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Sarah Moss

Kirjat ja teokset yhdessä paikassa: 47 kirjaa, julkaisuja vuosilta 2006-2026, suosituimpien joukossa The Winter Guest. Vertaile teosten hintoja ja tarkista saatavuus suomalaisista kirjakaupoista.

47 kirjaa

Kirjojen julkaisuhaarukka 2006-2026.

Summerwater

Summerwater

Sarah Moss

Picador USA
2022
nidottu
A Best Book of January at O, The Oprah MagazineA Best Book of the Year at The Guardian, The Times (London), and The Irish Times " Moss] writes beautifully about . . . souls in tumult, about people whose lives have not turned out the way they'd hoped . . . There's little doubt, reading Moss, that you're in the hands of a sophisticated and gifted writer." --Dwight Garner, The New York TimesThe acclaimed author of Ghost Wall offers a new, devastating, masterful novel of subtle menace. They rarely speak to one another, but they do take notice--watching from the safety of the park's rented cabins, peering into the half-lit drizzle of a Scottish summer day, forming judgments based on what little they know of their temporary neighbors. It is the longest day of the year, and as the hours pass nearly imperceptibly, twelve people shift from being strangers, to bystanders, to allies--their idle curiosity sparked into action as tragedy sneaks into their lives. At daylight, a mother races up the mountain, fleeing into her precious hour of solitude. A retired man studies her return as he reminisces about the park's better days. A young woman, weary of her attentive boyfriend, distracts herself with speculation about their neighbor's politics. Alone in a kayak on the dark waters of the loch, a teenage boy escapes the infuriating scrutiny of his family. This cascade of perspectives runs through the community as each inhabitant begins to focus on one particular family that doesn't belong. Nightfall brings an irrevocable turn. From Sarah Moss, the acclaimed author of Ghost Wall--a "riveting" (Alyson Hagy, The New York Times Book Review), "sharp tale of suspense" (Margaret Talbot, The New Yorker)--Summerwater is a devastating, masterful novel of subtle menace, a searing exploration of our capacity for kinship and cruelty, and a gorgeous evocation of the natural world as it changes around us, bearing constant witness to our choices.
Offermur

Offermur

Sarah Moss

Bokförlaget Atlas
2021
sidottu
Nominerad till prestigefyllda priserna Ondaatje Prize, Polari Prize och 2019 års Women's Prize for Fiction! Under en varm sommarvecka i norra England samlas en grupp akademiker för att rollspela järnåldern. Det är egentligen på låtsas, med särkar, jaktfällor och bärplockning. Tonårsdottern Sylvie och hennes kuvade mor tvingas medverka i rollspelet av den chauvinistiska pappan. Även om han egentligen arbetar som busschaufför kallar han sig historiker om än amatörhistoriker. Pappan går allt längre för att återskapa forntidens regler och hierarkier; för Sylvie och hennes mamma blir leken snabbt allvar. I kontrast till de unga studenterna, framförallt den frigjorda Molly, blir missförhållandena i Sylvies familj alltmer uppenbara. I lägret växer spänningen i takt med pappans missnöje och Sylvie vet att det är hon och mamman som kommer få betala priset. Samtidigt dras männen i lägret allt djupare ner i stämningen kring träskmarkerna, där man under järnåldern torterade och offrade unga kvinnor i sadistiska ritualer. Sarah Moss är en stigande stjärna på den brittiska författarhimlen. Med Offermur skärskådar hon patriarkalt hedersvåld och myter om identitet och tillhörighet, fast förankrad i en brittisk samtid."Med kuslig precision skildrar den här täta romanen, känsligt översatt av Rose-Marie Nielsen, hur snabbt polityren kan falla av och blotta rovdjuret inom oss." Yukiko Duke, Vi Läser"Liknar ingenting jag tidigare läst" The Times"Offermur är en polerad pärla till bok, kärnfull och briljant, och med den klättrar Moss stjärna på författarhimlen" The Guardian"En av våra absolut bästa samtida författare" The Independent
The Fell

The Fell

Sarah Moss

Picador
2021
sidottu
Acclaimed author of Summerwater and Ghost Wall, Sarah Moss is back with a sharply observed and darkly funny novel for our times.'A tense page turner . . . I gulped The Fell down in one sitting' - Emma Donoghue'Gripping, thoughtful and revelatory' – Paula Hawkins'This slim, intense masterpiece is one of my best books of the year' - Rachel Joyce'Her work is as close to perfect as a novelist’s can be' The TimesAt dusk on a November evening in 2020 a woman slips out of her garden gate and turns up the hill. Kate is in the middle of a two-week quarantine period, but she just can’t take it any more – the closeness of the air in her small house, the confinement. And anyway, the moor will be deserted at this time. Nobody need ever know.But Kate’s neighbour Alice sees her leaving and Matt, Kate’s son, soon realizes she’s missing. And Kate, who planned only a quick solitary walk – a breath of open air – falls and badly injures herself. What began as a furtive walk has turned into a mountain rescue operation . . .Unbearably suspenseful, witty and wise, The Fell asks probing questions about the place the world has become since March 2020, and the place it was before. This novel is a story about compassion and kindness and what we must do to survive, and it will move you to tears.‘One of our very best contemporary novelists’ – Independent
Fell

Fell

Sarah Moss

PAN MACMILLAN
2021
nidottu
From the Sunday Times bestselling author of Summerwater, The Fell is a novel for our times - the story of a woman in quarantine who can't take it any more and goes hill-walking at dusk . . .
Summerwater

Summerwater

Sarah Moss

Picador
2021
pokkari
The Sunday Times Top Ten Bestseller, longlisted for the Orwell Prize for Political Fiction.From the acclaimed author of Ghost Wall, Sarah Moss. Summerwater is a devastating story told over twenty-four hours in the Scottish highlands. 'Superb' - The Times'Sharp, searching . . . utterly of the moment' - Hilary Mantel'Beautifully written, intense, powerful' - David NichollsIt is the summer solstice, but in a faded Scottish cabin park the rain is unrelenting. Twelve people on holiday with their families look on as the skies remain resolutely grey. A woman goes running up the Ben as if fleeing; a teenage boy chances the dark waters of the loch in his kayak; a retired couple head out despite the downpour, driving too fast on the familiar bends.But there are newcomers too, and one particular family, a mother and daughter with the wrong clothes and the wrong manners, start to draw the attention of the others. Who are they? Where are they from? As darkness finally falls, something is unravelling . . .'A masterpiece' - Jessie Burton'One of her best' - Irish Times'So accomplished' - Guardian
The Tidal Zone

The Tidal Zone

Sarah Moss

Granta Books
2021
nidottu
SHORTLISTED FOR THE WELLCOME PRIZE 'She writes better than anyone I know about the way we live now... I loved this book... She is also very funny' Margaret Drabble On a day like any other, stay-at-home father Adam receives a call from his daughter's school. Miriam, his brilliant fifteen-year-old, has collapsed and stopped breathing; her heart has inexplicably stopped. The Tidal Zone shows the familiar world of a modern family turned inside out. From the complicated lives of teenagers to the complexities of marriage this is a moving, funny and instantly recognisable tale of 21st century domestic life. It confirms Sarah Moss as a unique voice in modern fiction and a writer of luminous intelligence. A poignant, engrossing and beautifully observed exploration of family life, from the acclaimed author of Summerwater and Ghost Wall. 'This is grown-up writing for grown-up readers, the kind of story that makes you think about your own life choices and close relationships.' Sunday Herald 'A novel for our times... An excellent read' Penelope Lively, Guardian 'A remarkable, passionate, funny and beautifully furious book' AL Kennedy
Signs for Lost Children

Signs for Lost Children

Sarah Moss

Granta Books
2021
nidottu
In this companion novel to Bodies of Light, Ally's husband Tom leaves, only weeks into their marriage, to build lighthouses in Japan. Ally, one of Britain's first female doctors, takes work at an asylum in Truro. With only letters sent across the ocean to sustain them, and with Ally now battling her old demons alone, will their marriage survive?
Night Waking

Night Waking

Sarah Moss

Granta Books
2021
nidottu
'Humorous, sad and clever... A passionately written meditation on motherhood' Sunday Times Anna Bennett hasn't slept in months. She also has an insomniac toddler, a precocious, death-obsessed seven-year-old, and a frequently-absent ecologist husband who has brought them all to a desolate island in the Hebrides so he can count the puffins. When her son finds a baby's skeleton buried in the garden, Anna must confront the island's troubled past, while finding a way to live with the complex demands of motherhood. Night Waking is a deeply moving and blackly funny tale from one of the great feminist observers of modern family life. 'Sarah Moss writes the kind of books that are difficult to put down' Louise Welch, Financial Times 'Moss writes marvellously (and often hilariously)' The Times
Ghost Wall

Ghost Wall

Sarah Moss

Granta Books
2021
nidottu
'I love this book. Put your life on hold while you finish it' Maggie O'Farrell A suspenseful and chilling novel of haunted landscapes and a teenage girl in danger... Seventeen-year-old Silvie is camping in rural Northumberland with her father and a group of archaeologists, who are attempting to uncover evidence of human sacrifice. As Silvie glimpses the possibility of freedom with the students - new female friendships and a sexual awakening - her difficult relationship with her overbearing father begins to deteriorate. As the feelings of dread build the haunting rites of the past begin to bleed into the present... 'This book ratcheted the breath out of me so skilfully, that as soon as I'd finished, the only thing I wanted was to read it again' Jessie Burton 'An instant classic' Emma Donoghue 'I loved it' Bernardine Evaristo
Cold Earth

Cold Earth

Sarah Moss

Granta Books
2021
nidottu
THE EXCEPTIONAL DEBUT FROM THE AUTHOR OF THE FELL 'I revelled in Cold Earth. Brilliant' Penelope Lively 'Chilling and remarkable... Moss is a master at evoking suspense' Guardian On the west coast of Greenland, a team of archaeologists searching for traces of lost Viking settlements receives news from back home: a deadly pandemic has swept across the world. As the Arctic winter approaches and their communications with the outside world fail, the six abandoned souls are left fighting for survival, writing letters to loved ones they may never receive. Cold Earth is a chilling, haunting and scarily prescient tale of grief, isolation and the will to survive. 'Unnerving, ambitious... utterly absorbing and - appropriately enough - very chilling' Daily Mail
Bodies of Light

Bodies of Light

Sarah Moss

Granta Books
2021
nidottu
Sisters Ally and May Moberley grow up in Victorian Manchester, surrounded by their father's decadent paintings and dominated by their austere, evangelical mother. While May poses for the artists in her father's circle, Ally devotes herself to her mother's ambitions, working hard to join the first generation of female doctors. But soon bitterness and tragedy divide the family, and Ally leaves home to escape the subtle terrors of her childhood and begin a new life in London. Bodies of Light is a profound and provocative book about family. It is a gripping story told with rare precision and tenderness.
Summerwater

Summerwater

Sarah Moss

PAN MACMILLAN
2020
nidottu
The devastating new novel from Sarah Moss, author of Womens Prize longlisted&i> Ghost Wall.&/i> 'Sharp, searching, thoroughly imagined, utterly of the moment . . . it throws much contemporary writing into the shade' Hilary Mantel, author of Wolf Hall From the acclaimed author of Ghost Wall, Summerwater is a devastating story told over twenty-four hours in the Scottish highlands, and a searing exploration of our capacity for both kinship and cruelty in these divided times. On the longest day of the summer, twelve people sit cooped up with their families in a faded Scottish cabin park. The endless rain leaves them with little to do but watch the other residents. A woman goes running up the Ben as if fleeing; a retired couple reminisce about neighbours long since moved on; a teenage boy braves the dark waters of the loch in his red kayak. Each person is wrapped in their own cares but increasingly alert to the makeshift community around them. One particular family, a mother and daughter without the right clothes or the right manners, starts to draw the attention of the others. Tensions rise and all watch on, unaware of the tragedy that lies ahead as night finally falls. ‘Nothing escapes her sly humour and brilliant touch. Deft and brimming with life, Summerwater is a novel of endless depth. A masterpiece.’ Jessie Burton, author of The Miniaturist
Probabilistic Knowledge

Probabilistic Knowledge

Sarah Moss

Oxford University Press
2020
nidottu
Traditional philosophical discussions of knowledge have focused on the epistemic status of full beliefs. Sarah Moss argues that in addition to full beliefs, credences can constitute knowledge. For instance, your 0.4 credence that it is raining outside can constitute knowledge, in just the same way that your full beliefs can. In addition, you can know that it might be raining, and that if it is raining then it is probably cloudy, where this knowledge is not knowledge of propositions, but of probabilistic contents. The notion of probabilistic content introduced in this book plays a central role not only in epistemology, but in the philosophy of mind and language as well. Just as tradition holds that you believe and assert propositions, you can believe and assert probabilistic contents. Accepting that we can believe, assert, and know probabilistic contents has significant consequences for many philosophical debates, including debates about the relationship between full belief and credence, the semantics of epistemic modals and conditionals, the contents of perceptual experience, peer disagreement, pragmatic encroachment, perceptual dogmatism, and transformative experience. In addition, accepting probabilistic knowledge can help us discredit negative evaluations of female speech, explain why merely statistical evidence is insufficient for legal proof, and identify epistemic norms violated by acts of racial profiling. Hence the central theses of this book not only help us better understand the nature of our own mental states, but also help us better understand the nature of our responsibilities to each other.
Ghost Wall

Ghost Wall

Sarah Moss

Picador USA
2019
nidottu
A Southern Living Best New Book of Winter 2019; A Refinery29 Best Book of January 2019; A Most Anticipated Book of 2019 at The Week, Huffington Post, Nylon, and Lit Hub; An Indie Next Pick for January 2019 "Ghost Wall has subtlety, wit, and the force of a rock to the head: an instant classic." --Emma Donoghue, author of Room "A worthy match for 3 a.m. disquiet, a book that evoked existential dread, but contained it, beautifully, like a shipwreck in a bottle." --Margaret Talbot, The New Yorker A taut, gripping tale of a young woman and an Iron Age reenactment trip that unearths frightening behavior The light blinds you; there's a lot you miss by gathering at the fireside. In the north of England, far from the intrusions of cities but not far from civilization, Silvie and her family are living as if they are ancient Britons, surviving by the tools and knowledge of the Iron Age. For two weeks, the length of her father's vacation, they join an anthropology course set to reenact life in simpler times. They are surrounded by forests of birch and rowan; they make stew from foraged roots and hunted rabbit. The students are fulfilling their coursework; Silvie's father is fulfilling his lifelong obsession. He has raised her on stories of early man, taken her to witness rare artifacts, recounted time and again their rituals and beliefs--particularly their sacrifices to the bog. Mixing with the students, Silvie begins to see, hear, and imagine another kind of life, one that might include going to university, traveling beyond England, choosing her own clothes and food, speaking her mind. The ancient Britons built ghost walls to ward off enemy invaders, rude barricades of stakes topped with ancestral skulls. When the group builds one of their own, they find a spiritual connection to the past. What comes next but human sacrifice? A story at once mythic and strikingly timely, Sarah Moss's Ghost Wall urges us to wonder how far we have come from the "primitive minds" of our ancestors.
These Our Monsters And Other Stories

These Our Monsters And Other Stories

Edward Carey; Sarah Hall; Paul Kingsnorth; Alison MacLeod; Graeme Macrae Burnet; Sarah Moss; Fiona Mozley; Adam Thorpe

English Heritage
2019
sidottu
From the legends of King Arthur embedded in the rocky splendour of Tintagel to the folklore and mysticism of Stonehenge, English Heritage sites are often closely linked to native English myths. Following on from the bestselling ghost story anthology Eight Ghosts, this new collection of stories inspired by the legends and tales that swirl through the history of eight ancient historical sites. Including an essay by James Kidd on the importance of myth to our landscape and our fiction, and an English Heritage survey of sites and associated legends, These Our Monsters is an evocative collection that brings new voices and fresh creative alchemy to our story-telling heritage. Author and atmospheric locations include: Edward Carey - Bury St Edmunds AbbeySarah Hall - Castlerigg and other stone circlesPaul Kingsnorth - StonehengeAlison MacLeod - Down HouseGraeme Macrae Burnet - Whitby AbbeySarah Moss - Berwick CastleFiona Mozley - Carlisle CastleAdam Thorpe - Tintagel Castle With original black-and-white illustrations by Clive Hicks-Jenkins
Probabilistic Knowledge

Probabilistic Knowledge

Sarah Moss

Oxford University Press
2018
sidottu
Traditional philosophical discussions of knowledge have focused on the epistemic status of full beliefs. Sarah Moss argues that in addition to full beliefs, credences can constitute knowledge. For instance, your 0.4 credence that it is raining outside can constitute knowledge, in just the same way that your full beliefs can. In addition, you can know that it might be raining, and that if it is raining then it is probably cloudy, where this knowledge is not knowledge of propositions, but of probabilistic contents. The notion of probabilistic content introduced in this book plays a central role not only in epistemology, but in the philosophy of mind and language as well. Just as tradition holds that you believe and assert propositions, you can believe and assert probabilistic contents. Accepting that we can believe, assert, and know probabilistic contents has significant consequences for many philosophical debates, including debates about the relationship between full belief and credence, the semantics of epistemic modals and conditionals, the contents of perceptual experience, peer disagreement, pragmatic encroachment, perceptual dogmatism, and transformative experience. In addition, accepting probabilistic knowledge can help us discredit negative evaluations of female speech, explain why merely statistical evidence is insufficient for legal proof, and identify epistemic norms violated by acts of racial profiling. Hence the central theses of this book not only help us better understand the nature of our own mental states, but also help us better understand the nature of our responsibilities to each other.