Sarah Schulman

From award-winning writer Sarah Schulman, a longtime activist and critic of the Israeli war on Gaza, comes a brilliant examination of the misunderstood concept of solidarity which seeks to provide a new vision of what it means, and why it matters. In this nuanced analysis, Schulman challenges the traditional notion of solidarity as a simple union of equals, arguing that in today's world of globalized power structures, true solidarity requires the collaboration of bystanders and conflicted perpetrators with the excluded and oppressed. Schulman examines a range of case studies, from the fight for abortion rights in post-Franco Spain, to NYC's AIDS activism in the 1990s, to the current wave of protest movements against Israel's genocide of the Palestinian people, and her own experience growing up as a queer female artist in male dominated culture industries. Reckoning with the successes and failures of these movements, she argues that action always comes at a cost, despite not always being effective. But without solidarity we are stuck with the status quo, and we lose any hope of progressive change. By turns challenging, inspiring, pragmatic, and poetic, The Fantasy and Necessity of Solidarity provides a much-needed path for how we can work together towards justice now and for the future.

From award-winning writer Sarah Schulman, a longtime social activist and outspoken critic of the Israeli war on Gaza, comes a brilliant examination of the inherent psychological and social challenges to solidarity movements, and what that means for the future For those who seek to combat injustice, solidarity with the oppressed is one of the highest ideals, yet it does not come without complication. In this searing yet uplifting book, award-winning writer and cultural critic Sarah Schulman delves into the intricate and often misunderstood concept of solidarity to provide a new vision for what it means to engage in this work--and why it matters. To grapple with solidarity, Schulman writes, we must recognize its inherent fantasies. Those being oppressed dream of relief, that a bystander will intervene though it may not seem to be in their immediate interest to do so, and that the oppressor will be called out and punished. Those standing in solidarity with the oppressed are occluded by a different fantasy: that their intervention is effective, that it will not cost them, and that they will be rewarded with friendship and thanks. Neither is always the case, and yet in order to realize our full potential as human beings in relation with others, we must continue to pursue action towards these shared goals. Within this framework, Schulman examines a range of case studies, from the fight for abortion rights in post-Franco Spain, to NYC's AIDS activism in the 1990s, to the current wave of campus protest movements against Israel's war on Gaza, and her own experience growing up as a queer female artist in male dominated culture industries. Drawing parallels between queer, Palestinian, feminist, and artistic struggles for justice, Schulman challenges the traditional notion of solidarity as a simple union of equals, arguing that in today's world of globalized power structures, true solidarity requires the collaboration of bystanders and conflicted perpetrators with the excluded and oppressed. That action comes at a cost, and is not always effective. And yet without it we sentence ourselves to a world without progressive change towards visions of liberation. By turns challenging, inspiring, pragmatic, and poetic, The Fantasy and Necessity of Solidarity provides a much-needed path for how we can work together to create a more just, more equitable present and future.

A revelatory portrait of McCarthy-era Manhattan—back in print! It is 1948 in Manhattan. Aspiring reporter Sylvia Golubowsky pays her dues in the steno pool at the tabloid New York Star, along with sixteen other girls whose eyes are on the back of the chair in front of them, the next step up the ladder. At the rival paper across town, gossip columnist Austin Van Cleeve rules New York and Washington with his venomous pen. In the Village, Columbia University graduate Cal Byfield is stuck flipping burgers to support his dream of a Negro theater on Broadway. Against the backdrop of post–World War II New York City and under the growing shadow of the Red Scare, these three indelible characters collide with one another amidst the larger drama of the historical moment. In a fresh re-interpretation of the McCarthy era, Sarah Schulman reframes our understanding of the "blacklist" to show how racial and sexual discrimination create their own ongoing exclusions and how the politics of treachery affect the most intimate relationships. First published in 1998, Shimmer draws parallels between the McCarthy era and contemporary American life and upends the tropes of film noir, pulp fiction, and set pieces of midcentury America by positioning a Black man and a queer Jewish woman as emblematic Americans. In a story set before the advent of the collective revolutionary movements of the 1960s, Cal and Sylvia learn the hard way that the American Dream was not available to them. This new edition of Shimmer includes a postscript by the author.

Varför ger det tur att lägga en kastanjenöt i fickan? Och varför är det bara stenar som kan vara ensamma? Med färgrika uttryck och barnramsor berättas denna saga om en liten nöts äventyr på svenska och jiddisch. Boken passar utmärkt för alla som är nyfikna på minoritetsspråket jiddisch samt för jiddischtalare som vill högläsa på jiddisch för en yngre publik. Sarah Schulman är jiddischist, författare och kulturproducent. Hon driver Dos Nisele Farlag som ger ut litteratur på jiddisch. Karl Kjäll är illustratör. Nöten är deras första barnbok tillsammans och en av de första barnböcker som ges ut på svenska och jiddisch.

Språk både speglar och formar samhällen, och präglar verkligheten för alla som verkar i dem. Denna grundsats inom sociolingvistik, studiet av språk i ett socialt sammanhang, är viktig för denna bok. I fokus står Sveriges nationella minoritetsspråk - finska, jiddisch, meänkieli, romani chib och samiska - samt svenskt teckenspråk som också har lagskydd inom svensk språklagstiftning.Författarna lyfter fram vardagens språkliga praktiker som ett angreppssätt för att förstå den levda erfarenheten av språkpolitik. Men de beskriver också de historiska processer som lett till dagens situation för de nationella minoritetsspråken. Hur har villkoren kommit att förändras för deras talare? Hur upplever de sin förmåga och möjlighet att använda sina språk? Och hur gör sig historien påmind i nuet? Boken är avsedd för utbildningar som anlägger sociolingvistiska perspektiv på flerspråkighet. Inte minst är den en viktig resurs för lärarstudenter och lärare i arbetet med att förmedla uppdaterad kunskap om nationella minoriteter och deras språk.Kenneth Hyltenstam, professor emeritus i tvåspråkighetsforskning vid Stockholms universitet, medverkar med ett omfattande efterord.

Twenty years in the making, Sarah Schulman's Let the Record Show is the most comprehensive political history ever assembled of ACT UP and American AIDS activism Finalist for the PEN/John Kenneth Galbriath Award for Nonfiction, the Gotham Book Prize, the ALA Stonewall Israel Fishman Nonfiction Award, and the Lambda Literary LGBTQ Nonfiction Award. A 2021 New York Times Book Review Notable Book and a New York Times Book Review Editors' Choice. Longlisted for the 2021 Brooklyn Public Library Literary Prize. This is not reverent, definitive history. This is a tactician's bible.--Parul Sehgal, The New York Times In just six years, ACT UP, New York, a broad and unlikely coalition of activists from all races, genders, sexualities, and backgrounds, changed the world. Armed with rancor, desperation, intelligence, and creativity, it took on the AIDS crisis with an indefatigable, ingenious, and multifaceted attack on the corporations, institutions, governments, and individuals who stood in the way of AIDS treatment for all. They stormed the FDA and NIH in Washington, DC, and started needle exchange programs in New York; they took over Grand Central Terminal and fought to change the legal definition of AIDS to include women; they transformed the American insurance industry, weaponized art and advertising to push their agenda, and battled--and beat--The New York Times, the Catholic Church, and the pharmaceutical industry. Their activism, in its complex and intersectional power, transformed the lives of people with AIDS and the bigoted society that had abandoned them. Based on more than two hundred interviews with ACT UP members and rich with lessons for today's activists, Let the Record Show is a revelatory exploration--and long-overdue reassessment--of the coalition's inner workings, conflicts, achievements, and ultimate fracture. Schulman, one of the most revered queer writers and thinkers of her generation, explores the how and the why, examining, with her characteristic rigor and bite, how a group of desperate outcasts changed America forever, and in the process created a livable future for generations of people across the world. One of NPR, New York, and The Guardian's Best Books of 2021, one of Buzzfeed's Best LGBTQ+ Books of 2021, one of Electric Literature's Favorite Nonfiction Books of 2021, one of NBC's 10 Most Notable LGBTQ Books of 2021, and one of Gay Times' Best LGBTQ Books of 2021.

Arkiv. Tidskrift för samhällsanalys samlar samhällsvetenskaplig och historisk forskning från Sverige och världen. Alla artiklar finns fritt tillgängliga, gratis att läsa och ladda ned, på www.tidskriftenarkiv.se. För dem som hellre vill läsa mellan två pärmar tillhandahåller vi den här tryckta utgåvan. I detta nummer: Redaktionen, ”Inbjudan till dialog och diskussion om klass” Mikael Stigendal, ”Värdet av ett klassbegrepp” Marcus Lauri & Paulina de los Reyes, ”Vad hände sen? Våld, trygghet och tankar om en annan framtid efter oroligheterna i Husby 2013” Klas Åmark, ”Den socialdemokratiska samhällsordningen” Antonio Gramsci, ”Två anteckningar ur ’Amerikanism och fordism’” Kommentarer: Anders Stephanson, ”En sorts bildningsroman” Bo Rothstein, ”Avvecklingens politiska logik. Brittiska gruvor och svenska varv” Christian Andersson, ”Nordafrika efter de folkliga revolterna – tillbaka till ordningen!” Recensioner: Sarah Schulman, ”Förlorarnas lott” Anders Björnsson, ”Ubåtskrigets magnum opus?” Jonny Hjelm, ”Tegelsten nummer två”

Based on more than two hundred interviews with ACT UP members and rich with lessons for today's activists, Let the Record Show is a revelatory exploration - and long-overdue reassessment - of the coalition's inner workings, conflicts, achievements, and ultimate fracture. Sarah Schulman, one of the most revered queer writers and thinkers of her generation, explores the how and the why, examining, with her characteristic rigor and bite, how a group of desperate outcasts changed America forever, and in the process created a liveable future for generations of people across the world.

'A book of resistance and love, as urgently necessary now as it was thirty years ago' Olivia Laing First published in 1990, discover this blistering novel about a love triangle in New York during the AIDS crisis.

Sarah Schulman’s writing is bold, provocative, and refreshingly unrepentant. First published in 1994, My American History: Lesbian and Gay Life During the Reagan and Bush Years combines critical commentary with a rich and varied collection of news articles, letters, interviews, and reports in which the author traces the development of lesbian and gay politics in the U.S. In her coverage of many tireless campaigns of activism and resistance, Sarah Schulman documents a powerful political history that most people – gay or straight – never knew happened.In her Preface to this second edition, Urvashi Vaid argues for the continued relevance of Schulman’s writing to activism in the 21st century, particularly in light of the resurgence of the right in American politics. Also included is a selection of articles by Sarah Schulman for Womanews, in their original print format, with illustrations by Alison Bechdel. The book closes with an interview with the author, conducted by Steven Thrasher, especially for this new edition. It explores AIDS and homophobia during the Reagan/Bush administrations and at the dawn of the Trump era.My American History is a collection that gives voice to both the personal and political struggles of feminist and lesbian and gay communities in the 1980s. It is an important historical record that will enlighten and inform activists, as well as academics of women’s, gender and sexuality studies, in the 21st century.

Sarah Schulman’s writing is bold, provocative, and refreshingly unrepentant. First published in 1994, My American History: Lesbian and Gay Life During the Reagan and Bush Years combines critical commentary with a rich and varied collection of news articles, letters, interviews, and reports in which the author traces the development of lesbian and gay politics in the U.S. In her coverage of many tireless campaigns of activism and resistance, Sarah Schulman documents a powerful political history that most people – gay or straight – never knew happened.In her Preface to this second edition, Urvashi Vaid argues for the continued relevance of Schulman’s writing to activism in the 21st century, particularly in light of the resurgence of the right in American politics. Also included is a selection of articles by Sarah Schulman for Womanews, in their original print format, with illustrations by Alison Bechdel. The book closes with an interview with the author, conducted by Steven Thrasher, especially for this new edition. It explores AIDS and homophobia during the Reagan/Bush administrations and at the dawn of the Trump era.My American History is a collection that gives voice to both the personal and political struggles of feminist and lesbian and gay communities in the 1980s. It is an important historical record that will enlighten and inform activists, as well as academics of women’s, gender and sexuality studies, in the 21st century.

From intimate relationships to global politics, Sarah Schulman observes a continuum: that inflated accusations of harm are used to avoid accountability. Illuminating the difference between Conflict and Abuse, Schulman directly addresses our contemporary culture of scapegoating. This deep, brave, and bold work reveals how punishment replaces personal and collective self-criticism, and shows why difference is so often used to justify cruelty and shunning. Rooting the problem of escalation in negative group relationships, Schulman illuminates the ways cliques, communities, families, and religious, racial, and national groups bond through the refusal to change their self-concept. She illustrates how Supremacy behavior and Traumatized behavior resemble each other, through a shared inability to tolerate difference.This important and sure to be controversial book illuminates such contemporary and historical issues of personal, racial, and geo-political difference as tools of escalation towards injustice, exclusion, and punishment, whether the objects of dehumanization are other individuals in our families or communities, people with HIV, African Americans, or Palestinians. Conflict Is Not Abuse is a searing rejection of the cultural phenomenon of blame, cruelty, and scapegoating, and how those in positions of power exacerbate and manipulate fear of the "other" to achieve their goals.Sarah Schulman is a novelist, nonfiction writer, playwright, screenwriter, journalist and AIDS historian, and the author of eighteen books. A Guggenheim and Fulbright Fellow, Sarah is a Distinguished Professor of the Humanities at the City University of New York, College of Staten Island. Her novels published by Arsenal include Rat Bohemia, Empathy, After Delores, and The Mere Future. She lives in New York.

A modern retelling of Balzac's classic Cousin Bette by one of America's most prolific and significant writers. Earl, a black, gay actor working in a meatpacking plant, and Bette, a white secretary, have lived next door to each other in the same Greenwich Village apartment building for thirty years. Shamed and disowned by their families, both found refuge in New York and in their domestic routine. Everything changes when Hortense, a wealthy young actress from Ohio, comes to the city to "make it." Textured with the grit and gloss of midcentury Manhattan, The Cosmopolitans is a lush, inviting read. The truths it frames about the human need for love and recognition remain long after the book is closed.

Varför ger det tur att lägga en kastanjenöt i fickan? Och varför är det bara stenar som kan vara ensamma? Med färgrika uttryck och barnramsor berättas denna saga om en liten nöts äventyr på svenska och jiddisch. Boken passar utmärkt för alla som är nyfikna på minoritetsspråket jiddisch samt för jiddischtalare som vill högläsa på jiddisch för en yngre publik. Sarah Schulman har arbetat med barnprogram på jiddisch för SVT och är jiddischkrönikör för kulturtidskriften Judisk Krönika. Karl Kjäll är illustratör. Nöten är deras första barnbok tillsammans och en av de första barnböcker som ges ut på svenska och jiddisch.

"Hilarious, hard-core . . . makes "Bright Lights, Big City" and "Less Than Zero" seem thin and dated."--"Publishers Weekly"A new edition of Sarah Schulman's acclaimed 1988 novel, a noirish tale about a no-nonsense coffee-shop waitress in New York who is nursing a broken heart after her girlfriend Dolores leaves her; her attempts to find love again are funny, sexy, and ultimately even violent. "After Delores" is a fast-paced, electrifying chronicle of the Lower East Side's lesbian subculture in the 1980s.Sarah Schulman's previous books include "Empathy," "Rat Bohemia," "The Child," and "The Gentrification of the Mind."