Michael Young

The future is not as far away as it might seem. What seemed a problem of the next generation now has become a problem of tomorrow. We are accelerating towards a future that is evermore present, guided by political and economic forces that seem unintelligible. Is this quick-paced intangible progression, the role of the architect is at stake. How can architecture keep up with society? Can it adapt quickly enough to frame it? And is so, what should that frame look like? These are some of the questions embedded in the premise of the three advanced studios presented in this book conducted by the three of Yale School of Architecture's Louis I. Kahn Visiting Assistant Professors in 2016 and 2017. Michael Young investigates the past from the future in "Aesthetics of Accelerationism: The Icelandic Infrastructure 2036-2056." Kersten Keers analyzes visions for agricultural ensembles for communal living in "Architecture Without Consent 19: Almost Classicism." And David Erdman looks to the potential of building on top of housing estates in Hong Kong in "Objects and Qualities." The book features interviews with the professors and essays on their specific studio topics.

Computer Arts Magazine, Dec 2001 If you use Photoshop and want to progress your skills, this book will open your eyes www.pixelsurgeon.com This book is a tempting, friendly design gigolo, and will do absolutely anything you ask of it. DT & G Magazine - www.Design-Bookshelf.com If you care for your craft, you'd be foolish indeed to let this opportunity slip away. Book of the year. Photoshop User Magazine, January 2002 The variety of artwork and approaches is a definite plus. CGI Magazine, February 2002 Not just a book about graphics, it's a work of art in itself. As a piece of software, Adobe Photoshop is rare - perhaps alone - in evoking genuine passion from its users. As it evolves, it finds its way into the lives of more and more professional creators, tempting them away from their traditional materials, and expanding their horizons. Yes, it can alter photographs. It can also alter careers. New Masters of Photoshop is a showcase of Masters who use Photoshop, and Masters of Photoshop use. The photographers, animators, artists, and designers assembled here have a myriad of different skills: some manipulate, some animate, some create from scratch. All of them produce remarkable, beautiful things. In these pages, the authors will demonstrate examples of their print work, web work, public work, and private work, explaining the techniques they use to achieve their results. More than that, though, they'll tell you how they think: who their influences are, where their ideas come from, and how they find inspiration when the well has run dry. friends of ED has scoured the world for the leading exponents of Photoshop technique. This book is a gallery of Photoshop practice and theory, backed with essays on the influences and inspirations that lie behind the sharpest digital art in today's media-saturated world. The book deconstructs sophisticated, complex, and astonishing Photoshop graphics, providing motivation, skills and inspiration in equal parts. Support for this book is available on the friends of ED web site (friendsofed.com). From the Publisher Creating a Photoshop image is a process that occurs as much in the head as it does on the screen. Uniquely, New Masters of Photoshop documents it all, from the seeds of an idea, to the outcome on screen, paper, or canvas. The projects include examples of collage and montage that involve manipulation of whole images and tiny fragments - working on a grand scale, and at a pixel-by-pixel level. Layers and masks, with all their subtleties, are used in fascinating ways; and filters are treated with the sensitivity and discretion they require. The CD contains: Audio, video, and written interviews with the authors Source files for the tutorials Unflattened Photoshop files for closer inspection About the Author Michael Cina Michael Cina is an artist and designer living in a small village outside of minneapolis. he creates stuff (mikecina.com) and things (trueistrue.com) out of his house in that village. companies like mtv or adobe may even call him to do some work. every now and then he leaves his village to speak at design conferences. often he will leave his house to buy cds or books (or both if he got paid). otherwise he rides his bike, fishes, chases his cat or girlfriend, takes pictures, makes fonts, paints, e-mails people, struggles over writing things like books and bios... currently michael is working on his new company, weworkforthem.com, with michael young. WeWorkForThem is half art and half design studio. Mike Young Mike Young is an artist currently residing in Washington, DC, USA. Mike has created and maintained sites such as designgraphik.com and submethod.com, and is currently starting weworkforthem.com with Michael Cina of trueistrue.com. While working on these projects, Mike has also served as art director for two years at Vir2l Studios, where he directed and designed on projects such as vir2l.com, which won prestigious awards such as the New York Festivals New Media Competition, Cannes Cyber Lion: Gold, Clio Award, Art Directors Club, and also Invision Award. Not only has Mike worked on many personal and experimental web art-based projects, but also he has worked with clients such as MTV, Dc Shoes, Mercury Automobiles, Dj Dieselboy, Dj Dara, Dj Ak1200, and Walker Art Center. Jens Magnus Karlsson Jens Karlsson is a Swedish digital artist and designer. He studied information and advertising for four years, partly in the US, and later graduated from Hyperisland School of New Media Design. At Hyperisland, Jens worked as a freelance art director, along with his studies, doing print, animation, and online work for clients such as CBS, Sony, Volkswagen, and Digital Vision. From there he moved on to a position as Senior Designer at Kioken Incorporated. Jens is currently a freelance designer through Chapter3.net, and he is actively involved in enriching the online design culture with news, articles, and events, mainly as assistant creative director at threeoh.com.

First published in 1973, The Symmetrical Family combines evidence about the family of the past with information from a sociological survey in the London region and uses both as the basis for a speculative discussion about the future. The argument is that a new style of family life has emerged. Its basis is not equality between husbands and wives but at least something approaching symmetry: increasingly wives work outside the home and husbands inside it. The new family is itself under increasing pressure. Contrary to the popular view, there is yet no sign of a general increase in leisure. In some occupations work is dominant and becoming more so; at the same time the proportions of people in such jobs, though still in the minority, are expanding. The growing demand of wives for paid work outside the home means that in place of two jobs, one for the husband and one for the wife, there will often be four, with both working inside as well as outside the home. How long will people be able to bear the consequent strain? In a final chapter the authors discuss what they think will happen unless people decide quite deliberately, to reduce the pressure upon themselves and their children. This book will be of interest to students of sociology, health, social care, anthropology and public policy.

Originally published in 1960, the authors of Family and Kinship in East London then made an intensive study of a middle-class dormitory suburb. Here families were more often on their own than in the East End, but, despite the differences between the districts, there were some similarities. The bond between mother and married daughter was almost as strong in the suburb as in the city. Most old people, too, were cared for in both places by their children and other relatives, though the authors show how serious were the special problems of the aged in this suburban setting.The enquiry examined the influence of social class upon community life. This is reviewed in relation to club and church membership and to friendship patterns, and the behaviour of middle and working-class people to each other is discussed. Class tensions, and their effect on the otherwise friendly and neighbourly atmosphere that the authors found in the suburb, provide the main theme of the final chapters.

Originally published in 1965, this title looks at programmed learning, language laboratories, curricular reform, educational television, team teaching – these are just some of the fashions that were going to change education in the following decade quite as much as the introduction of comprehensive schools. Would anyone ever know what their effects are? Not unless there was a great expansion of research. The author of this book states the need for a marriage of innovation and research. The social sciences could gain as much as education. Today it can be read in its historical context.

First published in 1968, Learning Begins at Home records an attempt by two researchers to initiate and assess an innovation in a school in a working-class neighbourhood. The influence of parents upon children’s achievement is a platitude of education. The vital question is whether schools can become centres for education for adults as well as children, influencing the parents directly, and the children indirectly through the parents. The research reported in this book suggests that it would be worthwhile for teachers to give more of their time to cooperation with parents. This book will be of interest to students of education and sociology.

This commemorative book provides a visual look at an unforgettable Major League Baseball season. Through unique words and images, this book takes readers from the opening games in April through the MLB regular season and playoffs. Including full color photographs and profiles of star players and the manager, this keepsake book is an essential part of any fan’s collection.

First published in 1973, The Symmetrical Family combines evidence about the family of the past with information from a sociological survey in the London region and uses both as the basis for a speculative discussion about the future. The argument is that a new style of family life has emerged. Its basis is not equality between husbands and wives but at least something approaching symmetry: increasingly wives work outside the home and husbands inside it. The new family is itself under increasing pressure. Contrary to the popular view, there is yet no sign of a general increase in leisure. In some occupations work is dominant and becoming more so; at the same time the proportions of people in such jobs, though still in the minority, are expanding. The growing demand of wives for paid work outside the home means that in place of two jobs, one for the husband and one for the wife, there will often be four, with both working inside as well as outside the home. How long will people be able to bear the consequent strain? In a final chapter the authors discuss what they think will happen unless people decide quite deliberately, to reduce the pressure upon themselves and their children. This book will be of interest to students of sociology, health, social care, anthropology and public policy.

Originally published in 1960, the authors of Family and Kinship in East London then made an intensive study of a middle-class dormitory suburb. Here families were more often on their own than in the East End, but, despite the differences between the districts, there were some similarities. The bond between mother and married daughter was almost as strong in the suburb as in the city. Most old people, too, were cared for in both places by their children and other relatives, though the authors show how serious were the special problems of the aged in this suburban setting.The enquiry examined the influence of social class upon community life. This is reviewed in relation to club and church membership and to friendship patterns, and the behaviour of middle and working-class people to each other is discussed. Class tensions, and their effect on the otherwise friendly and neighbourly atmosphere that the authors found in the suburb, provide the main theme of the final chapters.

Originally published in 1965, this title looks at programmed learning, language laboratories, curricular reform, educational television, team teaching – these are just some of the fashions that were going to change education in the following decade quite as much as the introduction of comprehensive schools. Would anyone ever know what their effects are? Not unless there was a great expansion of research. The author of this book states the need for a marriage of innovation and research. The social sciences could gain as much as education. Today it can be read in its historical context.

First published in 1968, Learning Begins at Home records an attempt by two researchers to initiate and assess an innovation in a school in a working-class neighbourhood. The influence of parents upon children’s achievement is a platitude of education. The vital question is whether schools can become centres for education for adults as well as children, influencing the parents directly, and the children indirectly through the parents. The research reported in this book suggests that it would be worthwhile for teachers to give more of their time to cooperation with parents. This book will be of interest to students of education and sociology.

Dorothy and Leonard Elmhirst were the founders of Dartington - she the daughter of an American millionaire who was once Secretary to the US Navy; he the son of a Yorkshire parson and secretary to Rabindranath Tagore in Bengal before he married Dorothy. They were the twentieth century’s most substantial private patrons of architecture in England as well as of the arts and education.Dartington School was one of the most famous experimental schools in the world. Bertrand Russell sent his children there, as did Aldous Huxley and the Freuds. Dartington College of Arts and its associated Summer School of Music were equally famous in the world of the arts. Bernard Leach taught pottery, Mark Tobey painting, and Imogen Holst music. The Amadeus Quartet was formed there. Benjamin Britten and Peter Pears were frequent performers.In a setting of great beauty, school and college belonged to a general experiment in rural reconstruction. Dartington Glass was made in the Devonshire countryside and exported world-wide. So were Dartington Textiles, Dartington Furniture and Dartington Pottery. This book, originally published in 1982 (and reissued in 1996), describes how a unique combination of education, arts, industry and agriculture came to be put together.The result was one of the hardiest Utopian communities of modern times. It eventually overcame the strong local opposition to such a daring undertaking. The author finds the origins of modern Dartington in the founders’ hopes that mankind would be liberated through education; that a new flowering of the arts would transform a society impoverished by industrialisation and secularisation; and that a society seeking to draw together town and country would combine the best of both worlds. This book is an extraordinary memoir of two people and the place they made.

Reality Modeled After Images: Architecture and Aesthetics after the Digital Image explores architecture’s entanglement with contemporary image culture. It looks closely at how changes produced through technologies of mediation alter disciplinary concepts and produce political effects. Through both historical and contemporary examples, it focuses on how conventions of representation are established, maintained, challenged, and transformed. Critical investigations are conjoined with inquiries into aesthetics and technology in the hope that the tensions between them can aid an exploration into how architectural images are produced, disseminated, and valued; how images alter assumptions regarding the appearances of architecture and the environment.For students and academics in architecture, design and media studies, architectural and art history, and related fields, this book shows how design is impacted and changed by shifts in image culture, representational conventions and technologies.

Reality Modeled After Images: Architecture and Aesthetics after the Digital Image explores architecture’s entanglement with contemporary image culture. It looks closely at how changes produced through technologies of mediation alter disciplinary concepts and produce political effects. Through both historical and contemporary examples, it focuses on how conventions of representation are established, maintained, challenged, and transformed. Critical investigations are conjoined with inquiries into aesthetics and technology in the hope that the tensions between them can aid an exploration into how architectural images are produced, disseminated, and valued; how images alter assumptions regarding the appearances of architecture and the environment.For students and academics in architecture, design and media studies, architectural and art history, and related fields, this book shows how design is impacted and changed by shifts in image culture, representational conventions and technologies.

Året är 2034. En sociolog sätter sig ned för att beskriva de senaste decenniernas utveckling. England har blivit en fulländad meritokrati. Ett samhälle där människor belönas utifrån IQ och ansträngning. Där yrke och position inte längre går i arv. Men den nya ordningen har också en baksida. Varför protesterar så många kvinnor? Och varför är de där nere på samhällsstegen inte nöjda med ett system som rationellt sett är det bästa? 2034 är en underhållande och samtidigt dystopisk berättelse i likhet med George Orwells 1984. Boken myntade begreppet meritokrati och har varit viktig för diskussionen om hur vi egentligen når ett mer jämlikt samhälle. Nu kommer den på svenska för första gången sedan 60-talet med nyskrivet förord av Katrine Marçal. "Briljant [ ] att 2034 meritokratins uppgång och fall nu ges ut på svenska för första gången sedan 1960 är en välgärning av stora mått" ETC

This is my autobiography as I grew up in the 1960s and 1970s in a small Southern Colorado town. It follows my life into adulthood and to retirement. This work is full of twists and turns and adventures that will surprise and delight. It is also a description of what it was like to walk with God and how He has impacted my life.