Harry Eilenstein

Die "Silberschnur" ist die Lebenskraft-Verbindung zwischen dem physischen Leib und dem Astralk rper. Im weiteren Sinne kann jede Lebenskraft-Verbindung zwischen zwei Dingen "Silberschnur" genannt werden - alle diese Verbindungen k nnen als milchigwei leuchtende Schnur, d.h. als "silberne Schnur" wahrgenommen werden. Sie erscheinen im Yoga als die Kundalini sowie als Sushumna, Ida und Pingala; auch die Akupunktur-Meridiane sind solche Silberschn re. In der Magie finden sie sich als die " bung der Mittleren S ule", als die Pfade auf dem Lebensbaum, beim Mesmerismus, in der Kampfmagie, bei Segnungen und Weihungen, in Mandalas, als Verbindungen zwischen Orten als Leylines und im Feng Shui und in vielem mehr. Alle diese Silberschn re bilden insgesamt ein gro es Geflecht von Silberschn ren, das von den Dakota-Indianern das "Netz des Spinnenmannes Iktomi" genannt wird. Dieses "Silber-Netz" ist das kollektive Unterbewu tsein, das u.a. in Familienaufstellungen deutlich sichtbar wird.

This Volume contains the books: - Astral Projection for Beginners - Money Magic for Beginners - Love Spells for Beginners - Magic Research for Beginners - Chakra Magic for Beginners - Mandalas for Beginners - Magic Chants for Beginners

This Volume contains the books: - Meditation for Beginners - Hypnosis for Beginners - Ritual Magic for Beginners - Number Symbolism for Beginners - Schamanism for Beginners - Da'ath Magic for Beginners - Self Knowledge for Beginners - The Synthesis of Physics and Magic

This Volume contains the books: - Telepathy for Beginners - Telepathy for Advanced Learners - Telekinesis for Beginners - Auto-Movement for Beginners - Astrology for Beginners - The Language of the Moon - for Beginners - Feng Shui for Beginners - Kundalini for Beginners

This Volume contains the books: - Invocations for Beginners - Evocations for Beginners - Prophecy for Beginners - Life Force for Beginners - Magic Objects for Beginners - Elves for Beginners - Crop Circles for Beginners

The Kundalini is a part of the "life force circuit" in the life force body of the human being. The chakras are the "organs" of this life force body. The life force itself is a concept or image that describes the transition between consciousness and the body. The unimpeded flow of the life force is therefore essential to both physical health and the happy state of the psyche. There are many different approaches to allow the Kundalini to flow freely again: meditations, rituals, therapies, etc. These different approaches have different effects and can support each other. In this book the main features of these methods are described, so that a rough orientation is possible and you can start to awaken your Kundalini yourself. Apart from self-healing, which enables the awakening of the Kundalini, there are also many other effects of the awakened Kundalini in the field of magic. The path does not end when self-healing has been achieved - life really begins when you have achieved this healing

Research is very important in magic for everyone, because only by one's own experiences and factual conclusions from these experiences one may reach a "magical worldview" that is firmly grounded in reality. By careful research, one can avoid drifting into fantasy worlds - or missing out on magic altogether ... both of which would make life unnecessarily difficult. In this book, the practical instructions for 70 different experiments are listed along with the conclusions that can be drawn from them. These experiments begin with the simple demonstration of telepathy and telekinesis and eventually lead to a simple, though perhaps unusual, model of magic.

Magic is the influencing of matter by consciousness. Consequently, the transition between consciousness and matter is the crux of magic - this transition is what is often called "life force". Among other things, the structure of the chakras is found there, which is why the knowledge of the chakras and their properties is an important basis for magic. This includes not only the importance of the Third Eye for hypnosis, the significance of the Hara for combat magic, or the function of the solar plexus in life force vampirism, but also the dynamics of the entire chakra system and the gesture that results from it as an ideal state - which is the optimal basis of both magic and a life full of joy.

Usually magic begins with simple telepathy experiments, the production of talismans, telekinesis experiments and the like. However, these beginnings, which mainly show that magic is possible, can be increased significantly - first by practice, then by recognizing one's own soul, and finally by one-pointedness, invocations, presence, and the like. Thus simple, ordinary magic can eventually be increased to extraordinary magic - to "miracles" such as firewalks, spontaneous healings, and materializations. For this, no craftsmanship, no special rituals or spells, no secret traditions and the like are necessary, but a certain consciousness, which in the Kabbalistic tradition is called "Da'ath". This is the state of letting go and of boundlessness. The way to it can be sudden - which can be felt as a jumping into a bottomless abyss. Or it can be approached gradually - in which case it can be one of the most pleasant states of all ... a smile like Buddha, a boundaryless consciousness like the gods have, a fully conscious collective subconsciousness ... just Da'ath ...

In magic a special language is spoken - not the spells, not the old languages that nobody uses for thousands of years, not the language of grimoires ... but the language of images. This language is direct and sincere and true - it is what it is, it tells how it is, it shows the innermost essence of what is signified ... the words of this language are a reflection of what they point to. The language of magic needs the connection to what it wants, it must be accurate, without inner contradiction ... otherwise this language has no magical effect. The language of magic works in the subconsciousness - and the subconsciousness is not judgmental, it is not moral, it hides nothing, it sees everything ... and that is where magic works. The words of magic direct the life-force - and what is the life-force but the "substance" of the subconsciousness? ... therefore the language of the magicians must be a True Language. The language of magic in astrology is the Moon: the inner images, the dreams, the dream journeys, the visions, the symbols, the omens, the fairy tales, the myths ... the language of magic is the "Language of the Moon"

Nur wenige religi s-mythologische Gestalten rufen derart heftige Gef hle hervor wie der Teufel - es lohnt sich schon deshalb, ihn einmal n her anzuschauen. Er ist alles andere als eine einheitliche Gestalt: Er ist der Gott der Wildnisgott, das Urbild der Toten bei ihrer Wiederzeugung, die Erkl rung der Ungerechtigkeit in einer Welt, die ein gerechter Gott erschaffen haben soll, der Ankl ger und Henker beim Jenseitsgericht, der Gott der Heiden, der Rebell, der Sex-D mon, der Schatten einer ganzen Zivilisation und noch mehr ... Er ist der Herr der Toten, seine H lle ist einst die Grabkammer der H gelgr ber gewesen, aus dem Feuer der Brandbestattung ist das H llenfeuer geworden und des Teufels Gro mutter ist vor langer Zeit die Jenseitsg ttin gewesen. Der Teufel ist das, was die Mehrheit f rchtet - und er ist der Schatten, das Verdr ngte, das, was fehlt - und somit auch das, was heimlich am meisten ersehnt wird. Im Christentum ist der Teufel der bestrafte T ter in der H lle und Christus das erl ste Opfer im Himmel - aber wer ist derjenige, der heil ist? Wer verk rpert nicht die Macht-gepr gte T ter-Rolle wie der Teufels und auch nicht die Ohnmacht-gepr gte Opfer-Rolle wie Christus? Wer ist derjenige, der die eigenst ndige, souver ne, in sich ruhende und sch pferische Kraft verk rpert?

Astrology is the best known and the most precise oracle system. With its help one can create horoscopes describing the character of people, companies and events. However, astrology is not simply a matter of fateful and unintentional imprinting, but a recognition of how one is, based on the parable of the position of the planets at the time of birth. The horoscope describes a person as a play: the ascendant is the stage set; the planets are the actors; the zodiac signs are the roles of the actors; the astrological houses are the areas of life in which the actors appear; the ego is the director who is responsible for the level of the play - and if the director should ever get stuck, he can ask the scriptwriter, i.e. the soul, for the meaning of this play. This book contains all the information necessary for the interpretation of a horoscope - but everything in a rather short form, because this introduction for beginners should not get 1000 pages ...

Spell chants have a very long tradition - already in the Egyptian Book of the Dead some texts are praised as "spells that can be sung well". Moreover, in many traditions magicians are not called "speakers", but "singers". It is obviously worthwhile to take a closer look at the nature of singing in contrast to the spoken word in magic. Singing and speaking are the expression of different chakras and they also have a different effect. Therefore, there are situations in which a magic chant is the appropriate thing to do, and situations in which a spoken spell is the right thing to do - or "going into silence". These reflections are complemented by about 90 examples of spell chants from various cultures.

Life force is one of the central concepts in magic, but it is usually used only associatively and, while filled with many feelings, is rarely really defined precisely. In this book, the life force is examined in detail and described in terms of what it could be - and also what it cannot be. There are many questions about this subject - and trying to answer them leads to much sharper contours of the life force. Some of these research questions are: Is the life force a force or a substance? Where is the life force actually located? What is its relationship to consciousness and matter? What is its relationship to analogies? What do we see in clairvoyance? Why is there no independent life-force perception - something like seeing by the eye, hearing by the ear, smelling by the nose? Why does the life force organize itself in the structure of the chakra system? And why is there the same structure in a solar system?

Ritual magic is one of the most important tools in learning magic - it facilitates both concentration and imagination. Rituals are also almost indispensable for coordinating the magic of a group of wizards and witches. A good, i.e. effective ritual needs a certain level. To achieve this, many things must be taken into account: a clear, unambiguous goal, a non-contradictory motivation, a suitable style, the right central element in the ritual structure, the conclusiveness and the arc of suspension of the ritual, the unity of all elements of the ritual, suitable symbols, a suitable source of power, and some more. There are many good traditional rituals, as well as a whole range of ritual elements that can be used in various rituals of one's own making. Rituals have a great variety and are found in all older cultures. They range from the sweat lodge ceremony and the rain spell, to the talismanic dedication and the initiation rituals of the Golden Dawn, to the mysteries of Eleusis.

Feng Shui is the knowledge of how to grasp the quality of a place and shape it according to one's own ideas with the help of physical and magical methods. Feng Shui is therefore related to geomancy, leyline lore, dowsing and pendulum. However, there are also close and very direct connections to crop circles, knowledge of acupuncture meridians, chakras, astrology, dragons in myths, and much more - which may not be immediately apparent at first glance. The method of recognizing the quality of a place is as precise as a science - certain forms can be clearly assigned to certain qualities. This analytical approach is then complemented by magical methods such as dream journeys, clairvoyance, family constellations, tarot cards, and the like. Imprinting the life force of a place is ultimately the same as charging a talisman or consecrating a temple. One should not overestimate the influence of places, but one should also not underestimate the benefit of shaping a place according to one's own ideas. In such a materially and magically designed place, one can do what one wants to do in an effortless way. And why not make life a little easier for yourself?

Meditation is essentially the coordination of two states of consciousness with each other: waking consciousness + subconscious = dream journey. waking consciousness + deep sleep = silent meditation waking consciousness + ecstasy = one-pointedness waking consciousness + collective subconsciousness = invocation There are also (for advanced practitioners) combinations of multiple consciousnesses, such as in mandala meditation. There is also the opposite of coordination, i.e. the disruption of the integrity of consciousness as in sleepwalking, trauma, hypnosis, etc. In meditation there are a variety of tools such as words (mantras), imaginations, postures (asanas, mudras and others), breathing rhythms, symbols and so on. There are also different dynamics such as associations, analogies, identifications and the like. This results in a multitude of possible meditations and a colorful variety of possible experiences such as meeting one's own power animal, one's own soul or a deity. Nevertheless, the main features of meditation can be traced back to a few simple basic structures.

Love spells belong to the oldest and most popular forms of magic - the theme of "relationships" touches almost every person. There are many forms of love spells - from the attempted coercion of a specific person to the manumitting invitation of a relationship into one's life, from remote hypnosis to love potions, from planet magic to the use of the chakras, from self-healing to black magic. However, there is also a form of "love magic" that starts from the inner man and woman, which with some probability does not only lead to getting into the same unpleasant situation for the seventeenth time, but to finding what you are actually looking for.

Mandalas are concentric and symmetrical diagrams. They are a map of the inner structure of the world and also of the dynamics of development in it. They can be very simple like the circle of the four elements with the quintessence in their center, but they can also be very complex with many rings, transitions, directions and a center. Sometimes mandalas are also depicted as a city on a hill, through which one can reach the center by various paths, climbing stairs and passing through gates, where one is tested by guards, has to dare a transformation, meets unknown beings, and so on. These mandalas also serve to order the world, but their greatest benefit is their healing capacity, because with their help one can explore one's own psyche, find in them one's own power animal, power plant and power stone, meet one's own soul, recognize one's own patron deity ... and much more ... The journey into a mandala can be a great adventure, by which one is greatly enriched.