V.S. Naipaul

Heart-rending and darkly comic, V.S. Naipaul's A House for Mr Biswas has been hailed as one of the twentieth century's finest novels, a classic that evokes a man's quest for autonomy against the backdrop of postcolonial Trinidad.Mr Biswas has been told since the day of his birth that misfortune will follow him – and so it has. Meaning only to avoid punishment, he causes the death of his father and the dissolution of his family. Wanting simply to flirt with a beautiful woman, he ends up married to her. But in spite of his endless setbacks, Mr Biswas is determined to achieve independence, and so he begins the gruelling struggle to buy a home of his own.Now part of the Picador Collection, a series showcasing the very best of modern literature.

Salim has spent most of his life on the east coast of Africa, living and working with his family. When he sets out to build a new life for himself, moving to an unnamed country in the heart of the continent, he believes he is doing so to fulfil his duty as a man. He buys a small shop in a sleepy town, at a bend in the river, where he sells sundries to the locals.First published in 1979, A Bend in the River is V. S. Naipaul’s vivid exploration of post-colonial Africa at the time of independence. Serving as a microcosm of this changing world, his bend in the river is a scene of chaos, violent change, warring tribes, ignorance, isolation and poverty. And from this rich landscape emerges one of the author’s most potent works – a truly moving story of historical upheaval and social breakdown.Now part of the Picador Collection, a series showcasing the very best of modern literature.

Set on a troubled Caribbean island - where Asians, Africans, Americans and former British colonials co-exist in a state of suppressed hysteria - Guerrillas is a novel of colonialism and revolution. A white man arrives with his mistress, an Englishwoman influenced by fantasies of native power and sexuality, unaware of the consequences of her actions. Together with a leader of the ‘revolution’, they act out a gripping drama of death, sexual violence, and spiritual impotence. Guerrillas depicts a convulsion in public life, and ends in private violence. Place and people are evoked with an intensity unrivalled elsewhere. The novel comes with extraordinary force from the centre of a profound moral awareness of the world’s plight. ‘Remarkable . . . Guerrillas is a brilliant novel in every way, and it shimmers with artistic certainty’ – The New York Times ‘Impeccable prose, precise, austere . . . Guerrillas seems to me Naipaul’s Heart of Darkness: a brilliant artist’s anatomy of emptiness, and of despair’ – Observer Now part of the Picador Collection, a series showcasing the very best of modern literature.

The third book in V.S. Naipaul’s acclaimed Indian trilogy, with a preface by the author. India: A Million Mutinies Now is a truly perceptive work whose insights continue to inform travellers of all generations to India. Much changed in India between V.S. Naipaul’s first trip to the land of his forebears and this final, fascinating account of his time in the country. Taking an anti-clockwise journey around the metropolises of India – including Bombay, Madras, Calcutta, and Delhi – Naipaul offers a kaleidoscopic, layered travelogue, encompassing a wide collage of religions, castes, and classes at a time when the percolating ideas of freedom threatened to shake loose the old ways. The brilliance of the book lies in Naipaul’s decision to approach this shifting, changing land from a variety of perspectives: the author humbly recedes, allowing the Indians to tell the stories of their own lives, and a dynamic oral history of India emerges before our eyes. ‘With this book he may well have written his own enduring monument, in prose at once stirring and intensely personal, distinguished both by style and critical acumen’ Financial Times Now part of the Picador Collection, a series showcasing the very best of modern literature.

A beautifully rendered work of autofiction from the winner of the Nobel Prize in Literature.Taking its title from the strangely frozen picture by the surrealist painter Giorgio de Chirico, The Enigma of Arrival tells the story of a young Indian from the Caribbean arriving in post-imperial England and consciously, over many years, finding himself as a writer. It is the story of a journey, from one place to another, from the British colony of Trinidad to the ancient countryside of England, and from one state of mind to another, and is perhaps V.S. Naipaul’s most autobiographical work. Yet alongside this he weaves a rich and complex web of invention and observation.Finding depth and pathos in the smallest moments – the death of a cottager, the firing of an estate’s gardener – Naipaul also comprehends the bigger picture – watching as the old world is lost to the gradual but permanent changes wrought on the English landscape by the march of ‘progress’.‘Written with the expected beauty of style . . . Instead of diminishing life, Naipaul ennobles it’ Anthony Burgess, The ObserverNow part of the Picador Collection, a series showcasing the very best of modern literature.

The Mystic Masseur, V. S. Naipaul’s first published novel, is the story of the rise and rise of Ganesh, from failed primary school teacher and struggling masseur to author, revered mystic and MBE – a journey equally memorable for its hilarity as its bewildering success.An unforgettable cast of characters witness this meteoric ascent: Ganesh’s father-in-law, Ramlogan, whose shop gave the impression that ‘every morning someone went over everything in it – scales, Ramlogan, and all – with a greased rag’; his aunt, the Great Belcher, with her troubling wind; his wife Leela, and her fondness for putting a punctuation mark after every word. Soon, Ganesh’s small hut is filled with books (1,500, as his wife will attest), and his trousers and shirt disappear to be replaced by more suitable attire for a proper mystic. As ‘The Woman Who Couldn’t Eat’ and ‘Lover Boy’, the man who fell in love with his bicycle, line up to be cured, it looks like the mystic masseur is surely destined for greatness.In one of the author’s finest comic creations we see the immense sensitivity, humour and endlessly inventive imagination that have become the hallmarks of V. S. Naipaul’s genius.Now part of the Picador Collection, a series showcasing the very best of modern literature.

One of BBC's 100 Novels That Shaped Our World.Heart-rending and darkly comic, V. S. Naipaul's A House for Mr Biswas has been hailed as one of the twentieth century's finest novels, a classic that evokes a man’s quest for autonomy against the backdrop of post-colonial Trinidad.Part of the Macmillan Collector’s Library, a series of stunning, clothbound, pocket-sized classics with gold-foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition features an introduction by writer Teju Cole.Mr Biswas has been told since the day of his birth that misfortune will follow him – and so it has. Meaning only to avoid punishment, he causes the death of his father and the dissolution of his family. Wanting simply to flirt with a beautiful woman, he ends up marrying her. But in spite of endless setbacks, Mr Biswas is determined to achieve independence, and so he begins the gruelling struggle to buy a home of his own.

A Bend in the River is V. S. Naipaul’s vivid exploration of post-colonial Africa at the time of Independence. With an introduction by Yiyun Li, author of A Thousand Years of Good Prayers.Salim has spent most of his life on the east coast of Africa, living and working with his family. When he sets out to build a new life for himself, moving to an unnamed country in the heart of the continent he believes he is doing so to fulfil his duty as a man. He buys a small shop in a sleepy town, at a bend in the river, where he sells sundries to the locals. First published in 1979, A Bend in the River is V.S. Naipaul's vivid exploration of post-colonial Africa at the time of Independence. Serving as a microcosm of this changing world, his bend in the river is a scene of chaos, violent change, warring tribes, ignorance, isolation and poverty. And from this rich landscape emerges one of the author's most potent works – a truly moving story of historical upheaval and social breakdown.

With a preface by the author. V. S. Naipaul’s legendary command of broad comedy and acute social observation is on abundant display in these classic works of fiction – two novels and a collection of stories – that capture the rhythms of life in the Caribbean and England with impressive subtlety and humour. The Suffrage of Elvira is Naipaul’s hilarious take on an electoral campaign in the back country of Trinidad, where the candidates’ tactics include blatant vote-buying and supernatural sabotage. The eponymous protagonist of Mr Stone and the Knights Companion is an ageing Englishman of ponderously regular habits whose life is thrown into upheaval by a sudden marriage and an unanticipated professional advancement. And the stories in A Flag on the Island take us from a Chinese bakery in Trinidad – whose black proprietor faces bankruptcy until he takes a Chinese name – to a rooming house in London, where the genteel landlady plays a nasty Darwinian game with her budgerigars. Unfailingly stylish, filled with intelligence and feeling, The Nightwatchman's Occurrence Book is the work of a writer who can do just about anything that can be done with language. ‘V. S. Naipaul has a substantial claim as a comic writer . . . This humour, conducted throughout with the utmost stylistic quietude, is completely original’ Kingsley Amis, Spectator

Winner of the Booker Prize 1971 and nominated for the Golden Man Booker Prize in 2018. In a Free State tells the story first of an Indian servant in Washington, who becomes an American citizen but feels he has ceased to be a part of the flow. Then of a disturbed Asian West Indian in London who, in jail for murder, has never really known where he is. Then the central novel moves to Africa, to a fictional country somewhere like Uganda or Rwanda. The novel's central characters once found Africa liberating, but now it has gone sour on them. The land is no longer safe, and at a time of tribal conflict they have to make the long drive to the safety of their compound. At the end of this drive – the narrative tight, wonderfully constructed, the formal and precise language always instilled with violence and rage – we know everything about the English characters, the African country and the Idi Amin-like future awaiting it. This is one of V. S. Naipaul’s greatest novels, hard but full of pity. This is a story about displacement, the yearning for the good place in someone else’s land and the attendant heartache.

Set on a troubled Caribbean island – where Asians, Africans, Americans and former British colonials co-exist in a state of suppressed hysteria – V. S. Naipaul's Guerrillas is a novel of colonialism and revolution. A white man arrives with his mistress, an Englishwoman influenced by fantasies of native power and sexuality, unaware of the consequences of her actions. Together with a leader of the ‘revolution’, they act out a gripping drama of death, sexual violence and spiritual impotence. Guerrillas depicts a convulsion in public life, and ends in private violence. The novel comes with extraordinary force from the centre of a profound moral awareness of the world’s plight. ‘Impeccable . . . Guerrillas seems to me Naipaul’s Heart of Darkness: a brilliant artist’s anatomy of emptiness, and of despair’ – Observer

From the winner of the Nobel Prize in Literature, A House for Mr Biswas is V. S. Naipaul's best-loved novel.

The third book in V. S. Naipaul's acclaimed Indian trilogy, with a preface by the author. India: A Million Mutinies Now is a truly perceptive work whose insights continue to inform travellers of all generations to India. Much has changed since V. S. Naipaul’s first trip to India and this fascinating account of his return journey focuses on India’s development since independence. Taking an anti-clockwise journey around the metropolises of India – including Bombay, Madras, Calcutta, and Delhi – Naipaul offers a kaleidoscopic, layered travelogue, encompassing a wide collage of religions, castes, and classes at a time when the percolating ideas of freedom threatened to shake loose the old ways. The brilliance of the book lies in Naipaul’s decision to approach this shifting, changing land from a variety of perspectives: the author humbly recedes, allowing the Indians to tell the stories of their own lives, and a dynamic oral history of India emerges before our eyes. ‘With this book he may well have written his own enduring monument, in prose at once stirring and intensely personal, distinguished both by style and critical acumen’ – Financial Times

At the centre of this extraordinary historical narrative are two linked themes: the grinding down of the aborigines during the long rivalries of the quest for El Dorado, the mythical kingdom of gold; and, two hundred years later, the man-made horror of the new slave colony. In The Loss of El Dorado, V. S. Naipaul shows how the alchemic delusion of El Dorado drew the small island of Trinidad into the vortex of world events, making it the object of Spanish and English colonial designs and a Mecca for treasure-seekers, slave-traders, and revolutionaries. And through an accumulation of casual, awful detail, he takes us as close as we can get to day-to-day life in the Caribbean slave plantations – at the time thought to be more brutal than their American equivalents. In this brilliantly researched book, living characters large and small are rescued from the records and set in a larger, guiding narrative – about the New World, empire, African slavery, revolution – which is never less than gripping.

The first book in V. S. Naipaul’s acclaimed Indian trilogy – with a preface by the author. An Area of Darkness is V. S. Naipaul’s semi-autobiographical account – at once painful and hilarious, but always thoughtful and considered – of his first visit to India, the land of his forebears. He was twenty-nine years old; he stayed for a year. From the moment of his inauspicious arrival in Prohibition-dry Bombay, bearing whisky and cheap brandy, he experienced a cultural estrangement from the subcontinent. It became for him a land of myths, an area of darkness closing up behind him as he travelled . . . The experience was not a pleasant one, but the pain the author suffered was creative rather than numbing, and engendered a masterful work of literature that provides a revelation both of India and of himself: a displaced person who paradoxically possesses a stronger sense of place than almost anyone. ‘His narrative skill is spectacular. One returns with pleasure to the slow hand-in-hand revelations of both India and himself’ – The Times

Beyond Belief is a book about one of the more important and unsettling issues of our time. But it is not a book of opinion. It is, in the Naipaul way, a very rich and human book, full of people and their stories: stories of family, both broken and whole; of religion and nation; and of the constant struggle to create a world of virtue and prosperity in equal measure. Islam is an Arab religion, and it makes imperial Arabizing demands on its converts. In this way it is more than a private faith; and it can become a neurosis. What has this Arab Islam done to the histories of the non-Arab Islamic states: Indonesia, Iran, Pakistan, and Malaysia? How do the converted peoples view their past – and their future? In a follow-up to Among the Believers, his classic account of his travels through these countries, V. S. Naipaul returns, after a gap of seventeen years, to find out how and what the converted preach. ‘Peerless . . . the human encounters are described minutely, superbly, picking up inconsistencies in people’s tales, catching the uncertainties and the nuances . . . there is a candour to his writing, a constant precision at its heart’ – Sunday Times

At the centre of this extraordinary historical narrative are two linked themes: the grinding down of the aborigines during the long rivalries of the quest for El Dorado, the mythical kingdom of gold; and, two hundred years later, the man-made horror of the new slave colony. In The Loss of El Dorado, V. S. Naipaul shows how the alchemic delusion of El Dorado drew the small island of Trinidad into the vortex of world events, making it the object of Spanish and English colonial designs and a Mecca for treasure-seekers, slave-traders, and revolutionaries. And through an accumulation of casual, awful detail, he takes us as close as we can get to day-to-day life in the Caribbean slave plantations – at the time thought to be more brutal than their American equivalents. In this brilliantly researched book, living characters large and small are rescued from the records and set in a larger, guiding narrative – about the New World, empire, African slavery, revolution – which is never less than gripping. ‘A formidable achievement . . . No historian has attempted to weave together in so subtle a manner the threads of the most complex and turbulent period of Caribbean history’ - The Times Literary Supplement Now part of the Picador Collection, a series showcasing the very best of modern literature

In 1950, V. S. Naipaul travelled from Trinidad to England to take up a place at Oxford University. Over the next few years, letters passed back and forth between Naipaul and his family – particularly his beloved father Seepersad, but also his mother and siblings. The result is a fascinating chronicle of Naipaul’s time at university; the love of writing that he shared with his father and their mutual nurturing of literary ambition; the triumphs and depressions of Oxford life; and the travails of his family back at home. Letters Between a Father and Son is an engrossing collection continuing into the early years of V. S. Naipaul’s literary career, touching time and again on the craft of writing, and revealing the relationships and experiences that formed and influenced one of the greatest and most enigmatic literary figures of our age. ‘Rare and precious . . . If any modern writer was going to breathe a last gasp into the epistolary tradition, it was always likely to be V. S. Naipaul’ The New Statesman Now part of the Picador Collection, a series showcasing the very best of modern literature.

Winner of the Somerset Maugham Prize Miguel Street, V.S. Naipaul’s first work of fiction, is set in a derelict corner of Port of Spain, Trinidad, during World War Two and is narrated by an unnamed, precociously observant neighbourhood boy. We are introduced to a galaxy of characters, from Popo the carpenter, who neglects his livelihood to build ‘the wild thing without a name’, to Man-man, who goes from running for public office to staging his own crucifixion, and the dreaded Big-Foot, the bully with glass tear ducts. As well as the lovely Mrs Hereira, in thrall to her monstrous husband. V.S. Naipaul writes with prescient wisdom and crackling wit about the lives and legends that make up Miguel Street: a living theatre, a world in microcosm, a cacophony of sights, sounds and smells – all seen through the eyes of a fatherless boy. The language, the idioms and the observations are priceless and timeless and Miguel Street overflows with life on every page. This is an astonishing novel about hope, despair, poverty and laughter; and an enchanting and exuberant tribute to V.S. Naipaul’s childhood home. ‘A beguiling book about growing up in the West Indies. The sketches are written lightly, so that tragedy is understated and comedy is overstated, yet the ring of truth always prevails.’ The New York Times Now part of the Picador Collection, a series showcasing the very best of modern literature.