Robin D. G. Kelley

From poisoned water and police violence in our cities, to gun massacres and hate-mongering on the presidential campaign trail, evidence that America is at war with itself is everywhere around us. The question is not whether or not it's happening, but how to understand the forces at work in order to prevent conditions from getting worse. Henry A. Giroux offers a powerful, far-reaching critique of the economic interests, cultural dimensions, and political dynamics involved in the nation's shift toward increasingly abusive forms of power. His analysis helps us to frame critical questions about what can and should be done to turn things around while we can. Reflecting on a wide range of social issues, Giroux contrasts Donald Trump's America with Sandra Bland's to understand who really benefits from politically fueled intolerance for immigrants, communities of color, Muslims, low-income families, and those who challenge state and corporate power. A passionate advocate for civil rights and the importance of the imagination, Giroux argues that only through widespread social investment in democracy and education can the common good hope to prevail over the increasingly concentrated influence of extreme right-wing politicians and self-serving economic interests. Praise for America at War with Itself: "This is the book Americans need to read now. No one is better than Henry Giroux at analyzing the truly dangerous threats to our society. He punctures our delusions and offers us a compelling and enlightened vision of a better way. America at War with Itself is the best book of the year."--Bob Herbert, Distinguished Senior Fellow at Demos and former Op-Ed columnist for the New York Times "In this current era of corporate media misdirection and misinformation, America at War with Itself is a must read for all Americans, especially young people. Henry Giroux is one of the few great political voices of today, with powerful insight into the truth. Dr. Giroux is defiantly explaining, against the grain, what's REALLY going on right now, and doing so quite undeniably. Simply put, the ideas he brings forth are a beacon that need to be seen and heard and understood in order for the world to progress."--Julian Casablancas "In America at War with Itself, Henry Giroux again proves himself one of North America's most clear-sighted radical philosophers of education, culture and politics: radical because he discards the chaff of liberal critique and cuts to the root of the ills that are withering democracy. Giroux also connects the dots of reckless greed, corporate impunity, poverty, mass incarceration, racism and the co-opting of education to crush critical thinking and promote a culture that denigrates and even criminalizes civil society and the public good. His latest work is the antidote to an alarming tide of toxic authoritarianism that threatens to engulf America. The book could not be more timely."--Olivia Ward, Toronto Star "America at War with Itself makes the case for real ideological and structural change at a time when the need and stakes could not be greater. Everyone who cares about the survival and revival of democracy needs to read this book." --Kenneth Saltman, Professor, University of Massachusetts Dartmouth, Author of The Failure of Corporate School Reform Henry A. Giroux's most recent books include The Violence of Organized Forgetting and America's Addiction to Terrorism. A prolific writer and political commentator, he has appeared in a wide range of media, including the New York Times and Bill Moyers.

The first biography of the revolutionary political prisoner who laid the foundation for contemporary abolitionist struggles and Black anarchism.A Continuous Struggle is a political biography of one of the most important--if since forgotten--revolutionary figures of the twentieth century in the United States. Martin Sostre (1923-2015) was a Black Puerto Rican from East Harlem who became a politicized prisoner and jailhouse lawyer, winning cases in the early 1960s that helped secure the constitutional rights of incarcerated people. He opened one of the country's first radical Black bookstores and was scapegoated and framed by police and the FBI following the Buffalo rebellion of 1967. He was sentenced by an all-white jury to thirty-one to forty-one years.Throughout his nine-year imprisonment, Sostre transformed himself and the revolutionary movements he was a part of, eventually identifying as a revolutionary anarchist and laying the foundation for contemporary Black anarchism. During that time, he engaged in principled resistance to strip frisks for which he was beaten eleven times, raising awareness about the routinized sexual assault of imprisoned people. The decade-long Free Martin Sostre movement was one of the greatest and most improbable defense campaign victories of the Black Power era, alongside those to liberate Angela Davis and Huey Newton. Although Sostre receded from public view after his release in 1976, he lived another four decades of committed struggle as a tenant organizer and youth mentor in New York and New Jersey. Throughout his long life, Martin Sostre was a jailhouse lawyer, revolutionary bookseller, yogi, mentor and teacher, anti-rape organizer, housing justice activist, and original political thinker. The variety of strategies he used and terrains on which he struggled emphasize the necessity and possibility of multi-faceted and continuous struggle against all forms of oppression in pursuit of an egalitarian society founded on the principles of "maximum human freedom, spirituality, and love."

Now offering over 500 images from 1840 to the present, this breathtaking work provides rich, moving glimpses of everyday Black life, from slavery to the Great Migration to suburban life, including rare antebellum daguerreotypes, photojournalism of the civil rights era and multimedia portraits of middle-class families, along with a contemporary section depicting images of both joy and mourning, beauty and protest that have indelibly changed the world we know. Featuring the works of undisputed masters such as James VanDerZee, Gordon Parks and Carrie Mae Weems, this expanded edition now includes works from great twenty-first-century artists, including LaToya Ruby Frazier, Lorna Simpson and Phylicia Ghee. Reflections in Black is a work so significant that it has the power to reconfigure our conception of American history.

Reissue of an acclaimed collection of images from photographer W. Eugene Smith’s time in a New York City loft among jazz musicians. In 1957, Eugene Smith walked away from his longtime job at Life and the home he shared with his wife and four children to move into a dilapidated, five-story loft building at 821 Sixth Avenue in New York City’s wholesale flower district. The loft was the late-night haunt of musicians, including some of the biggest names in jazz—Charles Mingus, Zoot Sims, Bill Evans, and Thelonious Monk among them. Here, from 1957 to 1965, he made nearly 40,000 photographs and approximately 4,000 hours of recordings of musicians. Smith found solace in the chaotic, somnambulistic world of the loft and its artists, and he turned his documentary impulses away from work on his major Pittsburg photo essay and toward his new surroundings. Smith’s Jazz Loft Project has been legendary in the worlds of art, photography, and music for more than forty years, but until the publication of this book, no one had seen his extraordinary photographs or read any of the firsthand accounts of those who were there and lived to tell the tales.

In the early twentieth century, when many US unions disgracefully excluded black and Asian workers, the Industrial Workers of the World (IWW) warmly welcomed people of color, in keeping with their emphasis on class solidarity and their bold motto: "An Injury to One Is an Injury to All " A brilliant union organizer and a humorous orator, Benjamin Fletcher (1890-1949) was a tremendously important and well-loved African American member of the IWW during its heyday. For years, acclaimed historian Peter Cole has carefully researched the life of Ben Fletcher. This book includes a detailed biographical sketch of his life and history, reminiscences by fellow workers who knew him, a chronicle of the IWW's impressive decade-long run on the Philadelphia waterfront in which Fletcher played a pivotal role, and nearly all of his known writings and speeches, thus giving Fletcher's timeless voice another opportunity to inspire a new generation of workers, organizers, and agitators. This revised and expanded second edition includes new materials and much more.

Following the collapse of Reconstruction in 1877, African Americans organized a movement--distinct from the white Populist movement--in the South and parts of the Midwest for economic and political reform: Black Populism. Between 1886 and 1898, tens of thousands of black farmers, sharecroppers, and agrarian workers created their own organizations and tactics primarily under black leadership.As Black Populism grew as a regional force, it met fierce resistance from the Southern Democrats and constituent white planters and local merchants. African Americans carried out a wide range of activities in this hostile environment. They established farming exchanges and cooperatives; raised money for schools; published newspapers; lobbied for better agrarian legislation; mounted boycotts against agricultural trusts and business monopolies; carried out strikes for better wages; protested the convict lease system, segregated coach boxes, and lynching; demanded black jurors in cases involving black defendants; promoted local political reforms and federal supervision of elections; and ran independent and fusion campaigns.Growing out of the networks established by black churches and fraternal organizations, Black Populism found further expression in the Colored Agricultural Wheels, the southern branch of the Knights of Labor, the Cooperative Workers of America, the Farmers Union, and the Colored Farmers Alliance. In the early 1890s African Americans, together with their white counterparts, launched the People's Party and ran fusion campaigns with the Republican Party. By the turn of the century, Black Populism had been crushed by relentless attack, hostile propaganda, and targeted assassinations of leaders and foot soldiers of the movement. The movement's legacy remains, though, as the largest independent black political movement until the rise of the modern civil rights movement.

this book is the only comprehensive illustrated history of African Americans. Written by the most prominent of the new generation of historians, the book describes how African Americans have shaped and changed the history of this country. It traces the history of Africans in the Americas from Reconstruction to the present. The book looks at American history from the unique perspective of African Americans, paying special attention to the forging of African-American communities, the changing status of African Americans over time, and the transformation that has been wrought social protest. Primary sources are used extensively, and the authors will contribute a ne foreword.

The two volumes of Kelley and Lewis's To Make Our World Anew integrate the work of eleven leading historians into the most up-to-date and comprehensive account available of African American history, from the first Africans brought as slaves into the Americas, right up to today's black filmmakers and politicians. This second volume covers the crucial post-Reconstruction years and traces the migration of blacks to the major cities. It describes the remarkable birth of the Harlem Renaissance, the hardships of the Great Depression, and the service of African Americans in World War II. Readers witness the struggle for Civil Rights in the 1950s and '60s and finally, the emergence of today's black middle class. Here is a panoramic view of African-American life, rich in gripping first-person accounts and short character sketches that invite readers to relive history as African Americans have experienced it.

From Robin D. G. Kelley, a "leading black historian of the age," Black Bodies Swinging is a fierce, distilled history of the pillage and defiance of Black America...

From Robin D. G. Kelley, a fierce, distilled history of the pillage of Black America and its roots in the capitalist economy.

From the celebrated author of Freedom Dreams, a thought-provoking look at how the multicolored urban working class are the solution--not the problem--to the ills of American cities A limited Beacon Classics edition, with a gorgeous spot gloss cover and retro, classic palette In this classic work, acclaimed historian Robin D. G. Kelley undermines false perceptions of Black culture to highlight how grassroots movements hold the key to revolutionizing urban America. Starting with an insightful look at street culture--from the "dozens" to pick-up basketball--Kelley shows how these misunderstandings of Black culture are at the center of the failure of public policy, scholarship and social movements to save our cities. He critiques both conservatives and liberals for ignoring what these cultural forms mean for their practitioners. Blending wit, intellect, and historical detail, he offers groundbreaking analyses of the multicultural roots of Black urban culture and the mistakes of the labor movement in denying the importance of cultural factors. With Kelley's crucial insights as timely now as when they were first published, this repackaged edition of Yo' Mama's Disfunktional shows how the most heartening progress toward a better future for urban America is revealed in urban grassroots movements.

Powerful interviews with scholars, organizers, and activists who are leading the movement to end policing and prison. Award-winning journalist Kolhatkar presents a visionary outlook for a future rooted in liberation, freedom, and justice. Abolitionist thinkers have been envisioning police-free communities for decades, but only in the aftershock of the racial justice uprisings of 2020 have their radical ideas entered into mainstream discourse. In Talking About Abolition, award-winning journalist Sonali Kolhatkar presents an inspiring collection of her conversations with scholars, movement figures, and activists who are leading the movement to end policing and prisons. From articulating the best counter-arguments to pervasive "copaganda," to exposing the moral bankruptcy of reformism, each conversation connects the dots between past and present while imagining a collective future rooted in liberation, freedom, and justice. Featuring interviews with Alicia Garza, Ruth Wilson Gilmore, Leah Penniman, Gina Dent, Cat Brooks, Andrea Ritchie, Eunisses Hernandes, Noelle Hanrahan, Ivette Al -Ferlito, Melina Abdullah, Reina Sultan, and Dylan Rodriguez, and with an introduction by Robin D. G. Kelley.

One of the most important African American leaders of the twentieth century and perhaps the most influential woman in the civil rights movement, Ella Baker (1903–1986) was an activist whose remarkable career spanned fifty years and touched thousands of lives. A gifted grassroots organizer, Baker shunned the spotlight in favor of vital behind-the-scenes work that helped power the Black freedom struggle. Making her way in predominantly male circles while maintaining relationships with a vibrant group of women, students, and activists, Baker was a national officer and key figure in the NAACP, a founder of the Southern Christian Leadership Conference, and a prime mover in the creation of the Student Nonviolent Coordinating Committee. In this definitive biography, Barbara Ransby chronicles Baker's long and rich career, revealing her complexity, radical democratic worldview, and enduring influence on group-centered, grassroots activism. Beyond documenting an extraordinary life, Ransby paints a vivid picture of the African American fight for justice and its intersections with other progressive struggles worldwide throughout the twentieth century.

Compellingly argues that good health is as much social as it is biological, and that the racial health gap and the racial wealth gap are mutually constitutive. The Danger Zone Is Everywhere shows that housing insecurity and the poor health associated with it are central components of an unjust, destructive, and deadly racial order. Housing discrimination is a civil and economic injustice, but it is also a menace to public health. With this book, George Lipsitz reveals how the injuries of housing discrimination are augmented by racial bias in home appraisals and tax assessments, by the disparate racialized effects of policing, sentencing, and parole, and by the ways in which algorithms in insurance and other spheres associate race with risk. But The Danger Zone Is Everywhere also highlights new practices emerging in health care and the law, emphasizing how grassroots community mobilizations are creating an active and engaged public sphere constituency promoting new forms of legislation, litigation, and organization for social justice.

Compellingly argues that good health is as much social as it is biological, and that the racial health gap and the racial wealth gap are mutually constitutive. The Danger Zone Is Everywhere shows that housing insecurity and the poor health associated with it are central components of an unjust, destructive, and deadly racial order. Housing discrimination is a civil and economic injustice, but it is also a menace to public health. With this book, George Lipsitz reveals how the injuries of housing discrimination are augmented by racial bias in home appraisals and tax assessments, by the disparate racialized effects of policing, sentencing, and parole, and by the ways in which algorithms in insurance and other spheres associate race with risk. But The Danger Zone Is Everywhere also highlights new practices emerging in health care and the law, emphasizing how grassroots community mobilizations are creating an active and engaged public sphere constituency promoting new forms of legislation, litigation, and organization for social justice.

Through this collection of essays, author and activist Reagan Jackson, chronicles her journey into the world of journalism. Art, cinema, social justice, feminism, Black reparations, health & reproductive rights, dance, education-while Jackson's subjects range far and wide, her writing brings an intimacy & immediacy to all.

Over the course of her career, Jackson has closely investigated specific histories related to cities, lands, and individuals in the United States, with the purpose of revealing how systemic racism and civil rights advocacy have informed America s approach to housing, education, transportation, voter disenfranchisement, police brutality, migration, and agriculture. Inspired by Josef Albers s research on the relativity of color, she employs image layering and the effects of light and perception toward illuminating underrecognized patterns of activism, resistance, oppression, and societal advances. This volume offers an opportunity to look comprehensively at overarching themes and developments in her process by gathering bodies of work in a variety of media created over time and in different locations. Jackson s engaging and nuanced approach to US history situates her as one of the most relevant artists practicing today.