a work of art that offered TSM a practical and proven example of how one can physically die but endure in human memory and spirit forever.This report mainly focuses on deciphering TSM's code, but the findings are then used to shed brief new light on one and/or another alternative wider story of what took place in Adelaide in 1948, in the years leading to it, and in the decades thereafter. The report invites readers to rethink the relevance of Omar Khayyam's poetry to the case, and also asks a pertinent question about another fold of the mystery, that is, why did it take so long to decipher a code that could have actually been decoded much earlier? The Somerton Man or Tam m Shud case has important lessons for us beyond the confines of the personal troubles of a man and those he knew, inviting us to use our sociological imaginations to explore such troubles in relation to the public issues that concern us all beyond the shores of Australia, and beyond the national and disciplinary walls fragmenting our lives, universities, and scientific methods in favor of transcultural and transdisciplinary modes of inquiry.

Omar Khayyam's Secret: Hermeneutics of the Robaiyat in Quantum Sociological Imagination is a twelve-book series of which this book is the second volume, subtitled Khayyami Millennium: Reporting the Discovery and the Reconfirmation of the True Dates of Birth and Passing of Omar Khayyam (AD 1021-1123). Each book is independently readable, although it will be best understood as a part of the whole series. In the overall series, the transdisciplinary sociologist Mohammad H. Tamdgidi shares the results of his decades-long research on Omar Khayyam, the enigmatic 11th/12th centuries Persian Muslim sage, philosopher, astronomer, mathematician, physician, writer, and poet from Neyshabour, Iran, whose life and works still remain behind a veil of deep mystery. Tamdgidi's purpose has been to find definitive answers to the many puzzles still surrounding Khayyam, especially regarding the existence, nature, and purpose of the Robaiyat in his life and works. To explore the questions posed, he advances a new hermeneutic method of textual analysis, informed by what he calls the quantum sociological imagination, to gather and study all the attributed philosophical, religious, scientific, and literary writings of Khayyam. In this second book of the series, Tamdgidi lays down an essential foundation for the series by revisiting the unresolved questions surrounding the dates of birth and passing of Omar Khayyam. Critically reexamining the manner in which Omar Khayyam's birth horoscope as reported in Zahireddin Abolhassan Beyhaqi's Tatemmat Sewan al-Hekmat (Supplement to the Chest of Wisdom) was used by Swāmi Govinda Tīrtha in his The Nectar of Grace: Omar Khayyam's Life and Works (1941) to determine Khayyam's birth date, Tamdgidi uncovers a number of serious internal inconsistencies and factual inaccuracies that prevented Tīrtha (and, since then, other scholars more or less taking for granted his results) from arriving at a reliable date for Khayyam's birth, hurling Khayyami studies into decades of confusion regarding Khayyam's life and works. Tamdgidi then shares in the book the detailed account of his own discovery of Khayyam's true date of birth for the first time, a finding that eluded Khayyami studies for centuries and is bound to revolutionize the studies for decades to come. Tamdgidi then turns his attention to the task of definitively establishing the true date of passing of Omar Khayyam. Conducting an in-depth, superposed analysis of Beyhaqi's Tatemmat Sewan el-Hekmat (Supplement to the Chest of Wisdom), Abdorrahman Khazeni's Mizan ol-Hekmat (Balance of Wisdom), Nezami Arouzi's Chahar Maqaleh (Four Discourses), and Yar Ahmad Rashidi Tabrizi's Tarabkhaneh (House of Joy), amid other relevant texts, he succeeds in firmly reconfirming and further discovering, in a textually reliable way, not only the year, the season, the month, and the day, but even the most likely time of day at which the poet mathematician, astronomer, and calender reformer died as a solar centenarian, completing his 102nd solar year age. Strange is that these discoveries are made just in time as we approach the first solar millennium of Omar Khayyam's birth date on June 10, AD 1021, at sunrise of Neyshabour, Iran, and the ninth solar centennial of his passing on June 10, AD 1123, on the eve also of his birthday, closing the circle of his life's "coming and going."