Naomi Mitchison

The Big House is a children's book with much to say to adult readers. On one level it is a charming and absorbing fantasy novel with a fairy hill, a Brounie and an enchanted piper all drawn from Celtic myth and legend, set in a West Highland village which is clearly Carradale in Kintyre, Naomi Mitchison's home for many years. On another level it is an examination of the social relationships in such a village at the time (it was first published in 1950), and this too is rooted in Mitchison's Carradale life. Su from the Big House and Winkie the fisherman's son have the same ancestry and their time-travel adventures show that their respective positions have changed back and forth over the years. Why should there be any difference between them now? Moira Burgess is a novelist, short story writer and literary historian who lives in Glasgow, but was brought up in Kintyre, the setting of The Big House. She is the author of Mitchison's Ghosts (Humming Earth, 2008), on supernatural and mythical elements in the writing of Naomi Mitchison, and is working on a collected edition of Mitchison's essays and journalism to be published in several volumes by Kennedy & Boyd.

Eschewing Plutarch and Shakespeare's tale of Mark Antony's fatal romance, Naomi Mitchison's 'Cleopatra's People' starts with the next generation, with the children of the Queen and of Charmian, one of her 'mates'. The impact of Cleopatra's life and personality is reflected through them, and their efforts to follow in her wake.

Anna Comnena is described as the first female historian, the author of her father's celebratory biography. She was an educated princess in eleventh-century Constantinople, the daughter of the Emperor Alexius. She was expected to succeed him, and raised as heir, but her hopes were dashed by the birth of a younger brother. In what is over-modestly described as a biography, Naomi Mitchison combines her story with that of her father, and the whole civilisation of the Eastern Empire, indeed the whole known world of the time. The Eastern Empire is seen as a necessary bulwark between a young and promising Europe and the perils of Islam and wild tribes in Asia. Mitchison also warns her readership of the perils of a dead civilisation, and writing in 1928 she poses a challenge to the direction of Europe in these perilous postwar years. Thwarted ambition at last drove Anna to attempt to kill her brother, who, says Mitchison, went on to be one of the best of Emperors. Isobel Murray is Emeritus Professor of Modern Scottish Literature at the University of Aberdeen.

The writing career of Naomi Mitchison (1897-1999) stretched over some seventy years, encompassing at least seventy works of fiction as well as non-fiction, poetry and plays. Almost unknown, however, is the mass of shorter prose pieces - journalism, essays, polemics, reminiscences - which Mitchison produced during her long career. There are many hundreds of these pieces, covering a tremendously wide range of topics, an untapped resource both in Mitchison biography and in the wider field of social history. Volume 2 in the seven-volume edition of Naomi Mitchison's Essays and Journalism is devoted to her writing about the West Highland village of Carradale, to which she moved in the late 1930s and where she lived for over sixty years. She writes about many aspects of Carradale: her farm, the local fishing industry, the big garden which was particularly dear to her heart, and 'the village and the Big House'. A long essay, 'Rural Reconstruction', never reprinted before, is a snapshot of Carradale in the 1940s and a spirited presentation of Mitchison's dreams for its future. These digressive, charming, combative pieces show both the practical and the thoughtful sides of her writing, often to touching effect: she cared deeply for Carradale and its people, and the book is a wonderful introduction to a beautiful part of Scotland and a major writer.

In this day-by-day diary Mitchison tells us what she saw, did and felt: and the whole forms at once what is called a "human document" of rare poignancy and dramatic interest, and a book of some historical importance. In her words: "Very few people have both money and leisure, and the will, to do this. I've got this because of my profession. I rang up V[ictor] G[ollancz] on Monday evening, and asked if he'd give me an advance on a, very hypothetical, book about it. He said he would, and I'm going on that. I couldn't have otherwise. Simply as an observer I shall be some use; it's the one thing I'm sure I can do well, though I don't think I'm a good analyser. What I should like to do is to write a full diary every day, as truthful as it can possibly be. I shall type it on both sides of the sheet, so that it will fold small, and shall try and leave a duplicate with somebody; if I get my copy through, they can destroy theirs. But perhaps the whole thing is moonshine; perhaps there won't be anything to write down! If so, looking back on this afternoon from whenever it is in the future, I shall see myself looking a perfect fool. However, that won't be the first time ! Anyway, for what it's worth. I feel all thrilled now, screwed up like a child going to play Indians. Perhaps I shall be more grown-up by the end of it."

Small Talk... avoids the temptation of a full-blown 'My Life and Times' type of autobiography and presents instead a recreation of childhood years in Oxford before the First World War - a child's-eye view of the family, the friends, the servants, the pets and the holidays in Scotland and Cornwall that made up that childhood. It is as much concerned with her own development as an amateur field botanist as with the occasions when the adult world intruded, when 'Uncle Richard' (Lord Haldane) might lead the younger members of the family out to the wash-house to watch the messy business of heating wax to take the impression of the Great Seal of England. If Lord Baden-Powell and Andrew Lang appear briefly, it is less as famous figures of the period, but rather as irritating visitors with passions either for tying knots or talking about fairies who interrupted the pleasures of raiding the kitchen garden for fruit, or reading at night behind the curtains of the drawing-room. There are glimpses of her reactions to scientific theories, as they reached her in repercussions from her father's work, and to the High Tory politics of her formidable mother. Small Talk... is a precise, vivid picture of the people and manners of a world which has receded so rapidly that it is now further from the experience of people today as the other side of the moon. In another sense, though, it is a timeless picture of childhood itself. The introductory essay by Ali Smith "The Woman From The Big House" was first first published in Chapman 50.

The Conquered was young Naomi Mitchison's first novel, published in 1923, just five years after the end of the First World War, in 1918. Mitchison chose to write about wars, but about historic ones, Julius Caesar's bloody and gradual conquest of Gaul. Instead of Caesar's serene lists of victories and setbacks, we have the impact of these wars on her Gallic hero Meromic. Profound and traumatic. From being heir to a proud tribe, the Veneti, he becomes by turns a slave, a revenge killer, a wanted man - and a slave again, with a severed right hand, a man looking to end it all. But his life was remediably complicated by his loyalty to and affection for Titus Barrus, the Roman who bought him, and treated him as man, not brute. His conflicts of loyalties are powerfully central. Mitchison was conscious that after the Great War there was still fighting in Ireland. Just as her natural and immediate sympathies were for the Gauls under Vercingetorix fighting the Roman giant, we are shown her own contemporary sympathies were with the Irish against the might of the British Empire. With an Introduction by Isobel Murray.

Naomi Mitchison began her novel-writing career in the 1920s, with historical fictions set in the Ancient world, in Roman and Greek civilisations, and soon won a high reputation world-wide. But she began to move toward present and future as well as past: thus Lobsters on the Agenda (1952) dealt with contemporary Highland life. When in her sixties she began a lasting friendship with a young chief designate of the Bakgatla tribe, Linchwe, she went on to join the tribe, and was adopted as its Mother. She wrote only one adult novel about Botswana, When We Become Men (1965). This fine novel deals with the contemporary fight for equality across southern Africa, and the struggle against apartheid. It ends up projecting towards a future where fighting would be unnecessary. Her main character here is Isaac, a young man brought up in Pretoria, who believes in resistance to a white minority government, and, like Nelson Mandela, backs bloodless sabotage as a political weapon. He deeply distrusts the remnants of the tribal system, and the power of the chiefs. He meets Letlotse, young heir apparent to the Bakgatla, returning home from an expensive but sometimes bizarre or just irrelevant education in Britain. He distrusts old ways too, and is tempted towards national politics, away from the tribe. There are clashes of beliefs, and conflicting ideas and loyalties. There is violence here. There are rapes and murders, and some killings that the Africans regard rather as executions. Here is a vivid, clear account of a troubled people in transition, which helps the reader to understand and empathise with the birth-pangs of a new, post-Imperial, Africa. Isobel Murray is Emeritus Professor of Modern Scottish Literature at the University of Aberdeen

Naomi Mitchison published her first novel, The Conquered, in 1923. In her more than seventy succeeding books she has produced an extraordinary out-put, especially in the novel and the short story. This selection of the shorter fiction is intended to illustrate her range and achievement over more than fifty years. Beyond This Limit was the result of a unique co-operative partnership with illustrator Wyndham Lewis, and story and pictures are here first reproduced from the limited edition of 1935. The other contents range from a story of the cave painters of Lascaux, through Mitchison's major fictional preoccupations, ancient Greece, Scotland, Africa, to a story of post-holocaust Scotland first published in 1982. Central to all of them is a very individual intelligence constantly examining the politics of power in human relationships, including sexual ones. Edited with an Introduction by Isobel Murray, Emeritus Professor of Modern Scottish Literature at the University of Aberdeen, Scotland.