Wendell Berry

The indispensable writings of our modern-day Thoreau, more relevant now than ever, in a special two-volume edition prepared in consultation with the author. Writing with elegance and clarity, Wendell Berry is a compassionate and compelling voice for our time of political and cultural distrust and division, whether expounding the joys and wisdom of nonindustrial agriculture, relishing the pleasure of eating food produced locally by people you know, or giving voice to a righteous contempt for hollow technological innovation. He is our most important writer on the cultural crisis posed by industrialization and mass consumerism, and the vital role of rural, sustainable farming in preserving the planet as well as our national character. Now, in celebration of Berry's extraordinary six-decade-long career, Library of America presents a two-volume boxed set edition of his nonfiction writings prepared in close consultation with the author. Here in full are such landmark books as The Unsettling of America and Life Is a Miracle, along with generous selections from more than a dozen other volumes, revealing as never before the evolution of Berry's thoughts and concerns as a farmer, neighbor, citizen, teacher, activist, and ecological philosopher. Throughout he demonstrates that our existence is always connected to the land, and that even in a modern global economy local farming is essential to the flourishing of our culture, to healthy living and stable communities, and indeed to the continuing survival of the human species. Berry's essays remain timely, even urgent today, and will resonate with anyone interested in our relationship to the natural world and especially with a younger, politically engaged generation invested in the future welfare of the planet. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

The second volume of the Library of America's definitive two-volume selection of the nonfiction writings of our greatest living advocate for sustainable culture. Writing with elegance and clarity, Wendell Berry is a compassionate and compelling voice for our time of political and cultural distrust and division, whether expounding the joys and wisdom of nonindustrial agriculture, relishing the pleasure of eating food produced locally by people you know, or giving voice to a righteous contempt for hollow innovation. He is our most important writer on the cultural crisis posed by industrialization and mass consumerism, and the vital role of rural, sustainable farming in preserving the planet as well as our national character. Now, in celebration of Berry's extraordinary six-decade-long career, Library of America presents a two-volume selection of his nonfiction writings prepared in close consultation with the author. In this second volume, forty-four essays from ten works turn to issues of political and social debate--big government, science and religion, and the meaning of citizenship following the tragedy of 9/11. Also included is his Jefferson Lecture to the National Endowment for the Humanities, "It All Turns on Affection" (2012). Berry's essays remain timely, even urgent today, and will resonate with anyone interested in our relationship to the natural world and especially with a younger, politically engaged generation invested in the future welfare of the planet. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

The first volume of the Library of America's definitive two-volume selection of the nonfiction writings of our greatest living advocate for sustainable culture. Writing with elegance and clarity, Wendell Berry is a compassionate and compelling voice for our time of political and cultural distrust and division, whether expounding the joys and wisdom of nonindustrial agriculture, relishing the pleasure of eating food produced locally by people you know, or giving voice to a righteous contempt for hollow innovation. He is our most important writer on the cultural crisis posed by industrialization and mass consumerism, and the vital role of rural, sustainable farming in preserving the planet as well as our national character. Now, in celebration of Berry's extraordinary six-decade-long career, Library of America presents a two-volume selection of his nonfiction writings prepared in close consultation with the author. This first volume collects thirty-three essays from nine different books, including his first, The Long-Legged House (1969), What are People For? (1990), with its still provocative essay "Why I am Not Going to Buy a Computer," and the complete text of his now classic The Unsettling of America (1975), whose argument about the enormous ecological, economic, and human costs of industrial agriculture has, as the author notes, "not had the happy fate of being proved wrong." Berry's essays remain timely, even urgent today, and will resonate with anyone interested in our relationship to the natural world and especially with a younger, politically engaged generation invested in the future welfare of the planet. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

"Berry is a superb writer. His sense of what makes characters tick is extraordinary . . . Short stories don't get any better than these." --People As part of Counterpoint's celebration of beloved American author Wendell Berry comes this reissue of his 1986 classic, The Wild Birds: Six Stories of the port William Membership. Those stories include "Thicker Than Liquor," "Where Did They Go?," "It Wasn't Me," "The Boundary," "That Distant Land," and the titular "The Wild Birds." Spanning more than three decades, from 1930 to 1967, these wonderful stories follow Wheeler Catlett, and reintroduce readers to the beloved people who live in Berry's fictional town of Port William, Kentucky.

Now available in paperback, the most comprehensive--and only author-authorized--Wendell Berry reader. "America's greatest philosopher on sustainable life and living." --Chicago Tribune In a time when our relationship to the natural world is ruled by the violence and greed of unbridled consumerism, Wendell Berry speaks out in these prescient essays, drawn from his fifty-year campaign on behalf of American lands and communities. The writings gathered in The World-Ending Fire are the unique product of a life spent farming the fields of rural Kentucky with mules and horses, and of the rich, intimate knowledge of the land cultivated by this work. These are essays written in defiance of the false call to progress and in defense of local landscapes, essays that celebrate our cultural heritage, our history, and our home. With grace and conviction, Wendell Berry shows that we simply cannot afford to succumb to the mass-produced madness that drives our global economy--the natural world will not allow it. Yet he also shares with us a vision of consolation and of hope. We may be locked in an uneven struggle, but we can and must begin to treat our land, our neighbors, and ourselves with respect and care. As Berry urges, we must abandon arrogance and stand in awe.

"The Art of Loading Brush is singular in Berry's corpus." --The Paris Review Wendell Berry's profound critique of American culture has entered its sixth decade, and in this gathering he reaches with deep devotion toward a long view of agrarian philosophy. The Art of Loading Brush is an energetic mix of essays, stories, and a poem, which explore agrarian ideals as they present themselves historically and as they might apply to our work today. Filled with insights and new revelations from a mind thorough in its considerations and careful in its presentations, The Art of Loading Brush is a necessary and timely collection.

"Read him] with pencil in hand, make notes, and hope that somehow our country and the world will soon come to see the truth that is told here." --The New York Times Book Review In this collection of essays, first published in 1993, Wendell Berry continues his work as one of America's most necessary social commentators. With wisdom and clear, ringing prose, he tackles head-on some of the most difficult problems confronting us near the end of the twentieth century--problems we still face today. Berry elucidates connections between sexual brutality and economic brutality, and the role of art and free speech. He forcefully addresses America's unabashed pursuit of self-liberation, which he says is "still the strongest force now operating in our society." As individuals turn away from their community, they conform to a "rootless and placeless monoculture of commercial expectations and products," buying into the very economic system that is destroying the earth, our communities, and all they represent.

First printed in 1995 by Gray Zeitz of the beloved Larkspur Press in Monterey, Kentucky, this is gift edition is a beautiful reproduction of Berry's book-length poem, illustrated with the original drawings by Carolyn Whitesel.

"In this powerful new collection, the noted poet, essayist, and fiction writer returns to Port William, Kentucky, the fictional town introduced in The Wild Birds. Berry's narrator roams easily through the town's past 100 years, remarking early in the book that even the unknown past is present in us, its silence as persistent as a ringing in the ears . . . If the stories seem somber in their emphasis on loss, the pains are clearly leavened by the comforts of community and connectedness that a small town can provide. An excellent introduction to one of America's finest prose writers." --Publishers Weekly Reissued as part of Counterpoint's celebration of beloved American author Wendell Berry, the five stories in Fidelity return readers to Berry's fictional town of Port William, Kentucky, and the familiar characters who form a tight-knit community within.

'Do I wish to keep up with the times? No. My wish simply is to live my life as fully as I can'The great American poet, novelist and environmental activist argues for a life lived slowly.Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

'He is unlike anybody else writing today ... After Donald Trump's election, we urgently need to rediscover the best of radical America. An essential part of that story is Wendell Berry. Few of us can live, or even aspire to, his kind of life. But nobody can risk ignoring him' Andrew Marr'Wendell Berry is the most important writer and thinker that you have (probably) never heard of. He is an American sage' James Rebanks, author of The Shepherd's Life Wendell Berry is 'something of an anachronism'. He began his life as the old times and the last of the old-time people were dying out, and continues to this day in the old ways: a team of work horses and a pencil are his preferred working tools. The writings gathered in The World-Ending Fire are the unique product of a life spent farming the fields of rural Kentucky with mules and horses, and of the rich, intimate knowledge of the land cultivated by this work. These are essays written in defiance of the false call to progress, and in defence of the local landscapes that provide our cultural heritage, our history, our home.In a time when our relationship to the natural world is ruled by the violence and greed of unbridled consumerism, Wendell Berry speaks out to defend the land we live on. With grace and conviction, he shows that we simply cannot afford to succumb to the mass-produced madness that drives our global economy. The natural world will not withstand it.Yet he also shares with us a vision of consolation and of hope. We may be locked in an uneven struggle, but we can and must begin to treat our land, our neighbours, and ourselves with respect and care. We must, as Berry urges, abandon arrogance and stand in awe.

I come into the peace of wild thingswho do not tax their lives with forethoughtof grief. I come into the presence of still water.And I feel above me the day-blind stars waiting with their light. For a timeI rest in the grace of the world, and am free. The poems of Wendell Berry invite us to stop, to think, to see the world around us, and to savour what is good. Here are consoling verses of hope and of healing; short, simple meditations on love, death, friendship, memory and belonging; luminous hymns to the land, the cycles of nature and the seasons as they ebb and flow. Here is the peace of wild things.

Library of America inaugurates its edition of the complete fiction of one of America's most beloved living writers For more than fifty years, in eight novels and fortytwo short stories, Wendell Berry (b. 1934) has created an indelible portrait of rural America through the lens of Port William, Kentucky, one of the most fully imagined places in American literature. Taken together, these novels and stories form a masterwork of American prose: straightforward, spare, and lyrical. Now, for the first time, in an edition prepared in consultation with the author, Library of America is presenting the complete story of Port William in the order of narrative chronology. This first volume, which spans from the Civil War to World War II, gathers the novels Nathan Coulter (1960, revised 1985), A Place on Earth (1967, revised 1983), A World Lost (1996), and Andy Catlett: Early Travels (2006), along with twenty-three short stories, among them such favorites as "Watch With Me," "Thicker than Liquor," and "A Desirable Woman." It also features a newly researched chronology of Berry's life and career, a map and a Port William Membership family tree, and helpful notes. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

This issue of Plough Quarterly explores the effects of technology on human flourishing. Whether its artificial intelligence, genome editing, Big Tech monopolies, or social media–induced depression, we live in a world that is being reshaped by technology from the ground up. How do we stay human? This issue of Plough Quarterly addresses challenges ranging from the lure of transhumanism to the erosion of silence by the smartphone. Technophobia is no answer, our contributors agree, but neither is a refusal to tackle real dangers. They ask: Why not try living without a computer or a television? Why give tablets to children when Steve Jobs refused to give them to his kids? Why write using a keyboard when you could wield a fountain pen? Technological asceticism of this kind won’t solve society-wide dilemmas. But it can help us maintain the spiritual independence needed to respond to them rightly. Also in this issue: original poetry by Jacob Stratman; reviews of new books by Ian Johnson, Steve Roud, and Markus Rathey; insights from Wendell Berry, Viktor Frankl, Ivan Illich, Carl Sandburg, C. S. Lewis, Alfred Delp, and Christoph Blumhardt; and art by Pieter Bruegel the Elder, Jack Baumgartner, Nicholas Roerich, Rachel Newling, Kay Polk, Suellen McCrary, Stephen Scott Young, Jie Wei Zhou, Kiéra Malone, Torkel Pettersson, Mari Rast, Albrecht Dürer, René Magritte, and Kyle T. Webster. Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus’ message into practice and find common cause with others.

This volume of six linked stories and the novella from which the book derives its title is set in Port William from 1908 to the Second World War. Here Wendell Berry introduces two of his more indelible and poignant characters, Ptolemy Proudfoot and his wife Miss Minnie, remarkable for the comic and affectionate range that-with the mastery of this consummate storyteller working at the height of his powers-here approaches the Shakespearean.Tol Proudfoot is huge, outsized, in the tradition of the mythic. The three-hundred-pound farmer, personally imposing and unkempt, is also the most graceful of presences, reserved and gallant toward his tiny wife, the ninety-pound schoolteacher.Their contrasts are humorous, of course, and recall the tall tales of rural Americana. In the novella Watch with Me, we are given a story of such depth, breadth, and importance it earns being listed as one of the most important short stories written in the American language during the twentieth century. "Wendell Berry writes with a good husbandman's care and economy . . . His stories are filled with gentle humor." The New York Times Book Review"Berry is the master of earthy country living seen through the eyes of laconic farmers . . . He makes his stories shine with meaning and warmth." The Christian Science Monitor"A small treasure of a book . . . part of a long line that descends from Chaucer to Katherine Mansfield to William Trevor." Chicago Tribune

David Kline has been called a  twentieth-century Henry David Thoreau" by his friends and contemporaries; an apt comparison given the quiet exuberance with which he records the quotidian goings-on on his organic family farm. Under David's attentive gaze and in his clear, insightful prose the reader is enveloped in the rhythms of farm life; not only the planting and harvesting of crops throughout the year, but the migration patterns of birds, the health and virility of honeybees left nearly to their own devices, the songs and silences of frogs and toads, the disappearance and resurgence of praying mantises in fields-turned woodlands, the search for monarch butterflies in the milkweed. There's rhythm in community, too neighbors gathering to plant potatoes or to maintain an elderly friend's tomato garden, organic farming conferences and meetings around family dining tables or university panels.Interspersed with local lore (when the spring's first bumblebee appears the children can go barefoot) is deep technical knowledge of cultivation and land management and the hazards of modern agri-business. Kline records statewide meetings of district supervisors, knows which speakers and committee chairmen are in the pockets of the oil and gas lobbyists, stands up and says his part.At a time when America's population is being turned toward the benefits of small, local farming practices on our health and our environment, Kline's daybook offers a striking example of the ways in which we are connected to our environment, and the pleasure we can take in daily work and stewardship.

William Summer founded the renowned Pomaria Nursery, which thrived from the 1840s to the 1870s in central South Carolina and became the center of a bustling town that today bears its name. The nursery grew into one of the most important American nurseries of the antebellum period, offering wide varieties of fruit trees and ornamentals to gardeners throughout the South. Summer also published catalogs containing well-selected and thoroughly tested varieties of plants and assisted his brother, Adam, in publishing several agricultural journals throughout the 1850s until 1862. In Taking Root, James Everett Kibler, Jr., collects for the first time the nature writing of William and Adam Summer, two of America’s earliest environmental authors. Their essays on sustainable farm practices, reforestation, local food production, soil regeneration, and respect for Mother Earth have surprising relevance today.The Summer brothers owned farms in Newberry and Lexington Counties, where they created veritable experimental stations for plants adapted to the southern climate. At its peak the nursery offered more than one thousand varieties of apples, pears, peaches, plums, figs, apricots, and grapes developed and chosen specifically for the southern climate, as well as offering an equal number of ornamentals, including four hundred varieties of repeat-blooming roses. The brothers experimented with and reported on sustainable farm practices, reforestation, land reclamation, soil regeneration, crop diversity rather than the prevalent cotton monoculture, and animal breeds accustomed to hot climates from Carolina to Central Florida.Written over a span of two decades, their essays offer an impressive environmental ethic. By 1860 Adam had concluded that a person’s treatment of nature is a moral issue. Sustainability and long-term goals, rather than get-rich-quick schemes, were key to this philosophy. The brothers’ keen interest in literature is evident in the quality of their writing; their essays and sketches are always readable, sometimes poetic, and occasionally humorous and satiric. A representative sampling of their more-than-six hundred articles appear in this volume.

Prominent author and cultural critic Wendell Berry is well known for his contributions to agrarianism and environmentalism, but his commentary on education has received comparatively little attention. Berry has been eloquently unmasking America's cultural obsession with restless mobility for decades, arguing that it causes damage to both the land and the character of our communities. Education, he maintains, plays a central role in this obsession, inculcating in students' minds the American dream of moving up and moving on. Drawing on Berry's essays, fiction, and poetry, Jack R. Baker and Jeffrey Bilbro illuminate the influential thinker's vision for higher education in this pathbreaking study. Each chapter begins with an examination of one of Berry's fictional narratives and then goes on to consider how the passage inspires new ways of thinking about the university's mission. Throughout, Baker and Bilbro argue that instead of training students to live in their careers, universities should educate students to inhabit and serve their places. The authors also offer practical suggestions for how students, teachers, and administrators might begin implementing these ideas. Baker and Bilbro conclude that institutions guided by Berry's vision might cultivate citizens who can begin the work of healing their communities -- graduates who have been educated for responsible membership in a family, a community, or a polity.