E. M. Forster

E.M. Forster's personal favorite of his own novels. The novel follows the lives of school friends from Cambridge University as they mature and enter society, seeking love, marriage and professional fulfillment. Forster comments on the pressures and expectations of class politics within English society.

This Edwardian social comedy explores love and prim propriety among an eccentric cast of characters assembled in an Italian pensione and in a corner of Surrey, England. A charming young English woman, Lucy Honeychurch, faints into the arms of a fellow Britisher when she witnesses a murder in a Florentine piazza. Attracted to this man, George Emerson-who is entirely unsuitable and whose father just may be a Socialist-Lucy is soon at war with the snobbery of her class and her own conflicting desires. Back in England she is courted by a more acceptable, if stifling, suitor, and soon realizes she must make a startling decision that will decide the course of her future: she is forced to choose between convention and passion. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

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This Edwardian social comedy explores love and prim propriety among an eccentric cast of characters assembled in an Italian pensione and in a corner of Surrey, England. A charming young Englishwoman, Lucy Honeychurch, faints into the arms of a fellow Britisher when she witnesses a murder in a Florentine piazza. Attracted to this man, George Emerson-who is entirely unsuitable and whose father just may be a Socialist-Lucy is soon at war with the snobbery of her class and her own conflicting desires. Back in England, she is courted by a more acceptable, if stifling, suitor and soon realizes she must make a startling decision that will decide the course of her future: she is forced to choose between convention and passion.

First published in 1910, Howards End is the novel that earned E. M. Forster recognition as a major writer. At its heart lie two families--the wealthy and business-minded Wilcoxes and the cultured and idealistic Schlegels. When the beautiful and independent Helen Schlegel begins an impetuous affair with the ardent Paul Wilcox, a series of events is sparked--some very funny, some very tragic--that results in a dispute over who will inherit Howards End, the Wilcoxes' charming country home. As much about the clash between individual wills as the clash between the sexes and the classes, Howards End is a novel whose central tenet, "Only connect," remains a powerful prescription for modern life.

A traveler steps off the road and finds himself in an alternate reality. A sullen boy accidentally summons a spirit. A man gets more than he bargained for when he buys his fianc e a plot of wooded land. These six stories deal with transformations, the truth of the imagination, and the effect of the unseen on ordinary lives. By juxtaposing the Edwardian English with pagan mythology, E.M. Forster created in this collection a work of lasting strangeness and great beauty.

The disregard of a dying woman's bequest, a girl's attempt to help an impoverished clerk, and the marriage of an idealist and a materialist - all intersect at an estate called Howards End. The fate of this country home symbolizes the future of England in an exploration of social, economic, and philosophical trends during the post-Victorian era

The Machine Stops is a short science fiction story. It describes a world in which almost all humans have lost the ability to live on the surface of the Earth. Each individual lives in isolation in a 'cell', with all bodily and spiritual needs met by the omnipotent, global Machine. Most humans welcome this development, as they are skeptical and fearful of first-hand experience. People forget that humans created the Machine, and treat it as a mystical entity whose needs supersede their own. Those who do not accept the deity of the Machine are viewed as 'unmechanical' and are threatened with "Homelessness". Eventually, the Machine apocalyptically collapses, and the civilization of the Machine comes to an end.

This Edwardian social comedy explores love and prim propriety among an eccentric cast of characters assembled in an Italian pensione and in a corner of Surrey, England. A charming young Englishwoman, Lucy Honeychurch, faints into the arms of a fellow Britisher when she witnesses a murder in a Florentine piazza. Attracted to this man, George Emerson-who is entirely unsuitable and whose father just may be a Socialist-Lucy is soon at war with the snobbery of her class and her own conflicting desires. Back in England, she is courted by a more acceptable, if stifling, suitor and soon realizes she must make a startling decision that will decide the course of her future: she is forced to choose between convention and passion.

This Edwardian social comedy explores love and prim propriety among an eccentric cast of characters assembled in an Italian pensione and in a corner of Surrey, England. A charming young Englishwoman, Lucy Honeychurch, faints into the arms of a fellow Britisher when she witnesses a murder in a Florentine piazza. Attracted to this man, George Emerson-who is entirely unsuitable and whose father just may be a Socialist-Lucy is soon at war with the snobbery of her class and her own conflicting desires. Back in England, she is courted by a more acceptable, if stifling, suitor and soon realizes she must make a startling decision that will decide the course of her future: she is forced to choose between convention and passion.

When a young English widow takes off on the grand tour and along the way marries a penniless Italian, her in-laws are not amused. That the marriage should fail and poor Lilia die tragically are only to be expected. But that Lilia should have had a baby -- and that the baby should be raised as an Italian -- are matters requiring immediate correction by Philip Herriton, his dour sister Harriet, and their well-meaning friend Miss Abbott.

Howards End is a novel by E. M. Forster, first published in 1910, about social conventions, codes of conduct, and personal relationships in turn-of-the-century England. Howards End is considered by some to be Forster's masterpiece. In 1998, the Modern Library ranked Howards End 38th on its list of the 100 best English-language novels of the 20th century.

First published in 1910, "Howards End" is E. M. Forster's classic story regarding social conventions of different strata of English society at the end of the 19th century. The story centers around three families; the Wilcoxes, a wealthy family who made their fortune in the African colonies; the Schlegels, three siblings, Margaret, Helen, and Tibby, who represent the intellectual bourgeoisie; and the Basts, a young struggling couple from a lower class background. The Schlegels are lively socialites whose spirited and active lifestyles bring them by chance into contact with the Wilcoxes and the Basts. Through the entanglement between these three families, Forster masterfully depicts the struggle between the upper and lower classes that would dominate England at the end of the 19th century. Forster drew upon memories of his childhood home, Rooks Nest in Hertfordshire, for the titular Howards End, a country estate of the Wilcoxes where part of the story takes place, and whose ownership comes into question when the Wilcox matriarch, Ruth, makes a death-bed bequeath of the estate to Margaret Schlegel. The fate of Howards End, and the lives of the family's affiliated with it, is brilliantly represented by Forster as a parallel to the fate of English Society itself at the turn of the century. This edition is printed on premium acid-free paper.

Rickie Elliot, a sensitive and congenitally lame young man, orphaned at the age of 15, escapes from the misery of suburban life and the bullying of public school to Cambridge, where, like Forster himself, he finds sympathetic friends, chief amongst them Ansell, a grocer's son. He has literary aspirations (his short stories, Arcadian pastoral fantasies, are remarkably like Forster's own), but is also attracted by Agnes Pembroke, the conventional but beautiful sister of a schoolmaster friend and protector, and by her handsome, athletic, ex-bully fianc Gerald

A traveler steps off the road and finds himself in an alternate reality. A sullen boy accidentally summons a spirit. A man gets more than he bargained for when he buys his fianc e a plot of wooded land. These six stories deal with transformations, the truth of the imagination, and the effect of the unseen on ordinary lives. By juxtaposing the Edwardian English with pagan mythology, E.M. Forster created in this collection a work of lasting strangeness and great beauty